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Bob Nell & Michael Bisio Trios: Trios: We Are Here
by Mark Corroto
Don't be misled by the adjective naïve when describing the collaboration between pianist Bob Nell and bassist Michael Bisio. Their recording We Are Here is hardly “naïve" in the sense of being inexperienced or unsophisticated. Rather, it embodies the word's more generous meaning: music that is natural, unforced and free of affectation. There is no posturing ...
Gerry Hemingway: Live at Bau 4
by Mark Corroto
Touch. It is the word that most often comes to mind when listening to the music of composer and drummer Gerry Hemingway. While rhythm and structure are central to his work, it is touch, the physical act of striking, rubbing, bowing, pressing and releasing that gives his music its distinctive character. Hemingway's performances do more than ...
Giancarlo Nino Locatelli: A Decent Run
by Mark Corroto
Who needs poetry in an age of internet memes, infinite scrolling and artificial intelligence? Poems ask us to linger over words, to discover meaning in silence as much as in language. Memes, by contrast, are consumed in an instant and forgotten just as quickly. We live in a culture that increasingly prizes immediacy over reflection, image ...
Miles Davis' 3rd Quintet: Reference: Bitches Brew Live 1969 In Europe
by Mark Corroto
For Miles Davis, timing was everything. His music rarely stood still long enough for audiences to catch up. The Columbia releases of Filles de Kilimanjaro (January 29, 1969) and In a Silent Way (July 30, 1969) marked the decisive bridge between his acoustic past and electric future. Yet Davis was already moving beyond that bridge before ...
Marion Brown: Live in Europe 1968 & 1972
by Mark Corroto
There was not much room in the crowded landscape of the 1960s avant-garde for everyone to receive equal attention. Critics and listeners alike gravitated toward the towering presence of John Coltrane, whose music dominated both record sales and jazz journalism. As a result, visionary figures such as Eric Dolphy, Albert Ayler and Marion Brown often found ...
Miles Davis: Miles '56: The Prestige Recordings
by Mark Corroto
The ancient Greek philosopher Heraclitus never met Miles Davis, but his famous observation, “No man ever steps in the same river twice, for it's not the same river and he's not the same man," seems tailor-made for the trumpeter. Few artists transformed themselves as completely or as often as Davis. Listeners encountering his music today can ...
Meet John Chacona
by John Chacona
I currently live in: Lakewood, Ohio, an inner-ring suburb of Cleveland, Ohio, USA that some have described as having “a San Francisco vibe." Don't laugh. That's pretty accurate. I joined All About Jazz in: I dunno, maybe 2020 or 2021. Maybe 1999. I don't remember. Why did you decide to contribute to ...
Sergio Armaroli: Introducing A Very Heavy Person, First Visit
by Neri Pollastri
Sulla scorta del suo amore e dei suoi studi su John Cage, Sergio Armaroli raccoglie attorno a sé un quintetto di straordinari musicisti per ricreare (non sapremmo in quale altro modo definire questa che è ben più di una rilettura) uno spettacolo radiofonico che il visionario musicista statunitense mandò in onda il 31 maggio 1942, musicando ...
Simon Hanes: Gargantua
by Mark Corroto
Two quotes come to mind in the wake of Simon Hanes' Gargantua. The first is from Perry Farrell of Jane's Addiction: “Camera got them images / Camera got them all / Nothing's shocking... “ The second, often attributed to William S. Burroughs: “Nothing is true, everything is permitted." Taken together, they suggest a world where boundaries ...
Liudas Mockūnas / Samuel Blaser / Marc Ducret: Twisted Summer
by Mark Corroto
All of modern jazz and improvised music owes a debt to Jimmy Giuffre (1921--2008). A quiet revolutionary, Giuffre helped reshape the language of jazz in ways that many musicians now take for granted. His solo recordings anticipated those of Anthony Braxton and Roscoe Mitchell, while his early experiments without a rhythm section, common practice today, were ...
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