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Jim Snidero: The Music Of Joe Henderson
by Mark Corroto
This past year, rumors of Joe Henderson’s death flooded the internet. Luckily, those rumors were unfounded. While Henderson was taking some time off from performing, his compositions weren’t. Alto saxophonist Jim Snidero assembled a New York post-bop sextet to showcase the now familiar music, like Henderson’s “Recorda-Me,” “Inner Urge,” and “Punjab.” Covering the now classic Henderson ...
Southern Jazz: There's No Place Like Home
by Mark Corroto
We paused as UN peacekeepers rolled onto the battleground that jazz critics and musicians inhabit these days. Our intafada against Kenny G, and the shelling by the Downtown artists halted as the Lincoln Center’s uptown brigade reloaded. The multinational squad was made up of Dr. Ted Borodofsky and his Southern Jazz band. Out of their unarmed ...
D.D. jackson: Anthem
by Mark Corroto
Jazz caveman grunts, “electric instruments bad, acoustic jazz good.” I must confess that of late, I was that Neanderthal jazz fan. I bought into the theory that electricity removed the requirement of musicianship in the music making process. While that may be true for teen rock and lite-jazz, talented jazz musicians can create absorbing and discriminating ...
Thomas Tedesco: Don't Ever Be Afraid To Be Ascared
by Mark Corroto
To me jazz is all about attitude. Jazz can be found in your walk or in the writing of Don Delillo or Jack Kerouac. If you can hear music in the snip snip of you barber’s scissors, you also know that jazz comes from many peculiar sources. How is it that Toots Thielmans’ harmonica and Jimmy ...
George Garzone: Moodiology
by Mark Corroto
Legendary Boston saxophonist George Garzone may not quit his day job as a jazz educator, but with each record he releases, the more fans and critical attention he garners. He plays sideman to Joe Lovano on his upcoming Blue Note release and has stood as equal on his own 1996 Fours And Twos (NYC). Like Lovano, ...
Sex Mob: Solid Sender
by Mark Corroto
If the networks decide to bring back the sixties' television show Laugh-In, the house band would definitely be the quartet Sex Mob. Steven Bernstein's creation is pure burlesque with a punk downtown attitude. Armed with a slide trumpet and a fistful of musical cliches, Bernstein tackles the standards. But not necessarily jazz standards. Sex ...
Greg Osby: The Invisible Hand
by Mark Corroto
Greg Osby has come a long way from his beginnings in St. Louis playing funk and R&B. His sound crossed our radar screens after moving to Brooklyn and joining forces with Steve Coleman in the mid-‘80s to form M-BASE, an urban-beat driven jazz. Osby had a very calculated, sometimes emotionless sound. It was if he was ...
Kurt Elling: Live In Chicago
by Mark Corroto
Singer Kurt Elling’s first three recordings for Blue Note records were quite ambitious, but being studio albums, they lost much of Elling’s spirit in the production. The jazz singer, like the poet, is best heard live. Elling, captured during a three-night gig at Chicago’s Green Mill, finally has realized (on record) his full potential. He’s a ...
McCoy Tyner: With Stanley Clarke And Al Foster
by Mark Corroto
One cannot think of McCoy Tyner and not recall John Coltrane’s classic quartet. Tyner’s massive expression on the ivories was the equivalent of John Coltrane’s efforts to blow the jazz world wide open. For the past forty years his playing has been the model for most modern jazz piano. Of late, he has worked in a ...
Michael Mason: Angel On Fire
by Mark Corroto
On December 1, 1958 fire broke out at Our Lady Of Angels school in Chicago. Ninety-two children and three Catholic nuns were killed and hundreds of others injured in the fire. Michael Mason a survivor of this tragedy is besides a talented Musician, a firefighter in the Chicago area. Mason and The Exploratory Ensemble present this ...


