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Noah Haidu: Momentum
by Bruce Lindsay
A quick glance at the monochrome photo that adorns the cover of Momentum could lead to the impression that the pianist is George Gershwin. It isn't, of course, it's Noah Haidu and this is his second album as leader. Any similarities between Haidu and Gershwin end with the shadowy cover shot--Haidu most definitely looks to more ...
Jim Snidero: Stream of Consciousness
by Dan Bilawsky
The jazz world would likely forgive saxophonist Jim Snidero if he fell prey to artistic stagnation every now and then, but he might not forgive himself. He's kept a steady flow of solo albums coming through the pipeline for a quarter century and, while other artists who are equally prolific find themselves falling back on tired ...
Steve Slagle: Evensong
by Dan Bilawsky
Saxophonist Steve Slagle is a consummate leader often pegged as a sideman; with a résumé that includes stints with big band legends like Woody Herman and Lionel Hampton, left-of-center trailblazers like pianist Carla Bley, Latin giants like Ray Barretto and modern day marvels like tenor saxophonist Joe Lovano, it's easy to see why some people may ...
Stan Killian: Unified
by Bruce Lindsay
Unified is tenor saxophonist Stan Killian's third album and his debut for the Sunnyside label. It's high-quality, straight-ahead modern jazz, played with a real swing by Killian and his band, and enlivened by the contributions of three top-drawer guest horn players. Leader/composer Killian hails from Texas, home of Texas tenors like Arnett Cobb ...
Stan Killian: Unified
by Raul d'Gama Rose
Stan Killian is one of those voices that doesn't make a great deal of noise, especially on Unified. His tenor saxophone is by no means a quiet one, but his is a voice filled with a mature gravitas that seems to emerge from a deeper sense of wisdom. His tone is resonant and echoes with mellow ...
Jim Snidero: Interface
by Dan Bilawsky
The digital age has completely changed the way language is used. People talk about “googling" things, discovering new “apps," and “friending people" all the time, so it wouldn't be surprising if the word “interface" eventually replaces “communication" in common, everyday conversations. Interfacing can essentially be viewed as a modern day synonym for communication, and that, after ...
Eric Reed: The Dancing Monk
by Greg Simmons
Every jazz pianist stands somewhere in the shadow of Thelonious Monk (1917-1982), and Eric Reed has embraced that shadow, with The Dancing Monk. Interpreting the near-mythic pianist/composer's music--let alone making an entire album of his tunes--poses significant challenges to any modern musician, and especially for a pianist. First, Monk's compositions are, indeed, challenging, in ...
Wayne Shorter, Roscoe Mitchell & Oliver Lake
by Martin Longley
The Wayne Shorter Quartet The Town Hall February 9, 2011 When observing Wayne Shorter on the stage, he's immediately remarkable for possessing an eccentric body language. In his childlike way (particularly the exploratory, enquiring nature of the as-yet-unformed), Shorter reveals his inner self, always responding to his ...
