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Jonas Kullhammar: Snake City North

by Michael McCaw
There is nothing quite like the muscular sound of a big band that is busting at the seams with energy while disposing of the all-too-common brassy clichés of big band recordings. Fronted by tenor saxophonist Jonas Kullhammar and his quartet with pianist Torbjörn Gulz, acoustic bassist Torbjörn Zetterberg, and drummer Jonas Holgersson, the Norrbotten Big Band ...
Peter Apfelbaum: It Is Written

by Michael McCaw
Peter Apfelbaum writes music for everyone. And without pandering to anyone, he creates honest music that has wide appeal in some aspects but ultimately serves a smaller audience, simply because he fuses so many disparate elements together. Recorded over three days in September in 2004, It Is Written is an album of breadth, to say the ...
Jenny Scheinman: 12 Songs

by Michael McCaw
12 Songs is an album of imagination above all else. Like her frequent employer Bill Frisell (whom she employs here), Jenny Scheinman composes vignettes that frame a world for listeners to find comfort, not just through its distant familiarity, but with enough imaginative angularity to convert the most common hue of blue into a feathering peacock's ...
Remi Bolduc: Cote d

by Michael McCaw
Inspired by an off-hand comment comes Cote d'écoute, a recording of Radio Canada TV theme songs that is full-bodied and mature, dispensing with the shtick that can hamper such material. It turns out that Remi Bolduc was looking for his own folk music when the recommendation came, and it provided a link to his childhood and ...
Aram Shelton: Arrive

by Michael McCaw
With obvious reference points to Jackie Mclean's '60s work with Bobby Hutcherson, Aram Shelton's Arrive works hard to update the alto saxophone/vibraphone front line format with varied, but generally engaging results. Hailing from Chicago since his move there in 1999, Shelton possesses a mathematically angular yet fluid tone reminiscent of both Anthony Braxton and McLean. As ...
Marcin Oles/Mikolaj Trzaska/Bratolmeiej Oles/Jean Luc-Cappozzo: Suite for Trio +

by Michael McCaw
Many times people come across a free jazz improvisation album and assume they know what it's going to sound like, but here is something that belies those preconceptions. Comprised of trumpet, alto saxophone or bass clarinet, acoustic bass, and drums, Suite for Trio + seamlessly fuses composed sections with free improvisation to yield a haunting, understated ...
Dave Douglas: Keystone

by Michael McCaw
Keystone is an incredibly mature-sounding album from Dave Douglas--not because his work up till now has not been complete, but because he has fully integrated the technology and mode of the music first espoused by Miles Davis. Yet he has moved beyond that reference point and created a group sound that is thoroughly modern and doesn't ...
Horacio "El Negro" Hernandez/Robby Ameen: Robby & Negro At The Third World War (La Timba No es Como Ayer)

by Michael McCaw
Have you ever heard a salsa version of Sympathy for the Devil ? With the piano carrying the melody and a myriad of percussion instruments forming the swaggering beat? No matter what preconceptions or feelings you have towards the original, it's hard not to find yourself moving with the opening track on Robby & Negro at ...
Bill Evans: The Complete Village Vanguard Recordings, 1961

by Michael McCaw
Certain recordings have a sense of wonder, an overwhelming feeling that permeates everything going on and controls the listener's situation. Such is the case with Waltz for Debby and Sunday at The Village Vanguard, which have long been held in high regard as seminal recordings that nearly define the sound of the piano trio even today.
James Carter/Cyrus Chestnut/Reginald Veal/Ali Jackson: Gold Sounds

by Michael McCaw
Of all the source material available to musicians nowadays, the indie-rock band Pavement probably wouldn't rank high on many jazz tribute lists. Nonetheless, James Carter, Cyrus Chestnut, Reginald Veal, and Ali Jackson recorded a striking album of the group's compositions over the course of two days last fall. Clocking in at just over 44 minutes, Gold ...