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Transatlantic Five: Transitions
by Mark Corroto
There is an expression in meditation for when an individual is concentrating on their breath, “it's a simple practice, but not easy." A similar statement might be made about Transitions by the Transatlantic Five. The music is not simple, but it is easy. Easy, at least for this quintet. The American duo of Ken ...
Ingrid Laubrock: Monochromes
by Mark Corroto
Saxophonist & composer Ingrid Laubrock and her partner, drummer Tom Rainey self-released an ongoing series of spontaneous duets, the Stir Crazy Episodes, recorded during the pandemic lockdown. They were most likely a kind of pressure release mechanism for both artists. With Monochromes, Laubrock heads in the opposite direction by commissioning four musicians to pre-record tape pieces ...
Charles Mingus: At Antibes 1960 Revisited
by Mark Corroto
At Antibes could easily be an all-time favorite Charles Mingus recording if he had not produced such extraordinary sessions as Mingus Ah Um (Columbia, 1959), Charles Mingus Presents Charles Mingus (Candid, 1961), The Black Saint And The Sinner Lady (Impulse!, 1963) and Mingus Mingus Mingus Mingus Mingus (Impulse!, 1964). Listeners can make their own picks, but ...
Jeff Lederer: Balls of Simplicity
by Mark Corroto
To describe Jeff Lederer's latest offering, borrow a catchphrase from Monty Python's Flying Circus, “and now for something completely different." The saxophonist, clarinetist and composer might be best known for reimagining the music of Albert Ayler in both the traditions of the Shaker Christian sect or in a sea shanties format, his irreverent reimagining of Dixieland ...
Tomas Fujiwara’s 7 Poets Trio: Pith
by Mark Corroto
The instructions that came with Tomas Fujiwara's 2019 release, 7 Poets Trio (RogueArt), read, “I'd like to tell you as little as possible about this music before you listen to it... and create your own scenes for which these songs can be soundtracks." The same advice is warranted for Fujiwara's 7 Poets Trio follow up recording ...
Gard Nilssen's Supersonic Orchestra: Family
by Mark Corroto
Why can't all music be supersonic? That does not mean supersonic as in a speed exceeding that of sound, but sound that is sonically superlative. Drummer, composer, and bandleader Gard Nilssen's music is seemingly always sonically superb. His 17-piece Supersonic Orchestra was captured in 2022 at the Mondriaan Jazz Festival in Den Haag, Netherlands, for Family, ...
Ivo Perelman / Nate Wooley: Polarity 2
by Mark Corroto
Polarity 2, the follow up to the first Polarity (Burning Ambulance, 2021) by saxophonist Ivo Perelman and trumpeter Nate Wooley, is the antithesis of its title. Never could it be said the musicians display opposite or contradictory tendencies with this recording. The best you can say is that the two musicians are the opposite sides of ...
John Blum: Nine Rivers
by Mark Corroto
Pianist John Blum's solo Nine Rivers is not so much a hit as it is a HIIT. His music is and has consistently been, to borrow a term from sports, a HIIT workout. HIIT or High Intensity Interval Training is a series of repeated all-out efforts with a brief recover time in between each effort. This ...
John Coltrane: Sun Ship
by Mark Corroto
Why is a 180-gram vinyl reissue of John Coltrane's Sun Ship, remastered from the original tapes, important? If you are old enough, you'll remember the advent of the compact disc. After the CD was introduced in the 1980s, listeners abandoned their vinyl collections in favor of the promise of this new technology which was free from ...
Steve Lehman & Orchestre National de Jazz: Ex Machina
by Mark Corroto
Does Ex Machina settle the long-standing debate about whether saxophonist Steve Lehman is human or a replicant. Lehman and his approach to music may remind one of Rick Deckard, played by Harrison Ford in Blade Runner (1982) a movie adaptation of Do Androids Dream of Electric Sheep? by Philip K. Dick; Deckard was tasked with hunting ...
