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Myra Melford's Fire and Water Quintet: For The Love Of Fire And Water
by Mark Corroto
While the now infamous quote “writing about music is like dancing about architecture" may befit jazz criticism, writing music about painting is actually achievable. Proof of that is pianist Myra Melford's For the Love of Fire and Water; her quintet sets out to perform music inspired by the American painter Cy Twombly's (1928-2011) Bay of Gaeta ...
Tapani Rinne & Juha Mäki-Patola: Open
by Mark Corroto
While playing Open, the listener might get the notion that sometimes the commandments must be broken. Proscribing the act of listening violates the first rule of ambient music. Listening, at least non-passive listening to the musician-created atmospheric soundscapes is frowned upon. Just like the outdated adage that children should be seen but not heard, ambient music ...
Two Bill Evans Record Store Day Releases
by Mark Corroto
Morning Glory: The 1973 Concert At The Teatro Gran Rex, Buenos Aires and Inner Spirit: The 1979 Concert at the Teatro General San Martín, Buenos Aires (Resonance Records), never officially released before, were both recorded in Buenos Aires, six years apart. Bill Evans, who many a critic would claim to be the most significant pianist of ...
Charles Mingus: The Lost Album from Ronnie Scott's
by Mark Corroto
Professionally recorded for Columbia Records, but never released, this live concert from London's Ronnie Scott's Jazz Club is seeing the light of day some fifty years later, as well as marking the centennial celebration of Charles Mingus' birth. The music was never released, not because it was unworthy (it is indeed worthy), but because Mingus along ...
Yuko Fujiyama, Graham Haynes, Ikue Mori: Quiet Passion
by Mark Corroto
Pianist Yuko Fujiyama does not routinely release music. When she does, it is always for a special purpose. This trio recording, Quiet Passion, was preceded by Night Wave (Innova Recordings, 2018) and, like her previous album, she is joined by cornetist Graham Haynes. The trio is completed by fellow Japanese- born expatriate Ikue Mori a longtime ...
Spin Cycle: Spin Cycle III
by Mark Corroto
The quartet we know as Spin Cycle delivers III, the band's follow up to Assorted Colors (Sound Footing Records, 2018). Here, the compositional partners Scott Neumann and Tom Christensen exercise their omnivorous tastes on a broad --ranging spectrum of sound. Like their previous two albums, the pair employ guitarist Pete McCann and bassist Phil Palombi, two ...
Chad Fowler / Matthew Shipp: Old Stories
by Mark Corroto
Call it kismet, karma, astral influence or just plain luck, but when two musicians instantaneously click upon meeting, magic happens. Indeed, that was the case with the coming together of saxophonist Chad Fowler and pianist Matthew Shipp. The New York-based Shipp is ,of course, well known to adventurous listeners from his solo and trio recordings, plus ...
Ståhls Trio: Källtorp Sessions Volume Two
by Mark Corroto
This is the third release by vibraphonist Mattias Ståhl, bassist Joe Williamson and drummer Christopher Cantillo and also the second release to come from the trio's 2017 studio recordings. Källtorp Sessions Volume Two adds trombonist Mats Äleklint on two tracks with Ståhl on soprano saxophone from what one assumes is an additional 2018 studio session.
Anders Svanoe / Brad Townsend / Nick Zielinski: Mantis
by Mark Corroto
While taking a bit of a breather from releasing his State of the Baritone series, Anders Svanoe joined forces with bassist Brad Townsend and drummer Nick Zielinski to record Mantis. Svanoe's compositions paired with two-thirds of Minneapolis' avant-fusion band ARP Of The Covenant (unplugged here) deliver an assorted mix of highly emotive styles. The trio upgrades ...
Joel Futterman & Steve Hirsh: Warp & Weft
by Mark Corroto
Neuroscientists, psychologists, philosophers, and modern Buddhist practitioners have all grappled with the concept of consciousness. On one hand, the science-oriented folk propose consciousness to be stuff that designates the 'me' inside a person vis-à-vis the world, whereas the more spiritual approach eschews a dualistic definition in favor of a universal or 'one' consciousness. If we take ...
