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Birth of Hard Bop (1954 - 1958)
by Russell Perry
While the “Cool School" was emerging on the West Coast from its roots in Bix and Pres as codified by Miles in The Birth of the Cool sessions of 1949-- 1950, what became known as Hard Bop, a gospel-and blues-influenced variant was growing from Bebop in the east. Playlist Host Intro 0:00 Miles Davis ...
Chris Mondak: Eternal Youth
by Don Phipps
New England Conservatory of Music student Chris Mondak's Eternal Youth harkens back to early and hard-bop eras. Mondak, who has studied with Dave Holland and Cecil McBee, composed all of the songs (with the sole exception of “Be Honest with Yourself," which was co-written with his grandfather, Art Mondak). The music has a West Coast—Pacific Jazz ...
Mark Walker: You Get What You Give
by Ljubinko Zivkovic
Often, there is a tendency among jazz fans to simply pass by albums with drummers as the leaders of a CD release, as if they--the drummer/leaders--know less about jazz or music in general. As if examples of Elvin Jones, Art Blakey, Max Roach or those excellent vocal albums by Grady Tate are not good enough examples. ...
Bebop Pioneers in the 1950s (1949 - 1960)
by Russell Perry
Bebop had its roots in the big bands of the late 1930s and was nurtured in jam sessions during the war and the musician's strike of the 1940s. By 1950, the prescient Coleman Hawkins, and the pioneers--Charlie Parker, Dizzy Gillespie, Bud Powell, and Max Roach were well-established stars at risk of the music moving on and ...
New Music in an Anxious Time: Teis Semey, Peggy Lee and Philipp Gropper
by Mark Werlin
Historians of jazz identify the African-American civil rights struggle circa 1945-1965 as the locus for the most active involvement of jazz music in expressions of social and political protest. One of the earliest recorded instances of explicit political protest in jazz, “Strange Fruit," was refused by Decca, singer Billie Holiday's record label, for fear of reprisals ...
Partisans: Nit De Nit
by Roger Farbey
Definitely not to be confused with the Welsh punk rock group of the same name (albeit with the added definite article in the title), Partisans have been around for well over two decades. Their debut album Partisans was released jointly under Julian Siegel and Phil Robson's names on the EFZ label in 1997. Since then, as ...
Take Five with Vasilis Xenopoulos
by AAJ Staff
About Vasilis Xenopoulos Saxophonist, composer and educator Vasilis Xenopoulos is one of the most accomplished Greek jazz musicians of his generation and a genuine representative of straight ahead jazz. London became his permanent home after graduating with honors from the Berklee College of Music in Boston and gradually established himself as one of London's ...
Jazz on Central Avenue - Bebop in Los Angeles (1945 - 1948)
by Russell Perry
Most of the pioneering bebop musicians we have featured in the past several programs were based in New York—Bird, Dizzy, Monk, Bud Powell, Coleman Hawkins, Fats Navarro, J.J. Johnson, Max Roach. While New York may have dominated the modern music scene, it wasn't the only scene. The wartime economy in southern California brought an influx of ...
Dave Weckl: The Cymbal of Excellence
by Jim Worsley
Attention to details and impeccable standards coupled with a desirous curiosity and a wealth of talent have served Dave Weckl well. The savvy and astute musician has meticulously traversed the jazz and fusion world over the past few decades. Weckl is on a very short list when the topic of drumming icons is broached. Perhaps best ...
Tadd Dameron, Fats Navarro, Sonny Stitt & JJ Johnson (1946 - 1950)
by Russell Perry
In the past several hours of Jazz at 100, we have featured the music of Dizzy Gillespie, Charlie Parker, Miles Davis, Bud Powell, Thelonious Monk, and Max Roach. In this hour, we will continue to present bebop innovators—pianist/composer Tadd Dameron and his frequent (but short-lived) collaborator Fats Navarro, the next great bebop trumpeter after Dizzy Gillespie, ...
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