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128

Article: Album Review

Tigersmilk: Tigersmilk

Read "Tigersmilk" reviewed by Mark Corroto


The creative jazz trio Tigersmilk makes improvised music that not only tastes good, it might even be good for you. The significant attraction here is cornetist Rob Mazurek of Chicago Underground, Isotope 217, and Brokeback. Mazurek’s latest disc Silver Spines (Delmark 2002) is a solo effort that comes off as less than inspiring. He ...

188

Article: Album Review

Zero dB: Reconstruction

Read "Reconstruction" reviewed by Mark Corroto


With a bit of hesitation, the jazz fan dips his/her little toe into the surging river of electronica and dance music. Sure, jazz in its early incarnations as dance music encouraged our fathers (maybe grandfathers) to hit the floor. Since the bebop revolution however, dancing has only maintained itself within the jazzer’s heart, as the listening ...

198

Article: Album Review

Triolid: Ur lamento

Read "Ur lamento" reviewed by Mark Corroto


Can you make demands upon pure improvisational music? The simple answer is no. The more correct (and lengthy) response is to ask the same question of its listeners. What does one bring to the listening table? Does expectation and theory only dull the experience? The best approach (for many) is to consider the ...

98

Article: Album Review

Giannis Gebbia: A Night In Palermo

Read "A Night In Palermo" reviewed by Mark Corroto


Musician and producer Gino Robair organized this recording shortly after the 1998 Dreamin’ California Festival in Palermo. The participants assembled in varying duos and trios to record short improvisational pieces, playing everything from traditional instruments to styrofoam and something called ‘The Bug.’ As you can guess, the results are a mixed bag of ...

167

Article: Album Review

Supersilent: 6

Read "6" reviewed by Mark Corroto


The latest release by the Norwegian band Supersilent could be the Bitches Brew of our modern times. Like Miles Davis’s infamous recording, little information about the band or its music making is revealed from the CD packaging. In fact their first three releases, 1-3, 4, followed by the cleverly titled 5, only list producer Helge Sten ...

253

Article: Album Review

John Taylor Trio: Rosslyn

Read "Rosslyn" reviewed by Mark Corroto


At age 61, pianist John Taylor has finally made his major label debut as a leader. But then again, Rosslyn doesn't really have a chieftain. Taylor, who has been a sideman since the 1970s, seems not to mind sharing his rostrum with his two bandmates: bassist Marc Johnson and drummer Joey Baron.The British-born Taylor ...

127

Article: Album Review

Ron Miles Quartet: Laughing Barrel

Read "Laughing Barrel" reviewed by Mark Corroto


The concept of jazz has seemingly always been an urban phenomenon. From Louis Armstrong’s move to Chicago to the post-war Charlie Parker revolution--and more recently, Wynton Marsalis’ uptown vs. downtown music debate--jazz concepts and jazz sounds have traditionally gravitated toward cities. But inside jazz itself, traditions are continuously rewritten. As the music has ...

247

Article: Album Review

Mark Winkler: Sings Bobby Troup

Read "Sings Bobby Troup" reviewed by Mark Corroto


While the tie between jazz and show tunes might be Tin Pan Alley in New York, the West Coast has been the inspiration for hipster song craftsmen. Singer Mark Winkler has made a recording of the quintessential Los Angeles composer Bobby Troup’s music, reviving much of the 1950s and '60s charm. Like Diana ...

147

Article: Album Review

DJ Spooky with Mad Professor: Dubtometry

Read "Dubtometry" reviewed by Mark Corroto


Did you catch that sample of Chef from Apocalypse Now in the remix of DJ Spooky’s Optometry ? Not Dennis Hopper or Marlon Brando, but the crazed boatmen who transport Martin Sheen up the river and into the heart of darkness are sampled here. There have to be cosmic implications for quoting Apocalypse Now, ...

145

Article: Album Review

Bruce Barth: Live At The Village Vanguard

Read "Live At The Village Vanguard" reviewed by Mark Corroto


Serious craftsmen in most occupations tend to shun the spotlight. This is also true of pianist Bruce Barth. Although he leads his own trio on this live recording, he maintains a workmanlike approach, eschewing fireworks for a solid performance. Maybe it is his role as long time accompanist for singers such as Carla Cook, ...


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