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Bill Frisell Trio at Peace Center
by Mark Sullivan
Bill Frisell Trio Peace Center Greenville, SC November 22, 2015 The promotional description for this Bill Frisell Trio show promised “music from Frisell's entire, and quite versatile, repertoire." A bold claim, given the guitarist's huge, varied discography, which ranges from experimental jazz with John Zorn to reinterpretations of pop songs. ...
Rich Halley 4: Eleven
by Mark Sullivan
Saxophonist Rich Halley again leads his empathetic quartet through eleven new compositions on this thoroughly engaging session. It's the sixth album by the group (Halley on tenor saxophone, trombonist Michael Vlatkovich, bassist Clyde Reed and drummer Carson Halley) and they display a remarkable chemistry throughout. Halley provides very distinctive compositions as starting points--he gives a brief ...
Food: This Is Not a Miracle
by Mark Sullivan
British/Norwegian experimental jazz group Food have done something a little different with each album, especially since downsizing from a quartet to the duo of Iain Ballamy and Thomas Stronen (plus guests). For this one they are joined again by Austrian guitarist and electronics player Christian Fennesz--but Strønen has taken the lead. He explains “With Food, it's ...
Gabriel Vicéns: Puerto Rican Jazz Guitar
by Mark Sullivan
Puerto Rican jazz guitarist/composer Gabriel Vicéns graduated from the Music Conservatory of Puerto Rico as the first jazz guitarist, and has gone on to teach guitar at the Music Department at the Interamerican University of Puerto Rico. He recorded his first solo album Point in Time at age 23; his second album Days has been released ...
Mike Holober: Balancing Act
by Mark Sullivan
Pianist/composer Mike Holober has had an active career with big bands (including HR Big Band Frankfurt, WDR Big Band Cologne, Stockholm Jazz Orchestra, and the Westchester Jazz Orchestra in the U.S.). So he brings a refined approach to the composing and arranging on this octet recording. He set himself an ambitious goal: to feature a vocalist, ...
June Bisantz: It's Always You: June Bisantz Sings Chet Baker Vol. 2
by Mark Sullivan
Vocalist June Bisantz pays tribute to the singing of legendary trumpeter/vocalist Chet Baker on this collection of standards associated with him. Along with collaborators pianist Alex Nakhimovsky and guitarist Norman Johnson (plus a number of other musicians), the group achieves its goal by emulation rather than imitation. Bisantz captures Baker's soft, intimate vocal sound, the key ...
Yelena Eckemoff: Growing Into Jazz
by Mark Sullivan
Pianist/composer Yelena Eckemoff goes her own way. Since the 2010 release of Cold Sun on her own L&H Production label, she has produced a series of jazz recordings, all presenting original music, with an impressive array of renowned contemporary musicians. Our conversation mainly dealt with her recording career: making connections with other musicians, composing, and working ...
Livelove Radio Bremen series continues: Working Week and Jazz Passengers
by Mark Sullivan
The Livelove series issuing archival live Radio Bremen recordings began with Larry Coryell & The Eleventh House from January 1975 (Promising Music, 2015) and the Horace Silver Quintet from June 1977 (Promising Music, 2015). That seems like a pretty wide range: from jazz fusion to hard bop. But the third and fourth releases in the series ...
Michael Kocour: Spiffy
by Mark Sullivan
Keyboardist Michael Kocour revisits his Hammond B3 organ roots in this collection of hard-swinging tunes presented in the tradition of jazz organ legends such as Jack McDuff, Jimmy Smith, and Don Patterson. McDuff in particular is a stylistic mentor: Kocour met him during his college years while attending the renowned jazz program at the University of ...
The Necks: Vertigo
by Mark Sullivan
The Necks don't swing. Since they are sometimes described as an “experimental jazz trio," it seems best to just put that on the table at the outset. I hesitate to call their music “free improvisation," as well, because of the abrasive, dissonant qualities so often found in that music--which doesn't describe The Necks at all. What ...
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