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Matthew Shipp & Mat Walerian Duo/The Uppercut: Live At Okuden
by Matthew Aquiline
Forming a duo in jazz can amount to a daunting task. There's simply no hiding; with arrangements so sparse, possibility is boundless and subtleties are fully exposed. This formless atmosphere requires able musicians who can immerse themselves in their instruments and in turn, feed off each other to eventually flourish on a singular wavelength. The innovators ...
Charles Mingus 95th Birthday Celebration
by Peter Jurew
Mingus Big BandJazz StandardNew York, NY April 24, 2017 Saturday, April 22, was an unusually good day. It started, blessedly, when the president did not tweet out a series of early morning fabrications/accusations to befuddle the free world. And it could only get better from there: It was Earth Day! Scientists ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Gregory Lewis: Organ Monk, The Breathe Suite
by Roger Farbey
Gregory Lewis has been fairly obsessed with the music of Thelonius Monk from a young age when he first started out performing Monk's repertoire on piano. So the adopted moniker Organ Monk seems appropriate. His move to the Hammond B3 was significant because the style he evinced is remarkably close to that of the late Larry ...
The Cultural Politics of Jazz Collectives: This Is Our Music
by Ian Patterson
The Cultural Politics of Jazz Collectives: This Is Our Music Edited by Nicholas Gebhardt and Tony Whyton 250 Pages ISBN: 978-1-138-780602-0 Routledge 2016 The recording of jazz history has overwhelmingly focused on individuals. Yet while biographies that lionize great jazz men--women are sorely underrepresented--abound, the socio-political environment in ...
Billy Jones: 3's a Crowd
by Troy Dostert
Duo records involving drummers aren't that common in the world of straight-ahead jazz. While it's never been an infrequent option for avant-gardists (and there are some truly legendary examples, not the least of which are John Coltrane and Rashied Ali's Interstellar Space, Max Roach and Cecil Taylor's Historic Concerts, and Peter Brötzmann and Hamid Drake's Dried ...
Sittin' In with the Odean Pope Trio at the Kimmel Center
by Geno Thackara
Odean Pope TrioSEI Innovation Studio @ The Kimmel CenterPhiladelphia, PAApril 12, 2017 The Kimmel Center's informal Sittin' In program is always about direct connections and communion, but April's exceptional event raised the bar up to the ceiling. Not everyone was even able to sit since the basement theater was packed enough ...
The Politics of Dancing: Jazz and Protest, Part 1
by Karl Ackermann
In 1964, Civil Rights workers, known as Freedom Riders, were increasingly becoming the victims of violent attacks from the Ku Klux Klan as they initiated a program to register black voters in the Deep South. As members of the Student Non-Violent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE), the advocates were franticly racing ...
T.S. Monk Sextet at Revolution Hall
by Tom Borden and Eric Gibbons
T.S. Monk Sextet Revolution Hall PDX Jazz 2017 Portland, OR February 25, 2017 The centerpiece of the 2017 PDX Jazz festival was a posthumous honor bestowed upon the late great Thelonious Monk. Inarguably a pillar in the pantheon of jazz, Monk's music was delivered at this year's festival from as ...
La Lydian Sound Orchestra al Parco della Musica di Roma
by Mario Calvitti
Lydian Sound Orchestra Teatro Studio, Parco della Musica Roma 17.02.2017 Fresca di consacrazione come Miglior Gruppo Italiano dell'anno al Top Jazz 2016, la Lydian Sound Orchestra è una band fondata quasi 30 anni fa dal compositore e arrangiatore Riccardo Brazzale, che si richiama direttamente a George Russell (nel nome del gruppo) e ...
