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Jonathan Mortiz & Mike Pride: Summertime
by Mark Corroto
Sumertime by the duo of Jonathan Moritz and Mike Pride highlights the distinction between paying attention and attention paid. The former deals with concentration, while the latter concerns awareness or consciousness. With this release or any free improvisation experience, immersion prevails over comprehension. In other words, dig the view instead of building a camp here.
Hirsh / Swell / Clouse / Parker: Out On A Limb
by Mark Corroto
Can déjà vu be contagious? Or at least a particular quality or disposition that is communicable? This might be the question to ask after sitting down with Out On A Limb by the improvising quartet of Steve Hirsh, Steve Swell, Jim Clouse, and William Parker. The music this unit created spontaneously in April 2024 does not ...
Rempis / Adasiewicz / Abrams / Damon: Propulsion
by Mark Corroto
Do you ever imagine yourself, while listening to an album from the Chicago creative scene, as a detective in one of those murder mystery movies? The investigator has assembled a wall with a string running from the crime scene photos and victims to all the accused. They do so to visualize the connections between suspects. The ...
Twin Talk: Twin Talk Live
by Mark Corroto
The trio Twin Talk makes music that is best described as stealthfully hip. This Chicago ensemble of drummer Andrew Green, tenor saxophonist Dustin Laurenzi and bassist/vocalist Katie Ernst does not trade in a clamorous and flamboyant sound. Still, in their own way, the trio stands out as expressive and captivating. Their fallaciously titled Twin Talk Live ...
Giovanni Guidi: A New Day
by Mark Corroto
There is some positive momentum surrounding Italian pianist Giovanni Guidi, especially with the trio he established with American bassist Thomas Morgan and Portuguese drummer João Lobo. Guidi's trio produced two excellent releases for ECM, City Of Broken Dreams (2013) and This Is The Day (2015). Their brand of music--let's call it the Bill Evans trio with ...
Jason Stein: Anchors
by Mark Corroto
Jason Stein would never in a million years characterize Anchors as his variation of A Love Supreme (Impulse!, 1965). But a comparison can be made. John Coltrane's quartet recording was the most personal and profound statement of his career. The same can be said for Stein and Anchors. He had taken time off from recording and ...
Ingrid Laubrock / Tom Rainey: Brink
by Mark Corroto
Could there be a more intimate sound than that of Brink? The saxophone/drums recording by reedist Ingrid Laubrock and percussionist Tom Rainey is as personal as it gets between two working jazz improvisers. The reason may be that Laubrock and Rainey are not just partners in music, but also life partners. Rainey is one of the ...
Giorgio Pacorig & Stefano Giust: Così com’è
by Mark Corroto
The sporting equivalent of Giorgio Pacorig and Stefano Giust's Così Com'è ("that's how it is") might be tennis. Their game is a friendly back-and-forth rendezvous instead of a competition that can only be accomplished by two musicians who have worked (a better word would be played) together for more than two decades. Pacorig's piano and Giust's ...
Pedro Melo Alves: Conundrum Vol. 1 - Itself Through Disappearance
by Mark Corroto
Great rock drummers are often ignored. One never pays attention to them during a performance because they are excellent, like Rolling Stones stalwart {Charlie Watts. If, however, they are not up to scratch, one definitely will notice. The same and more so can be said for jazz and improvising drummers. Talent, imagination and creativity are at ...
Joëlle Léandre / Elizabeth Harnik / Zlatko Kaućić: Live In St. Johann
by Mark Corroto
"I was in the house when the house burned down" is a thought sure to happen to many a concert attendee after a performance by legendary French bassist Joelle Leandre. She is a force of nature, a demanding and uninhibited artist. In her presence, a listener can feel the combustion generated by her performances. The same ...
