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The Necks, Weasel Walter, Butch Morris & Lou Reed
by Martin Longley
The NecksIssue Project RoomJanuary 27, 2010 There was a moment right at the brink of The Necks starting up their first set, where the notion hit: what if they can't think of anything? What if they can't begin? What if, finally, after more than two decades, this same familiar familial ...
Weasel Walter / Henry Kaiser / Damon Smith: Plane Crash
by Martin Longley
Power trio or acoustic sensitives? This album shuffles both manifestations and mostly decides to alternate the settings, allowing torn ears some peace following each eruptive onslaught. Surely this must be guitarist Henry Kaiser's most extreme recording, in terms of decibel achievement? His rabid emissions build a wall of Black Metal doom-chundering, a pinnacle of sludge detrimetalism. ...
John Zorn: Femina
by Martin Longley
There are two notable elements to this album, before even listening to its contents. One is that composer John Zorn has created a work that pays tribute to female creators (his name checks include Yoko Ono, Agatha Christie and Joan Of Arc). The other is that he's making a return to his fabled file-card system of ...
Kirk Knuffke: Amnesia Brown
by Martin Longley
Amnesia Brown was the name bestowed upon trumpeter Kirk Knuffke's absconding not-so-great grandfather. Apparently, he just sidestepped to a nearby town (and a new family), changing his name on the way. It's not quite clear how his memory (or lack of it) informs the repertoire of this album, but he also happens to provide the fourth ...
Bill McHenry: Bloom & Narrow Margin
by Martin Longley
Ben Monder/Bill McHenryBloomSunnyside Records2010 Andrew GreenNarrow MarginMicrophonic2009 Brooklyn tenor man Bill McHenry can teeter on the lip of sonic extremity, but he's also well-versed in the art of post-Coleman Hawkins ...
Jack DeJohnette, Project/Object, William Bell and Johnny Winter
by Martin Longley
The Jack DeJohnette GroupBirdlandJanuary 6, 2010 This was the second night of a residency featuring the debut of a new fusion-orientated quintet. Drummer Jack DeJohnette is no stranger to electrification, but this lineup presented an intriguing proposition, confounding the audience in any attempt to predict exactly where the music would ...
Dave Douglas: Constellations
by Martin Longley
This reissue harks back to a time when trumpeter Dave Douglas seemingly operated within a more extreme zone of jazz improvisation. When this 1995 set was recorded at Radio DRS in Zurich, the trio had been together for three years, Douglas having built up a tight bond with guitarist Brad Shepik and drummer Jim Black but ...
Matana Roberts
by Martin Longley
John Zorn has invited the Chicagoan alto saxophonist Matana Roberts to curate at The Stone. The most common practice is for a month to be shared by two artists, but Roberts has all of January to herself. It's a sign of an omnivorous musical appetite that she's struggled to cram all of her dream-choices into a ...
John Bunch, The Bad Plus, Daedelus & Dr. John
by Martin Longley
The John Bunch TrioSmallsDecember 29, 2009Steeply down the steps, to the intimate confines of Smalls, one of New York City's most laid-back jazz clubs. Normally, this Greenwich Village joint's clientele is younger, perhaps attracted by the single cover charge that allows all-night entry. This facilitates easy coming and going, so ...
Themselves, John Hollenbeck, Uri Caine, The Arditti Quartet & DJ Spooky
by Martin Longley
Themselves/Eyedea & AbilitiesThe Knitting FactoryNovember 27, 2009 This was shaping up to be more extended than anticipated. Showtime was advertised as being nine-thirty, but upon arrival it seemed that Themselves were set to take the stage at ten-thirty. Their set was lengthy, but with not a trace of sagging. ...
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