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Results for "Mark Corroto"
Maneri / Kalmanovitch / Jacobson / Osgood: Variations On No Particular Theme - Part 1
by Mark Corroto
This free improvisation chamber quartet is an interesting study in bold, yet even-tempered music making. Tomo Jacobson, the Polish-born bassist now making Copenhagen his home, assembled this Europe-meets-North American cast for what appears to be the beginning of a beautiful relationship. Jacobson is joined by Danish drummer Kresten Osgood and two violists, the Canadian Tanya Kalmanovitch ...
Friends & Neighbors: The Earth Is #
by Mark Corroto
The importance of choosing a name for your jazz band is often underestimated. Take the quintet Friends & Family for instance. When it was formed in 2008, it wasn't dubbed the André Roligheten Quintet or the Oscar Grönberg Band. No. From its beginnings, the quintet shared composing duties among its members as well as dutiful deference ...
Dave Sewelson: Smooth FreeJazz
by Mark Corroto
If you're a lover of adventurous music, you've certainly had the following experience. You take a seat in a coffee house or even worse in your dentist's chair and out of the speakers flows (stifle your tears) smooth jazz. You might welcome the John Cage—ian sound of the espresso frothier or the Merzbow noise of the ...
Danny Kamins: Disruptor
by Mark Corroto
Does saxophonist Danny Kamins's solo recording Disruptor act as an introduction to the various ensembles of which he is a member? Or do those group recordings prepare us for this solo outing? Kamins, a Houston resident and director of the jazz program at Rice University can be heard in the improvising trios CARL and Etched In ...
Ab Baars, Meinard Kneer, Bill Elgart: thrīe thrēo drī
by Mark Corroto
The trio of Ab Baars, Meinard Kneer, and Bill Elgart obliges listeners to reflect on how they listen to freely improvised music, not in a concert setting where the listeners' attention is in effect captured, but the act of listening to a performance from recorded format. A fellow critic eschews records, saying that the experience is ...
Ritual Habitual: Pagan Chant
by Mark Corroto
All great music, at least in the jazz and improvisation world, shares a resonance of back to the future. Call it a placeholder, or flag planted so listeners can find their way, not only back, but forward. The trio Ritual Habitual plants that flag with Pagan Chant as an invitation to accompany them on a journey ...
Wadada Leo Smith: A Love Sonnet For Billie Holiday
by Mark Corroto
Trumpeter Wadada Leo Smith creates a new trio with Vijay Iyer and drummer Jack DeJohnette. While the pianist and drummer have never recorded together, like a Venn diagram, their orbits were destined to overlap. Both musicians have recorded duets with Smith and both were members of Smith's Golden Quartet, just not at the same time.
Szilárd Mezei Tubass Quintet: Rested Turquoise
by Mark Corroto
Pardon the quote from the American rock band Cracker's lyrics to “Low": Sometimes I want to take you down/Sometimes I want to get you low/ Brush your hair back from your eyes/Take you down let the river flow. It's relevant because Szilárd Mezei's Tubass Quintet does carry out a mission to take you low. With a ...
Muriel Grossmann: Union
by Mark Corroto
The music on saxophonist Muriel Grossmann's Union is very familiar. Is that because all the compositions had been previously released? Not at all. Actually, the versions heard here are more vibrant than their first incarnations. Chalk that up to Grossman and company working and reworking these compositions in performances. The band's familiarity with the material blossoms ...
Ohad Talmor Trio: Mise En Place
by Mark Corroto
The cry was heard, “nobody said there was going to be math involved!" Sorry kids, the music heard on saxophonist Ohad Talmor's Mise En Place is in fact related to the abstract science of number, quantity, and space, and this is an upper level course on the intricate. Seven of the nine compositions were penned by ...
