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159

Article: Album Review

Josh Abrams: Cipher

Read "Cipher" reviewed by Mark Corroto


It has been Chicago, not New York, that has been the confluence of music of Europe, jazz of the Americas, and improvised music. Whereas NYC claims all things to be “New York" (sort of like Al Gore inventing the internet), music makers in Chicago identify and defer to varying regional influences. Such is the ...

236

Article: Album Review

Sex Mob: Dime Grind Palace

Read "Dime Grind Palace" reviewed by Mark Corroto


Sex Mob has always been more vaudeville than Lincoln Center Jazz. But they are also, I would argue, more Ellingtonian than Wynton and his Duke-wannabes. The far-flung outfit was started in 1998 by slide trumpeter Steven Bernstein as a vehicle for his popular culture standup jazz act. Before The Bad Plus and Brad ...

137

Article: Album Review

Skerik: Skerik's Syncopated Taint Septet

Read "Skerik's Syncopated Taint Septet" reviewed by Mark Corroto


Is there such a phenomenon as the 'Seattle sound?' Not the Puget Sound, as in water, I mean a distinct regional musical flavor. All those 1980s flannel shirt proto-punk bands thought so. Maybe when it comes to jazz, the Seattle sound is more about an attitude, and maybe irreverence. Enter saxophonist Skerik's Syncopated Taint ...

170

Article: Album Review

John Bunch: English Songbook

Read "English Songbook" reviewed by Mark Corroto


An admitted supporter of free jazz and the avant guard of music, I felt like a lurker as I pushed the play button on jazz piano traditionalist John Bunch’s recording of the British songbook. After a couple of tracks, I was hooked and an instant fan of this octogenarian master. Bunch, born in Indiana, ...

122

Article: Album Review

Ethan Winogrand: Made In Brooklyn

Read "Made In Brooklyn" reviewed by Mark Corroto


You have to love drummer-led recordings. Is it because the producer mixes the leader a bit louder, or maybe you just concentrate more on the beat? Maybe both. Sessions led by Billy Higgins, Roy Haynes, Tony Williams, or today’s stars like Jim Black, Matt Wilson and Joey Baron cause you to focus on subtleties and the ...

216

Article: Album Review

Louie Belogenis: The Other Shore

Read "The Other Shore" reviewed by Mark Corroto


The working group known as Exuberance, formed in 1999, has released its first studio recording in The Other Shore. Dedicated to the late Wilber Morris, the disc is a reflective and joyful affair.The quartet is made up of saxophonist Louie Belogenis (Prima Materia), trumpeter Roy Campbell, Jr. (Other Dimensions In Music, Pyramid Trio, Peter ...

133

Article: Album Review

George Gruntz: Mental Cruelty

Read "Mental Cruelty" reviewed by Mark Corroto


Atavistic's Unheard Music Series, curated by John Corbett, has unearthed some obscure and curious music. So far most of it has been avant-garde and experimental sounds, pressed on vinyl years ago and hitherto available only to collectors. This session by pianist/orchestra leader George Gruntz is an exception to the UMS rule and proves itself to be ...

161

Article: Album Review

Scot Ray Quintet: Active Vapor Recovery

Read "Active Vapor Recovery" reviewed by Mark Corroto


Trombonist Scot Ray rounds up the usual suspects of West Coast postmodern jazz for this session classified in the ‘unable to classify’ category. The former sideman in Brian Setzer’s swing orchestra pens a few ideas of hs own on Active Vapor Recovery. He has jettisoned swing for an amalgam of fresh funk, rock, chamber, and free ...

108

Article: Album Review

Giovanni Moltoni: Openground

Read "Openground" reviewed by Mark Corroto


The jazz guitar in this modern era has often been like Godzilla in Tokyo. It dominates, rocks, and blots out the sun. Okay, not Jim Hall’s guitar – but in this MTV world, our focus and attention naturally falls upon the guitarist. The 21st century listener’s frame of reference for all things guitar is rock and ...

208

Article: Album Review

Fr: Exaltatio Utriusque Mundi

Read "Exaltatio Utriusque Mundi" reviewed by Mark Corroto


The Exultation Of Two Worlds is actually a misnomer. Both musicians, percussionist Lê Quan Ninh and pianist Frédéric Blondy, inhabit the same territory of creative free improvisation. Their manner of producing sound is even similar. Frédéric Blondy a participant in the new French improvisation scene is a member of the bands Ethos (with ...


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