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Brad Mehldau: Maybe As His Skies Are Wide
by Mike Jacobs
Long known for his absolute adventurousness, there isn't much that Brad Mehldau hasn't stylistically encompassed. Still, when the pianist released an exploration of the progressive favorites of his youth,--Jacob's Ladder (Nonesuch, 2022)--the results were like nothing else in his catalog. Among the album's most compelling tracks is the re-envisioning of a single famous melodic line from ...
Brock, Lanzetti, Ogawa: Drawing Songs
by Mike Jacobs
Encountering new additions to the Snarky Puppy musical diaspora is always interesting. Some members' solo efforts are more direct stylistic offshoots of the mother band while others branch out in very different directions, but it is a safe bet that they will showcase the musicianship which got them into the burgeoning collective in the first place. ...
Jim Beard: Holodeck Waltz
by Mike Jacobs
Among stunning debut albums, Jim Beard's Song Of The Sun (CTI, 1991) is one that only seems to increase in luster over time. Listen to what is probably the album's centerpiece composition, “Holodeck Waltz" and it becomes clear how a relative newcomer like Beard could attract a veritable Who's Who of electric jazz to participate on ...
Victor Bailey: Kid Logic
by Mike Jacobs
The late Victor Bailey probably missed out on much of the acclaim he was due, first by having to succeed the legendary Jaco Pastorius in the Weather Report bass chair and then later being somewhat upstaged by another virtuosic bass-playing “Victor"--(Victor Wooten). But if Bailey was relegated to being the “other Victor," it wasn't for lack ...
Bill Frisell: Jimmy Carter Pts 1 & 2
by Mike Jacobs
Bill Frisell's career arc has been extraordinary. From edgy, effect-laden, avant-jazz poster guitarist to sublime jazz interpreter of folk and Americana (and lots in between), it's been quite a ride for those who have paid attention. “Jimmy Carter Pts 1 & 2" from This Land (Nonesuch, 1994) occupies a special period in Frisell's stylistic journey where ...
Gyan Riley: Mobettabutta Part 3
by Mike Jacobs
It might be a tad predictable that the guitar-playing scion of celebrated minimalist composer Terry Riley might be hard to pigeon-hole stylistically but this only adds to the mystique and adventure of Gyan Riley's music. A conservatory-trained classical guitarist, he nonetheless exhibits eclectic (and electric) tendencies that do well to encompass jazz, classical. avant-garde and fusion ...
George Brooks: McCoy
by Mike Jacobs
By the time Summit (Earth Brother, 2000) was released, Bay Area-based saxophonist George Brooks had already built a reputation with his brand of East-meets-West Indo-jazz and working alongside music luminaries such as Zakir Hussain. But with the inclusion of bassist Kai Eckhardt, guitarist Fareed Haque, drummer Steve Smith along with Hussain and sitarist Niladri Kumar, Summit ...
Hadrien Feraud: Rhapsody In Blue
by Mike Jacobs
Prodigies are certainly nothing new but it's still quite unbelievable when a young talent arrives so fully-formed and so poised to build on the work of absolute game-changers in their musical idiom. Such was the case in 2007 when bassist Hadrien Feraud's self-titled debut album hit people's ears. The then 20-year-old Feraud's take on “Rhapsody In ...
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