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34

Article: Live Review

TD Ottawa Jazz Festival 2017

Read "TD Ottawa Jazz Festival 2017" reviewed by John Kelman


TD Ottawa Jazz Festival Ottawa, Canada June 23-26, 2017 Amongst the most significant challenges that face any festival is, as the gray and no-hair crowd continues to age, finding ways to cultivate and grow a younger audience. But when you're a Canadian festival, another major challenge is a simple fiscal fact: most ...

37

Article: Album Review

Bill Frisell / Thomas Morgan: Small Town

Read "Small Town" reviewed by John Kelman


In Emma Franz's revelatory documentary, Bill Frisell: A Portrait, the guitarist talks about the many guitars he owns, and how he rarely gets to plays them--the consequence, amongst other things, of the plight musicians face when traveling by air these days. Not three months after the film's premiere at South By Southwest this past March, comes ...

9

News: Recording

Recent And Upcoming ECM Releases: April - June 2017

Recent And Upcoming ECM Releases: April - June 2017

Look for these recent or upcoming releases on ECM Records. Aaron Parks Find the Way Aaron Parks: piano, Ben Street: double bass, Billy Hart: drums. For the second ECM album by Aaron Parks—following the solo release Aborescence, which JazzTimes praised as “expansive, impressionistic… like a vision quest”—the prize-winning pianist has convened a cross-generational trio ...

5

Article: Album Review

Rema Hasumi: Billows Of Blue

Read "Billows Of Blue" reviewed by Dan McClenaghan


Pianist Rema Hasumi, Japanese-born and now New York City-based, calls her compositions sound stories. Those “stories" sound like tales drifting out of a dream land: untethered to time and place, free-flowing and graceful, strikingly pretty, sometimes spooky, and starkly rendered, with the input of her empathic trio that includes bassist Masa Kamaguchi and drummer Randy Peterson, ...

Album

Black Orpheus

Label: ECM Records
Released: 2016
Track listing: Tokyo Part I; Tokyo Part II; Tokyo Part III; Tokyo Part IV; Tokyo Part V; Black Orpheus; Tokyo Part VI; Tokyo Part VII; Tokyo Part VIII; Tokyo Part IX; Little Abi.

41

Article: Year in Review

Dan McClenaghan's Best Releases Of 2016

Read "Dan McClenaghan's Best Releases Of 2016" reviewed by Dan McClenaghan


The music keeps moving forward, evolving to higher levels. My search for the best jazz recordings of 2016 led me to these marvelous CDs. Wadada Leo SmithAmerica's National Parks Cuneiform Records Trumpeter Wadada Leo Smith has attempted in, the new millennium, to create his magnum opus. He may have succeeded ...

15

Article: Album Review

Masabumi Kikuchi: Black Orpheus

Read "Black Orpheus" reviewed by Dan McClenaghan


Black Orpheus, the solo piano CD from Japanese-born pianist Masabumi Kikuchi, may be the starkest, loneliest music in the world. Masabumi Kikuchi (1939-2015) was a versatile, if ultimately idiosyncratic artist. Early in his career he worked with a panoply of mainstream music makers, everyone from drummer Elvin Jones, to producer arranger Gil Evans, tenor ...

Album

Masabumi Kikuchi / Ben Street / Thomas Morgan / Kresten Osgood

Label: ILK Music
Released: 2015
Track listing: #1; #2; #3; #4; #5; #6; #7; #8.

7

Article: Live Review

Jazz for Kids: Copenhagen Jazz Festival

Read "Jazz for Kids: Copenhagen Jazz Festival" reviewed by Eyal Hareuveni


Jazz for Kids: Folkegaven (Kresten Osgood & Lars Greve) and Sun Ra for KidsCopenhagen Jazz Festival Søndermarken Park, Frederiksberg July 10, 2015 The Copenhagen Jazz Festival is a massive event, lasting 10 days, offering 1,200 concerts that envelope all corners of the Danish capital and draws an audience of about 250,000 ...

12

Article: Extended Analysis

Masabumi Kikuchi / Ben Street / Thomas Morgan / Kresten Osgood

Read "Masabumi Kikuchi / Ben Street / Thomas Morgan / Kresten Osgood" reviewed by Jakob Baekgaard


The German poet, philosopher and literary critic Karl Wilhelm Friedrich von Schlegel (1772-1829) had an affinity for the fragment as an art form and in his Athenaeumsfragment 206, he wrote about it, saying that: “[a] fragment, like a small work of art, has to be entirely isolated from the surrounding world and be complete in itself ...


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