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Rudy Royston: PaNOptic
by Karl Ackermann
Like many jazz musicians in 2020, drummer/composer Rudy Royston has felt the direct effects of living in the coronavirus world. The Texas native, now a New Jersey resident, found his streams of income drying up without gigs, but then experienced a fortunate twist of fate that stood him up. Head above water, the artist pays it ...
Jerry Granelli: Updating Music of Past Heroes
by R.J. DeLuke
"I've earned the privilege of not playing anything I don't want to play," says drummer Jerry Granelli, whose past is replete with the names of many greats in jazz for whom he supplied rhythmic support—sometimes force—over several decades. “That used to be a fear," he adds, “You figured if you turned something down, the ...
Bill Stewart Interview
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. They of course did a number of tours and studio dates together while word got around about Stewart's ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
StLJN Saturday Video Showcase: We Insist! - Max Roach's Freedom Now Suite
This week, let's take a look back at an extended jazz composition of historical importance that, unfortunately, remains topical 60 years after its premiere. We Insist: Max Roach's Freedom Now Suite is the title of a 1960 album by drummer Max Roach, featuring a five-part work composed by Roach with singer and lyricist Oscar Brown Jr. ...
Fire Music: When Jazz Speaks Out - Part 3
by Ludovico Granvassu
As Martin Luther King put it in the opening address to the 1964 Berlin Jazz Festival, “Jazz speaks for life. The Blues tell the story of life's difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with ...
Avery Sharpe: 400: An African American Musical Portrait
by Angelo Leonardi
Sono passati quattrocento anni dal primo agosto 1619, quando una nave olandese sbarcò una ventina di africani nell'insediamento inglese di Jamestown in Virginia. Erano stati sottratti a un bastimento spagnolo diretto in America latina ma visto che erano stati battezzati--e il codice inglese proibiva di ridurre in schiavitù dei cristiani--lavorarono come servitori a debito. Una sorta ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
Anthony Coleman: Catenary Oath
by John Sharpe
Catenary Oath presents a 2018 solo recital by pianist and composer Anthony Coleman, recorded at Jordan Hall in the New England Conservatory in Boston where he also teaches. The album, available as a limited edition LP or digitally, contains a mix of originals and standards all given deeply personalized interpretations by the pianist. Coleman's profile has ...
Bill Bruford: In the Court of the Percussion King
by Mike Brannon
A charmed life might be a good way of describing that of Bill Bruford. Always at the center of and driving vastly creative projects, including King Crimson, Yes, Earthworks, Genesis, Bruford, Gong and many other collaborations of like minds, Bruford continues to amaze and astound both audiences and the modern greats of drumming alike. Though at ...
