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Eddie Daniels Quartet: Mean What You Say
by C. Michael Bailey
The presence of Hank Jones permeates this recording so much that the Eddie Daniels Quartet may be better titled the Hank Jones-Eddie Daniels Quartet on Mean What You Say. In fact, the whole quartet, rounded out with bassist Richard Davis and drummer Kenny Washington, is top-drawer, which goes a long way in making Mean What You ...
Eddie Daniels: Mean What You Say
by Dan McClenaghan
Reedman Eddie Daniels, best known as a virtuosic clarinetist who crosses the borders between jazz and classical, offers up his first straight-ahead jazz set in a decade on Mean What You Say. It's a classic sound: tenor sax and clarinet backed by an understated but stellar rhythm team comprised of the venerable Hank Jones (piano), Richard ...
Eddie Daniels: Mean What You Say
by Paul Ryan
Only a handful of clarinetists on today's jazz scene can be described as truly accomplished on the instrument, and Eddie Daniels is one of them. On Mean What You Say he is joined by two former Thad Jones-Mel Lewis Orchestra bandmates, Hank Jones and Richard Davis, on piano and bass, respectively. Rounding out this formidable group ...
Mean What You Say
Label: Sea Breeze Jazz
Released: 2004
Track listing: Mean What You Say; Not a Love Song; Gumbo G; Dolphin Dance; The Fadd; Nice Work If You Can Get It; Basie in Mind; Brotherhood of Man; Quasi Modal; Mueva Los Huesos (Move them Bones).
Temple University Jazz Band: Mean What You Say
by Jim Santella
Under the direction of Terrell Stafford, the Temple University Jazz Band has flourished. Their cohesive sound maintains a perfect balance and the orchestration allows each of the key sections to revel in their unique voices. Deep-throated trombones and baritone saxophone provide the kind of foundation that a tango dancer lives for. Shining trumpets and alto saxophones ...
Princeton University Concert Jazz Ensembles: Mean What You Say
by Jack Bowers
Here are three editions of Princeton University’s award–winning Concert Jazz Ensemble, recorded in 1990, ’91 and ’95, in an engaging program of compositions by a number of Jazz’s elder statesmen (Dizzy Gillespie, Thad Jones, Frank Foster, Billy Strayhorn, Miles Davis/Victor Feldman, Duke Ellington, Jimmy Heath) and three relative newcomers (Gary Lindsay, Bob Meyer, Michael Philip Mossman). ...
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