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12

Article: Album Review

Ivo Perelman: Brass And Ivory Tales

Read "Brass And Ivory Tales" reviewed by Mark Corroto


Archeologists and cultural anthropologists theorize early humans had some form of music appreciation. They listened to the sounds wind made as it passed through trees. The breeze sounded different passing through oak than it did fir trees, and the sound was altered whether it was spring or fall. Then there were the bird songs, the first ...

6

Article: Album Review

Artifacts: Tomeka Reid, Nicole Mitchell, Mike Reed: …and then there’s this

Read "…and then there’s this" reviewed by Mark Corroto


Chicago's Association for the Advancement of Creative Musicians or AACM, formed in 1965, adopted the maxim “ancient to the future." The future of which they spoke, in the hands of the next generation heard here, is indeed secure. The trio Artifacts comprises the gifted successors to the AACM, cellist Tomeka Reid, flutist Nicole Mitchell, and drummer ...

3

Article: Album Review

Bryan Murray & Jon Lundbom: Beats by Balto! Vol. 2

Read "Beats by Balto! Vol. 2" reviewed by Mark Corroto


Spinning Beats by Balto Vol. 2 in the midst of a global pandemic brings to mind a quote from Zack de la Rocha: “Fear is your only god on the radio." The Rage Against The Machine frontman is begging you to turn off your radio, but somehow you just can't turn off Balto!'s beats.

2

Article: Album Review

Alberto Braida: Cats In The Kitchen

Read "Cats In The Kitchen" reviewed by Mark Corroto


Cats In The Kitchen by the trio of Alberto Braida, Silvia Bolognesi, and Cristiano Calcagnile is the embodiment of la sprezzatura, an Italian expression that has no equivalent in English but roughly translates as doing something extremely well without showing that it took any effort. The nine compositions penned by Braida, an accomplished pianist whose recent ...

2

Article: Album Review

Flin van Hemmen: You Can Know Where The Bombs Fell

Read "You Can Know Where The Bombs Fell" reviewed by Mark Corroto


The Dutch-born guitarist turned drummer turned pianist turned studio sound engineer Flin van Hemmen follows Casting Spells & The Coves (Neither/nor Records, 2019) with You Can Know Where The Bombs Fell, another artifact of his post production and processing of recorded sound. He makes use of samples from the Casting Spells sessions, but unlike that release, ...

5

Article: Album Review

Ten Ka: Sonic Geometry: Structures, Patterns And Forms

Read "Sonic Geometry: Structures, Patterns And Forms" reviewed by Mark Corroto


Latvian saxophonist and composer Deniss Paškevičs normally has his feet firmly planted in the jazz domain. He has recorded excellent covers of hard bop classics and even reinterpreted John Coltrane's A Love Supreme (Impulse!, 1965). But he also has the inclination to explore different sounds from funk to folk, free improvisation, reggae, and modal musics. With ...

6

Article: Album Review

Don Cherry: Complete Communion & Symphony For Improvisers Revisited

Read "Complete Communion & Symphony For Improvisers Revisited" reviewed by Mark Corroto


Before his departure, Don Cherry was a kind of Johnny Appleseed for what would eventually be called the “New Thing" in jazz. He can be heard in the midst of the innovative work of Ornette Coleman, Sonny Rollins, Albert Ayler, Steve Lacy, Archie Shepp, and John Tchicai. Cherry's fertilizations changed the sound of creative music then ...

3

Article: Album Review

Martin Wind Quartet: My Astorian Queen

Read "My Astorian Queen" reviewed by Mark Corroto


Bassist Martin Wind reminds us that “nostalgia" is not a four-letter word (or nine-letter for that matter). Wind would say, “nein" to that idea. The German-born bassist, now a solid member of New York's jazz community, can be heard in piano trios led by Bill Mays, Ted Rosenthal, and Bill Cunliffe, in drummer Matt Wilson's various ...

5

Article: Album Review

Roscoe Mitchell: Dots - Pieces For Percussion And Woodwinds

Read "Dots - Pieces For Percussion And Woodwinds" reviewed by Mark Corroto


While Dots, a solo recording by Roscoe Mitchell, is divided into nineteen separate tracks, this entire hour plus recording might be best consumed as a single unit. Mitchell's use of silence here is as essential as the woodwind notes blown and the percussive objects struck. One track leading into the next might be marked by silence, ...

5

Article: Album Review

Alessandro Bosetti: Didone

Read "Didone" reviewed by Mark Corroto


For the past twenty years or so, Alessandro Bosetti's music has been connected to art. Sure, music is an art form, but his music is more like sculpture. Whether his source materials are radio broadcasts, spoken words, or field recordings, he repurposes sound as objects. These building blocks are recast into new forms. Think of Picasso ...


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