All About Jazz

Home » Search Center » Results: Michele Rosewoman

Results for "Michele Rosewoman"

Advanced search options


Michele Rosewoman

Ms. Rosewoman was born in Oakland, CA where she started playing piano at age six and studied jazz traditions with the great pianist/organist Ed Kelly. In her late teens she began playing percussion and studying Cuban/Haitian folkloric idioms. By the time she moved to New York in 1978, she had already performed at major venues in the San Francisco Bay Area with her own ensembles and with Julian Priester, Julius Hemphill, Baikida Carroll and Oliver Lake and other fellow jazz innovators. In New York Rosewoman formed new ensembles and continued to present her music while collaborating with Rufus Reid, Reggie Workman, Freddie Waits, James Spaulding, Billy Hart, Carlos Ward and others as well as with Cuban master drummer/vocalist, Orlando ‘Puntilla’ Rios, and other musicians in the folkloric community. In 1983 she received an NEA grant to form the pioneering 14-piece ensemble “New Yor- Uba, A Musical Celebration of Cuba in America” that debuted at The Public Theater that December and appeared at festivals throughout Europe in 1984. That year she made her recording debut as pianist and arranger for the Cuban songo group, Los Kimy. Her experience as a percussionist continues to shape many aspects of her music. In the Latin music genre, Rosewoman has performed with Puntilla’s “Nueva Generacion,” Celia Cruz, Paquito D’Rivera, Daniel Ponce and Chocolate among others. Rosewoman received the ASCAP/Meet the Composer Commission for Emerging Composers that year (awarded by Dizzy Gillespie, Marian McPartland and Lester Bowie) resulting in a new work per-formed by the 40-piece Brooklyn Philharmonic Orchestra and a quintet of improvisers, including Rufus Reid, Greg Osby and Howard Johnson. Rosewoman’s recording debut as a leader, "The Source" (Soul Note /1984) was praised for its radiance and ingenuity. "Quintessence" (Enja/1987) was named by numerous critics and polls as one of the best jazz releases of the year and has been cited as one of the best jazz recordings of the 1980's. As Ms. Rosewoman established a reputation as one of the most ingenious and prolific bandleaders of her generation, Down Beat wrote: "…She communicates assurance and ardor whether on the cutting edge of jazz or within the mainstream. What musicianship and moving expression! Bring on the future." In addition to five recordings with Quintessence, Ms. Rosewoman has two trio recordings: Occasion To Rise (Evidence/1993), was voted one of the year’s best recordings by six critics’ polls. The critically acclaimed album Spirit (Blue Note/1996) was recorded live at the Montreal Jazz Festival. Since it's debut in 1986 at the Cooper Union Great Hall in New York, Quintessence has been the main vehicle for Rosewoman's evolution as pianist, composer and bandleader. She assembled dy-namic bands to interpret her writing, and became known for bringing together musicians who today are some of the most inventive voices in jazz, including saxophonists Steve Coleman, Greg Osby, Gary Thomas, David Sanchez, Steve Wilson, Miguel Zenon and Mark Shim; bassists Kenny Davis, Anthony Cox and Lonnie Plaxico; and drummers Terri Lyne Carrington and Gene Jackson, among others. Many have cited the experience of playing in Quintessence as notably influential in their development as musicians, composers and bandleaders. Regarding Ms. Rosewoman’s previous Quintessence release, Guardians of the Light (Enja/2000), an NPR review noted: “…[She] sounds more than ever the confident master of her committed course. An indomitable modern jazz pianist, her singular sound ideas expand readily to her dark, fiery ensembles. So it all comes together, big, tight and flexible, rangy, spontaneous, serious and mysterious. Rosewoman and her band are jazz believers, jazz devotees, keepers of the flame." Rosewoman and Quintessence received a 2003 Chamber Music America/Doris Duke Foundation New Works Creation and Presen-tation Commission. In 2006 they received one of the first Chamber Music America Encore Grants. Other recent activity includes a six- country European tour with trombonist Robin Eubanks and a series of duo performances with Greg Osby. Rosewoman has appeared at jazz festivals, concert halls and clubs throughout the U.S., Canada and Europe including the JVC, Ravinia, At-lanta, San Francisco, Montreal, Toronto, Vancouver, North Sea, Paris, Warsaw and Berlin jazz festivals and Carnegie Hall, Merkin Hall, Cooper Union Great Hall, the Public Theater, MOMA, NYU, Temple University, Stanford University, The Blue Note (New York & Tokyo), the Village Vanguard, The Apollo, Sweet Basil, Birdland, Jazz Standard, Yoshi's, New Morning (Paris) and the Jazz Café (London). As an educator she conducts classes, workshops and clinics at colleges and universities around the US while teaching piano and composition privately. Ms. Rosewoman has also held past and current teaching positions at NYU and the New School for Social Research and in February 2006 a composition department residency at Berklee College of Music.


It Might Be You in the Dark - Celebrating Dave Grusin and Big Bill Broonzy

Read "It Might Be You in the Dark - Celebrating Dave Grusin and Big Bill Broonzy" reviewed by Mary Foster Conklin

The end of June broadcast included a new single from trombonist and vocalist Aubrey Logan with Hagelslag, plus new releases from the Vanessa Perica Orchestra, with birthday shoutouts to vocalists Madeline Eastman, Tierney Sutton and Gillian Margot, composer and pianist Dave Grusin, harpist Brandee Younger and bluesman Big Bill Broonzy. Playlist Rachel Z “Artemisia" ...


Jim Black, Danilo Gallo, Alabaster DePlume, Jeremy Cunningham & Other New Releases

Read "Jim Black, Danilo Gallo, Alabaster DePlume, Jeremy Cunningham & Other New Releases" reviewed by Ludovico Granvassu

In the second part of this week's exploration of new and upcoming release [for the first part click here] we focus, in particular, on the work of drummer Jim Black with his new trio and as a member of the outstanding band Dark Dry Tears led by Italian bassist Danilo Gallo, and on another batch of ...


Bending Towards the Light

Read "Bending Towards the Light" reviewed by Mary Foster Conklin

This week's episode includes a smattering of old and new holiday songs penned by women, a boatload of new releases from vocalists Alex Pangman, Jim Caruso, Billy Stritch and Klea Blackhurst, Alla Ray, Alison Wedding, pianists Hyuna Park, Simone Baron and Carmen Sandim, trombonist Aubrey Logan and bassist Kristen Korb, plus birthday shout outs to Ethel ...


Just You, the Secret Service and Me - Celebrating Johnny Mercer

Read "Just You, the Secret Service and Me - Celebrating Johnny Mercer" reviewed by Mary Foster Conklin

Besides a celebration of songs by Johnny Mercer, the broadcast includes new releases from pianist Andrea Petrity, The DIVA Jazz Orchestra, vocalists Margaret Whiting, Karrin Allyson, Sonia Johnson, and the latest project from drummer Terri Lyne Carrington+Social Science plus more birthday shout outs to bassist Jen Hodge, vocalists Janet Lawson, Holli Ross, LaVern Baker, Ernestine Anderson, ...


Moon's Up, Night's Up - Taking the Town By Surprise

Read "Moon's Up, Night's Up - Taking the Town By Surprise" reviewed by Mary Foster Conklin

The annual celebratory broadcast for Joni Mitchell included an assortment of her songs by various jazz artists, plus new releases from Jeff Goldblum and the Mildred Snitzer Orchestra, Norah Jones, saxophonist T.K. Blue, singer/poet Lisa B (Lisa Bernstein), and vibraphone artist Lolly Allen; also more birthday shout outs to Chris Conner, Betty Bryant (going strong at ...


We Grow Accustomed to the Dark

Read "We Grow Accustomed to the Dark" reviewed by Mary Foster Conklin

This early November broadcast includes new releases from vocalists Andrea Superstein, Marsha Bartenetti, Ben Sidran and pianist Julia Hulsmann with birthday shout outs to guitarist Amanda Monaco, trumpeter Clifford Brown, pianist Dawn Clement, plus vocalists Ethel Waters, Andy Bey, Jay Clayton, Carmen Lundy, Kurt Elling, K.D. Lang, Julie Kelly and Sarah Partridge, among others.


Moon in Scorpio and Mischief Night

Read "Moon in Scorpio and Mischief Night" reviewed by Mary Foster Conklin

Besides some spooky seasonal fare, this week we focus on new releases from vocalists Carmen Lundy, Michelle Lordi and Carrie Wicks, trombonist Michael Dease and pianist Michele Rosewoman with birthday shout outs to Nellie Lutcher (pictured), Victoria Spivey, Laura Nyro, Bobby Troup, Jane Bunnett, Esperanza Spalding, Brenda Earle Stokes, Allison Miller and Freddy Cole, among others. ...


Diane Moser's Composers Big Band To Celebrate 20th Anniversary At Trumpets

Diane Moser's Composers Big Band To Celebrate 20th Anniversary At Trumpets

Jazz insiders know that skipping even a single performance by the talented and adventurous 17-piece Diane Moser’s Composers Big Band (DMCBB) means missing a once-in-a-lifetime musical experience. Formed by composer/pianist Diane Moser and a dedicated group of musicians and composers with the intention of exploring the possibilities of big band music and moving it forward, the ...

Meet "Jazz Judy" Judy Balos

Read "Meet "Jazz Judy" Judy Balos" reviewed by Tessa Souter and Andrea Wolper

“Jazz Judy" Balos has earned her nickname. A live music fan since the age of 16 when she saw Nina Simone in concert, this New Yorker has been going out to hear live jazz four or five times a week (sometimes even two or three times a day) for over 50 years; she's even traveled to ...


Enter our contest giveaways

Contest Giveaway

Win a chance at some outstanding big band and brass-powered releases by entering the Summit Records contest giveaway! One click entry.

Contest Guidelines

Reader's Poll: It's your festival. Who do you book?

Fantasy Festival Poll

It's your festival, you're in charge of booking and you have an unlimited budget. Share your lineup.

More Polls

Publisher's Desk

More Contests, more Winners! Look for two monthly giveaways starting soon. Learn more.


All About Jazz needs your support

All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.