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Article: Live Review

Umbria Jazz 2019 - Prima parte

Read "Umbria Jazz 2019 - Prima parte" reviewed by Libero Farnè


Umbria Jazz 2019 Perugia, varie sedi 12-21.7.2019 “Numeri da record assoluto quelli di UJ19: oltre 40.000 paganti con un incasso che ha superato 1 milione e 600mila euro." Con queste parole di evidente soddisfazione si apre il comunicato diramato nella conferenza stampa conclusiva del festival umbro. Indubbiamente a Perugia il ...

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Article: New York Beat

92nd Street Y Jazz in July: The Music of Clifford Brown

Read "92nd Street Y Jazz in July: The Music of Clifford Brown" reviewed by Nick Catalano


The Y's Jazz in July programing this summer included an evening celebrating the music of Clifford Brown on July 23rd—a treat for me as it was one of the few such tributes I've seen since Oxford U. published my biography of Brownie over a decade ago. The production included a panorama of Brownie photos projected onto ...

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Article: Album Review

Horace Tapscott with the Pan Afrikan Peoples Arkestra and the Great Voice of UGMAA: Why Don't You Listen? - Live at LACMA, 1998

Read "Why Don't You Listen? - Live at LACMA, 1998" reviewed by Mark Corroto


In every decade since the 1960s, dedicated listeners have called for the world to get hip to the music of Horace Tapscott. In 1963 he formed the Pan-Afrikan Peoples Arkestra in Los Angeles. Like Chicago's Association For The Advancement Of Creative Musicians (AACM) and St. Louis' Black Artists Group (BAG), Tapscott's collective was formed to serve ...

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Article: Album Review

Ilia Belorukov, Gabriel Ferrandini: Disquiet

Read "Disquiet" reviewed by Don Phipps


"Energetic" may not be a strong enough word to describe this fascinating collaboration between Russian saxophonist Ilia Belorukov and American drummer Gabriel Ferrandini. Like the near-infinite splatter-patterns of a Pollack painting, the two drip, drop, slam, stutter and explode across the musical canvas of their album Disquiet, with a sense of urgency that brings to mind ...

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Article: Live Review

2019 Pittsburgh International Jazz Festival

Read "2019 Pittsburgh International Jazz Festival" reviewed by Mackenzie Horne


Gary Bartz Liberty Avenue Stage Pittsburgh International Jazz Festival Pittsburgh, PA June 23, 2010 The 2019 Pittsburgh International Jazz Festival featured a heavyweight lineup of world-renowned saxophone players, including Charles Lloyd, Nubya Garcia, and Gary Bartz. Bartz was scheduled to perform selections from Bitches Brew and In a Silent Way ...

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Article: Live Review

David Bond at Chris’ Jazz Cafe

Read "David Bond at Chris’ Jazz Cafe" reviewed by Victor L. Schermer


David Bond Quartet Chris' Jazz Café Philadelphia, PA June 26, 2019 Alto saxophonist David Bond is new to Philadelphia and probably unfamiliar to jazz fans here. I went to hear him because I am always interested in hearing someone new, and two of the personnel listed were revered ...

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Article: Radio & Podcasts

Birth of Hard Bop (1954 - 1958)

Read "Birth of Hard Bop (1954 - 1958)" reviewed by Russell Perry


While the “Cool School" was emerging on the West Coast from its roots in Bix and Pres as codified by Miles in The Birth of the Cool sessions of 1949-- 1950, what became known as Hard Bop, a gospel-and blues-influenced variant was growing from Bebop in the east. Playlist Host Intro 0:00 Miles Davis ...

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Article: Album Review

Chris Mondak: Eternal Youth

Read "Eternal Youth" reviewed by Don Phipps


New England Conservatory of Music student Chris Mondak's Eternal Youth harkens back to early and hard-bop eras. Mondak, who has studied with Dave Holland and Cecil McBee, composed all of the songs (with the sole exception of “Be Honest with Yourself," which was co-written with his grandfather, Art Mondak). The music has a West Coast—Pacific Jazz ...

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Article: Album Review

Mark Walker: You Get What You Give

Read "You Get What You Give" reviewed by Ljubinko Zivkovic


Often, there is a tendency among jazz fans to simply pass by albums with drummers as the leaders of a CD release, as if they--the drummer/leaders--know less about jazz or music in general. As if examples of Elvin Jones, Art Blakey, Max Roach or those excellent vocal albums by Grady Tate are not good enough examples. ...

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Article: Radio & Podcasts

Bebop Pioneers in the 1950s (1949 - 1960)

Read "Bebop Pioneers in the 1950s (1949 - 1960)" reviewed by Russell Perry


Bebop had its roots in the big bands of the late 1930s and was nurtured in jam sessions during the war and the musician's strike of the 1940s. By 1950, the prescient Coleman Hawkins, and the pioneers--Charlie Parker, Dizzy Gillespie, Bud Powell, and Max Roach were well-established stars at risk of the music moving on and ...


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