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Dave Stryker: Eight Track
by Jack Bowers
On Eight Track, New York-based guitarist Dave Stryker's quartet takes the listener back some forty years or so to a time when there actually were eight-track tape players, relics on which Stryker listened to jazz and popular tunes of the day, several of which are reanimated on this tasteful and smoothly swinging album. Some of these ...
Dave Stryker: Eight Track
by C. Michael Bailey
A thoughtfully developed theme or concept for a recording is an underutilized dimension that can add creative depth to a project. Guitarist Dave Stryker nests several themes into Eight Track, his follow-up to his well-received Blue to the Bone IV (Steeplechase, 2012). Eight Track is the guitarist's tip-of- his-hat to the classic AM pop tunes of ...
Dave Stryker: Eight Track
by Dan Bilawsky
Ah, the eight-track. Is there any music format that's more dated? Vinyl is on its way back, albeit with a select crowd, and the CD is still holding on for dear life, but it's not likely that eight-track tapes will be making a big comeback any time soon. Those audio-delivering relics have been left behind, yet ...
Jared Gold: Intuition
by Dan Bilawsky
Intuition is organist Jared Gold's sixth outing for the Posi-Tone label in as many years. He walks a similar path on all of his prior dates for this imprint, extending the organ group tradition(s) while fronting trios and quartets and working his way through catchy originals and diverse covers, but no two albums are really the ...
Noah Haidu: Momentum
by Bruce Lindsay
A quick glance at the monochrome photo that adorns the cover of Momentum could lead to the impression that the pianist is George Gershwin. It isn't, of course, it's Noah Haidu and this is his second album as leader. Any similarities between Haidu and Gershwin end with the shadowy cover shot--Haidu most definitely looks to more ...
Jim Snidero: Stream of Consciousness
by Dan Bilawsky
The jazz world would likely forgive saxophonist Jim Snidero if he fell prey to artistic stagnation every now and then, but he might not forgive himself. He's kept a steady flow of solo albums coming through the pipeline for a quarter century and, while other artists who are equally prolific find themselves falling back on tired ...
Steve Slagle: Evensong
by Dan Bilawsky
Saxophonist Steve Slagle is a consummate leader often pegged as a sideman; with a résumé that includes stints with big band legends like Woody Herman and Lionel Hampton, left-of-center trailblazers like pianist Carla Bley, Latin giants like Ray Barretto and modern day marvels like tenor saxophonist Joe Lovano, it's easy to see why some people may ...
Stan Killian: Unified
by Bruce Lindsay
Unified is tenor saxophonist Stan Killian's third album and his debut for the Sunnyside label. It's high-quality, straight-ahead modern jazz, played with a real swing by Killian and his band, and enlivened by the contributions of three top-drawer guest horn players. Leader/composer Killian hails from Texas, home of Texas tenors like Arnett Cobb ...
Stan Killian: Unified
by Raul d'Gama Rose
Stan Killian is one of those voices that doesn't make a great deal of noise, especially on Unified. His tenor saxophone is by no means a quiet one, but his is a voice filled with a mature gravitas that seems to emerge from a deeper sense of wisdom. His tone is resonant and echoes with mellow ...
Jim Snidero: Interface
by Dan Bilawsky
The digital age has completely changed the way language is used. People talk about “googling" things, discovering new “apps," and “friending people" all the time, so it wouldn't be surprising if the word “interface" eventually replaces “communication" in common, everyday conversations. Interfacing can essentially be viewed as a modern day synonym for communication, and that, after ...
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