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173

Article: Album Review

Jonas Kullhammar: Snake City North

Read "Snake City North" reviewed by Michael McCaw


There is nothing quite like the muscular sound of a big band that is busting at the seams with energy while disposing of the all-too-common brassy clichés of big band recordings. Fronted by tenor saxophonist Jonas Kullhammar and his quartet with pianist Torbjörn Gulz, acoustic bassist Torbjörn Zetterberg, and drummer Jonas Holgersson, the Norrbotten Big Band ...

541

Article: Album Review

Peter Apfelbaum: It Is Written

Read "It Is Written" reviewed by Michael McCaw


Peter Apfelbaum writes music for everyone. And without pandering to anyone, he creates honest music that has wide appeal in some aspects but ultimately serves a smaller audience, simply because he fuses so many disparate elements together. Recorded over three days in September in 2004, It Is Written is an album of breadth, to say the ...

169

Article: Album Review

Jenny Scheinman: 12 Songs

Read "12 Songs" reviewed by Michael McCaw


12 Songs is an album of imagination above all else. Like her frequent employer Bill Frisell (whom she employs here), Jenny Scheinman composes vignettes that frame a world for listeners to find comfort, not just through its distant familiarity, but with enough imaginative angularity to convert the most common hue of blue into a feathering peacock's ...

156

Article: Album Review

Remi Bolduc: Cote d

Read "Cote d" reviewed by Michael McCaw


Inspired by an off-hand comment comes Cote d'écoute, a recording of Radio Canada TV theme songs that is full-bodied and mature, dispensing with the shtick that can hamper such material. It turns out that Remi Bolduc was looking for his own folk music when the recommendation came, and it provided a link to his childhood and ...

193

Article: Album Review

Aram Shelton: Arrive

Read "Arrive" reviewed by Michael McCaw


With obvious reference points to Jackie Mclean's '60s work with Bobby Hutcherson, Aram Shelton's Arrive works hard to update the alto saxophone/vibraphone front line format with varied, but generally engaging results. Hailing from Chicago since his move there in 1999, Shelton possesses a mathematically angular yet fluid tone reminiscent of both Anthony Braxton and McLean. As ...

212

Article: Album Review

Marcin Oles/Mikolaj Trzaska/Bratolmeiej Oles/Jean Luc-Cappozzo: Suite for Trio +

Read "Suite for Trio +" reviewed by Michael McCaw


Many times people come across a free jazz improvisation album and assume they know what it's going to sound like, but here is something that belies those preconceptions. Comprised of trumpet, alto saxophone or bass clarinet, acoustic bass, and drums, Suite for Trio + seamlessly fuses composed sections with free improvisation to yield a haunting, understated ...

401

Article: Album Review

Dave Douglas: Keystone

Read "Keystone" reviewed by Michael McCaw


Keystone is an incredibly mature-sounding album from Dave Douglas--not because his work up till now has not been complete, but because he has fully integrated the technology and mode of the music first espoused by Miles Davis. Yet he has moved beyond that reference point and created a group sound that is thoroughly modern and doesn't ...

338

Article: Album Review

Horacio "El Negro" Hernandez/Robby Ameen: Robby & Negro At The Third World War (La Timba No es Como Ayer)

Read "Robby & Negro At The Third World War (La Timba No es Como Ayer)" reviewed by Michael McCaw


Have you ever heard a salsa version of “Sympathy for the Devil ? With the piano carrying the melody and a myriad of percussion instruments forming the swaggering beat? No matter what preconceptions or feelings you have towards the original, it's hard not to find yourself moving with the opening track on Robby & Negro at ...

318

Article: Album Review

Bill Evans: The Complete Village Vanguard Recordings, 1961

Read "The Complete Village Vanguard Recordings, 1961" reviewed by Michael McCaw


Certain recordings have a sense of wonder, an overwhelming feeling that permeates everything going on and controls the listener's situation. Such is the case with Waltz for Debby and Sunday at The Village Vanguard, which have long been held in high regard as seminal recordings that nearly define the sound of the piano trio even today.

340

Article: Album Review

James Carter/Cyrus Chestnut/Reginald Veal/Ali Jackson: Gold Sounds

Read "Gold Sounds" reviewed by Michael McCaw


Of all the source material available to musicians nowadays, the indie-rock band Pavement probably wouldn't rank high on many jazz tribute lists. Nonetheless, James Carter, Cyrus Chestnut, Reginald Veal, and Ali Jackson recorded a striking album of the group's compositions over the course of two days last fall. Clocking in at just over 44 minutes, Gold ...


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