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Michael Attias: Renku In Coimbra
by Martin Longley
Within the realms of his Renku trio, the reed specialist Michaël Attias deliberately glides towards a contemplative space. His partners in sensitivity are bassist John Hébert and drummer Satoshi Takeishi. In this setting, Attias deliberately confines himself to the alto saxophone, although his sonic results are anything but self-shackled. Often, when Attias is playing around the ...
Kronos Quartet, Jessica Pavone, Futurist Noise Intoners & The Tori Ensemble
by Martin Longley
Kronos Quartet/Wu Man Carnegie Hall November 3, 2009 Although not officially part of Carnegie Hall's spectacular Ancient Paths, Modern Voices season of Chinese culture, this concert was certainly well-timed to sit beside its less innovative brethren. Perhaps the program's decidedly non-traditional stance was the main reason. Also, the Kronos collaboration with pipa player ...
Gerry Hemingway: Songs
by Martin Longley
When drummer Gerry Hemingway decides to pursue a song-based project, the only predictable outcome is that it will be unpredictable. His approach to composition includes elements of rock, electronica, minimalism and Broadway intimacy, yet can't be deemed any of these things. As well as the music, Hemingway has also penned the words. His chosen voice is ...
Dave Douglas: A Single Sky
by Martin Longley
Here is yet another facet of Dave Douglas, an artist who is constantly seeking fresh discoveries. This album benefits from the full forces of the Frankfurt Radio Big Band (FRB), brashly realizing the composer's large lyricism. Douglas now turns his auteur skills to writing inflated-scale compositions, although his own soloing role is not diminished. His features ...
Herb Robertson / Mark Solborg: [NOD]
![Read "[NOD]" reviewed by Martin Longley](https://s3.amazonaws.com/allaboutjazz/coverart/2009/herbrobertson__marksolborg_nod_jk.jpg)
by Martin Longley
In 2008, Danish guitarist Mark Solborg invited New Jersey trumpeter Herb Robertson to join his quartet. Around the same time, they laid down the tracks for this duo set in Copenhagen. Although Robertson can boast much more of a substantial history within the global sweep of jazz improvisation, this meeting possesses a strong sense of egalitarianism, ...
Jesse Stacken / Kirk Knuffke: Mockingbird
by Martin Longley
This album's subtitle is The Music of Thelonious Monk & Duke Ellington, and it's refreshing to find the two pianist/composers united in a single conception, pointing out that they probably have more similarities than differences. This selection's other strong point (and this is all before its players even strike a note) is that the repertoire avoids ...
Frank Gratkowski: Accept Everything
by Martin Longley
Virtuoso German reed specialist Frank Gratkowski enjoys a particularly fertile range of collaborations, settings and directional thrusts. He was back in New York in October, 2009 with a trio that has released three albums during the last six years: Kwast (Konnex, 2004), Unearth (Nuscope, 2005) and Palaë (Leo, 2006). Appearing at Roulette, Gratkowski was joined by ...
Meredith Monk, Richard Thompson, Wu Man and Bonerama
by Martin Longley
Meredith Monk's Songs Of AscensionBrooklyn Academy Of MusicOctober 22, 2009 Meredith Monk's Songs Of Ascension has been a public work in progress, continuously shaped by its environment. When the multi-dimensional composer had an afternoon devoted to her work at the Whitney Museum Of American Art (February 2009), the piece took ...
Live Big Bands From New York: Charles Tolliver, Darcy James Argue & Charli Persip
by Martin Longley
The Charles Tolliver Big BandIridiumOctober 18, 2009 Trumpeter Charles Tolliver likes to keep his big band well-drilled. His arrangements are concerned with a cutting, eagle-swoop precision, built up from portable clusters that can be detonated at any time. He enjoys settling into a sleek groove, but will suddenly find the urge ...
Murcof, Hamiet Bluiett, Broadcast and Joshua Redman
by Martin Longley
Murcof(le) Poisson RougeOctober 14, 2009 Murcof, whose real name is Fernando Corona, hails from Tijuana. His distinctive form of minimalist electronica lately seems to be moving closer towards classical music, and simultaneously becoming even more skeletal in nature. He's been active for nearly a decade, and has evolved from ...
