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Album

Subjective Experience In A Commercial Free Zone

Label: pfMentum
Released: 2015
Track listing: Motely Mountebanks; In the Interest of Only Those Concerned STOP; Strodaad; Sometimes Always; If Only Maybe Were a Probability; Knowers Don't Know So Guessers Guess; Saint Something or Our Lady of Whatever; Undoug Fug = -(doug unfug).

Album

Mortality

Label: pfMentum
Released: 2015
Track listing: Adeptly disguised as chairs and tables the audience listened quietly; As quickly as it came; Or do you have change for a $20?; Out of the wall and into the night; Sometimes a red nose and big shoes aren't enough; Mortality; Hiding out as a verb; Goodbye.

5

Article: Album Review

Rich Halley 4: Eleven

Read "Eleven" reviewed by Dave Wayne


Rich Halley and Michael Vlatkovich have been on a real hot streak as of late. Halley, who also runs the Pine Eagle record label, continues to maintain a number a groups. Besides the quartet featured on Eleven, he has a new quartet with the excellent LA-based trumpeter Dan Clucas, and continues to work with the legendary ...

4

Article: Album Review

Rich Halley 4: Eleven

Read "Eleven" reviewed by Dan McClenaghan


Saxophonist Rich Halley exploded out of a five year recording hiatus in 2010 with Live at Penofin Jazz Festival, a growling, high energy, in-front-of-the-crowd mad man rant that featured trumpeter Bobby Bradford in the front line of a wild and often raucous chordless quartet. Five years off or not, there was a history there--a bunch of ...

12

Article: Album Review

Rich Halley 4: Eleven

Read "Eleven" reviewed by Mark Sullivan


Saxophonist Rich Halley again leads his empathetic quartet through eleven new compositions on this thoroughly engaging session. It's the sixth album by the group (Halley on tenor saxophone, trombonist Michael Vlatkovich, bassist Clyde Reed and drummer Carson Halley) and they display a remarkable chemistry throughout. Halley provides very distinctive compositions as starting points--he gives a brief ...

Article: Multiple Reviews

La gravità degli ottoni

Read "La gravità degli ottoni" reviewed by Alberto Bazzurro


Ogni tanto ci piace accorpare incisioni omogenee sotto il profilo strumentale, e poi magari diversissime per esiti espressivi e poetica che le informa. È il caso dei quattro album che trovate qui di seguito passati al vaglio, riuniti nel segno del trombone, in prima istanza, e degli ottoni gravi più in generale. Mark ...

3

Article: Album Review

Rich Halley 4: Creating Structure

Read "Creating Structure" reviewed by Budd Kopman


While hiding in the great Northwest (specifically Portland, Oregon), saxophonist Rich Halley has built an impressive body of work of composition and performance in many different settings. Creating Structure is the latest from his quartet, the Rich Halley 4 whose previously releases are The Wisdom Of Rocks, Crossing The Passes, Back From Beyond and Requiem for ...

6

Article: Album Review

Rich Halley 4: Creating Structure

Read "Creating Structure" reviewed by Hrayr Attarian


The totally improvised Creating Structure is saxophonist Rich Halley's fifth release with his regular working quartet in as many years. With this exquisite album Halley achieves a new level of musical excellence as he perfects his signature sound of raw sophistication and his unique, simultaneously emotive and cerebral style. On the dramatic and free ...

8

Article: Album Review

Michael Vlatkovich: Mortality

Read "Mortality" reviewed by Dave Wayne


Wow. Where to start? Apropos of its title, Mortality is huge. Vast. Complex. Quixotic. Musically, it's a mega-ambitious work that fuses operatic vocals, several styles of jazz, heavily-scored contemporary classical music and flat-out improvisational wailing in the most appealing ways possible. Interestingly, Michael Vlatkovich, a West Coast trombone virtuoso and composer / improvisor of considerable merit, ...

4

Article: Album Review

Rich Halley 4: Creating Structure

Read "Creating Structure" reviewed by Dan McClenaghan


Saxophonist Rich Halley, home-based in Portland, Oregon, has put out seventeen CDs. A good handful of those, pre-2006, were released on the now-dormant Louie Records. These were mostly chordless trio and quartet affairs that showcased Halley's talent for creating category four maelstroms that gelled and bopped their way into surprisingly catchy, damned near mainstream grooves.


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