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Bloodmist: arc
by Mark Corroto
arc, the fifth release by the trio Bloodmist , might be the 21st century's answer to Lou Reed's seminal work New York (Sire, 1989). Not that arc is a rock album, because it certainly is not. It has no lyrics, no references to dirty boulevards, dime store mysteries, or the demise of the American dream. It's ...
David Murray, Brad Jones, Hamid Drake: Brand New World Trio
by Mark Corroto
David Murray's Brave New World Trio is certainly a dream team of modern jazz. The only explanation for why the saxophonist, bassist Brad Jones and drummer Hamid Drake have not toured and recorded together in the past is that each musician is in high demand as leader or sideman. It took a worldwide pandemic, with each ...
Burkhard Beins, John Butcher, Werner Dafeldecker: Induction
by Mark Corroto
To mark John Butcher's 65th birthday in 2019, a series of concerts were held (mostly in Berlin) which produced five well-appointed limited LP editions of 300 from the folks at Ni Vu Ni Connu. The varied albums include Induction, a trio with Burkhard Beins and Werner Dafeldecker, La Pierre Tachée, a duo with Sophie Agnel, Shaped ...
Whit Dickey Quartet: Astral Long Form: Staircase In Space
by Mark Corroto
As leader of the Whit Dickey Quartet, the drummer placed total faith in his bandmates for this studio session. The accompanying materials quote Dickey, “I asked them all to not think of time too much; I just wanted them to play, not to follow me or each other." Was that instruction made out of confidence or ...
George Freeman: Everybody Say Yeah!
by Mark Corroto
It took a long time (much too long) for listeners to recognize the brilliance that was Chicago saxophonist Fred Anderson. The New York-centric jazz cognoscenti have often overlooked talent that comes from Chicago, and artists were often drawn to The Big Apple to seek the recognition they deserved. Beginning in the '90s, though, the focal point ...
Alberto Pinton: Good Idea
by Mark Corroto
Solo instrument recordings were at one time a rare occurrence, but with advancements in recording technology, the barriers to recording have been lowered. They are no longer the anomaly they once were. This solo baritone saxophone performance by Alberto Pinton, though, was paved years ago by the likes of Roscoe Mitchell, Peter Brötzmann, and Anthony Braxton. ...
Ballister: Chrysopoeia
by Mark Corroto
It is difficult to imagine a Ballister recording having its origins in any setting other than a live performance. The trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm, and drummer Paal Nilssen-Love fuels each performance with the audience's energy on all their recordings, including Chrysopoeia, their tenth. Not that the trio could not produce their music ...
Will Bernard: Pond Life
by Mark Corroto
All great performances, be they athletic or musical, start with a solid base. For guitarist Will Bernard that is a trio with drummer Ches Smith (Ceramic Dog, Snakeoil) and completing Bernard's bass (sic) with both the acoustic and electric input of bassist Chris Lightcap. Upon this foundation Bernard is inspired to expand his music with the ...
Lina Nyberg: Anniverse
by Mark Corroto
Vocalist Lina Nyberg takes us through a calendar year with her album Anniverse. Being Swedish, we're talking northern hemisphere when she sings of January and following footsteps in the snow with the sun only barely appearing on the horizon. Dark but not dispirited she intones rising hopes. This recording began with Nyberg's call to her long ...
Ricardo Pinheiro: Dança do Pólen
by Mark Corroto
The pandemic has dictated solo recordings for many artists, but for Ricardo Pinheiro, solo doesn't mean unaccompanied. He utilizes multi--tracking to great effect on Dança Do Pólen. The Portuguese guitarist's previous release Caruma (Inner Circle Music, 2020) was a trio session which he shared with two vocalists. Here he is solo, but never alone.
