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Tomas Fujiwara's Triple Double: March
by Mark Corroto
Drummer, composer and vibraphonist Tomas Fujiwara did not set out to rebut the saying “familiarity breeds contempt," but March from his sextet Triple Double does just that. His combination of three pairs of double instruments—guitarists Mary Halvorson and Brandon Seabrook, cornet/trumpets Taylor Ho Bynum and Ralph Alessi, plus double drummers Gerald Cleaver and Tomas Fujiwara himself—creates ...
Dave Rempis / Elizabeth Harnik / Michael Zerang: Astragaloi
by Mark Corroto
Sometimes listening to free improvisational music is, truth be told, an act of social anthropology. Who is making music? How is the combination of individual instruments configured? Where are the musicians from? Maybe more significant, how has this musical society developed? Astragaloi from the trio of Dave Rempis, Elizabeth Harnik, and Michael Zerang could be a ...
Satoko Fujii & Joe Fonda: Thread Of Light
by Mark Corroto
Damn the liner notes! If you didn't read the explanation of how this duo recording was produced, you would never guess it was not a studio session between pianist Satoko Fujii and bassist Joe Fonda. Thread Of Light was actually a product of the pandemic isolation, with Fujii in Kobe, Japan, and Fonda in New York. ...
Elastic Bricks: Oùat
by Mark Corroto
The Berlin-based piano trio Oùat releases their first album with the seemingly paradoxical title Elastic Bricks. If you listen closely, there is nothing incongruent nor oxymoronic about the music. The studio recording from 2021 by pianist Simon Sieger, bassist Joel Grip, and drummer Michael Griener is an all acoustic instrumental affair with a twist. The vinyl ...
Michael Bisio: In His Own Words
by Mark Corroto
If you happen to be a liner note geek you probably have noticed the name Michael Bisio mentioned frequently on album sleeves. Whether the author is the session leader or analyst, the general consensus is the bassist is the cornerstone upon which great music is built. His playing allows a fellow musician to access not only ...
Arbenz X Vistel / Moutin: Conversation #4 (Vulcanized)
by Mark Corroto
Prompted by the pandemic, drummer and percussionist Florian Arbenz has set out to document 12 Conversations with musicians invited into his Basel, Switzerland recording studio. Conversation #1: Condensed was a trio with Brazilian guitarist Nelson Veras and American trumpeter Hermon Mehari. Conversation #2 & #3 found Arbenz with British vibraphonist Jim Hart and Swiss bassist Jim ...
John Hébert: Sounds Of Love
by Mark Corroto
In sport, they talk about 'horses for courses,' to describe a parcour suited for particular athletes. That same language can be used to decide an ensemble's lineup for a particular category of music. Bassist and bandleader John Hébert made careful choices to create the quintet to perform music in the spirit of Charles Mingus. In the ...
Ornette Coleman: New York Is Now & Love Call Revisited
by Mark Corroto
These sessions, the last two Ornette Coleman would record for Blue Note Records, in April and May of 1968, are generally remembered for the rhythm section. Was it Coleman or producer Francis Wolff that invited John Coltrane's former sidemen, bassist Jimmy Garrison and drummer Elvin Jones to record? Was this a scheme to draw the Coltrane ...
Cartographie de rythmes #1: Vitesses Approchantes
by Mark Corroto
Composer Karl Naegelen has in effect rewritten the lyrics to the Jerome Kern jazz standard “I Won't Dance," changing the last line from “I won't dance, don't ask me/I won't dance, don't ask me/I won't dance, madame with you/My heart won't let my feet do things that they want to do," to the more relevant “The ...
Tony Malaby: The Cave of Winds
by Mark Corroto
Saxophonist Tony Malaby releases a 21st century version of Sonny Rollins' The Bridge (RCA Victor, 1962). During Rollins' three year voluntary hiatus from performing in the later '50s, he took to practicing on the Williamsburg Bridge near his Lower East Side neighborhood. Malaby, a resident of Jersey City in 2020, was also on a hiatus of ...
