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Marian McPartland

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Marian McPartland has made jazz piano duets into something of an art form. Sure, it's been done before, but not very often. There are the Pete Johnson/Albert Ammons duet sessions that made both boogie pianists stars, but save for the occasional live performance where a couple of luminaries may have sat in together to present a finale to a concert, there aren't that many examples in the jazz canon. In the 20 or so years that she's hosted her program Piano Jazz on National Public Radio, Marian McPartland has done her level best to boost the profile of this neglected jazz instrumental format. "Somehow" McPartland tells me during a phone interview from San Francisco, where she's playing with her trio at Yoshi's, "I've always been associated with either two or four pianos. The first gig I ever had years ago was a four piano act in England, where we performed in vaudeville all over the country." McPartland was born in England on March 20, 1918, and was playing piano by ear from the time she was three years old. At the age of seventeen she was accepted by The Guildhall School of Music. There she studied composition and music theory in addition to her piano playing, obtaining a firm grounding in classical piano technique that shows in her playing to this day. But McPartland wanted to play jazz. She auditioned for a popular English pianist, Billy Mayerl, and was offered a job. Her parents were not happy with her decision to go on the road, but Marian could not be swayed, and finally they relented. "I do know a lot of young musicians" she says, "we talk occasionally and one of their big things seem to be that their parents want them to be in some other business, you know, and mine did too, but I didn't let that stop me. That's the main thing is be persistent. If you want to do it you've got to really get into it, you can't just halfway do it and have a day job and play a few gigs here and there, you've just got to really get into it." Marian really got into her musical career, even though she wasn't always playing jazz. Once Mayerl's four piano act broke up, she continued to work in vaudeville and accompanied singers until World War II, when she joined ENSA, the English equivalent of the USO. By 1944 she had joined up with the USO, traveling to France and Belgium, where she met cornetist Jimmy McPartland, her future husband. She has written that during her tours with McPartland's group playing for GI s on the front lines she learned a lot of the things she needed to know to be a professional jazz pianist, including how to accompany soloists and a great deal of the standard repertoire. She and Jimmy were married in Aachen, Germany, on February 4, 1946. Soon thereafter, they came back to the States and lived in Chicago, which McPartland refers to as her second home. Jimmy is, of course, known as one of the originators of the "Chicago jazz" style. The University of Chicago's Jazz Archive contains a large collection of photographs, correspondence, and recordings made available by the McPartlands that tell the story of an important time and place in the development of jazz. Marian appeared at the University's Mandel Hall on October 20, 2001 in a tribute concert for Jimmy, who passed away in 1991. The event will featured Marian and a group of musicians playing music associated with Jimmy, including some who played with him. "We've done this before a few years ago, playing all of Jimmy's recorded music and generally having a good time recalling jokes and funny things that we said to each other." The couple moved to New York in 1949, and there she continued to be exposed to all of the great jazz artists of the day. She played her first trio engagement at a club called The Embers, and in 1952 began what became an eight-year stint at the famed Hickory House. By then the trio included drummer Joe Morello, and bassist Bill Crow, who are widely known for their work with Dave Brubeck and Gerry Mulligan, respectively. The trio was named "Small Group of the Year" in 1955 by Metronome magazine. Marian became an established jazz and club pianist; since the Hickory House was located on 52nd Street musicians were always among those in attendance. These often included the likes of Duke Ellington, Oscar Peterson, Billy Strayhorn, and Benny Goodman, as well as one of McPartland's influences, Mary Lou Williams. "Well, I always admired Mary Lou; she's really one of my role models. I always wanted to be able to swing as hard as she did. That was something she could do no matter what the rhythm section was like, and I loved her creativity, she always wanted to be on the edge. Every time I heard her she would be doing something different harmonically. All her compositions are really interesting things." McPartland and Williams stand side by side in Art Kane's famous 1958 Great Day in Harlem photograph. The trio recorded some classic sides for Capitol, which remain mysteriously unavailable at this time, though a Savoy reissue of some live dates entitled On 52nd Street is available on CD. The group reunited for some weekend gigs at Birdland in the Fall of 1998, and those performances can be heard on the Concord disc Reprise.

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Article: Radio

Juno Nominees, New Releases Plus Birthday Shout-outs For Sister Rosetta Tharpe, Marian McPartland And More As Womens History Month Continues

Read "Juno Nominees, New Releases Plus Birthday Shout-outs For Sister Rosetta Tharpe, Marian McPartland And More As Womens History Month Continues" reviewed by Mary Foster Conklin


This broadcast features Juno nominees, new releases from vocalists Sarah Moule, Sarah Jerrom, Janis Siegel and guitarist David Howard plus birthday shoutouts to Elis Regina, Sister Rosetta Tharpe, Marian McPartland, Michele Rosewoman, and Deanna Witkowski, among others. Thanks for listening and please support the artists you hear by purchasing their music during this time of lockdown.

Article: Album Review

Cecil Taylor: Mixed to Unit Structures Revisited

Read "Mixed to Unit Structures Revisited" reviewed by Giuseppe Segala


La pubblicazione di Mixed To Unit Structures, nella meritevole collana Revisited Series della Ezz-thetics, sotto-etichetta della svizzera Hat Hut, riunisce due date di registrazione importanti nella vicenda di Cecil Taylor, distribuite tra l'ottobre 1961 e il maggio 1966. La prima, composta dai tre brani “Pots," “Bulbs" e “Mixed," era stata pubblicata dall'etichetta Impulse! nel disco Into ...

News: Birthday

Jazz Musician of the Day: Marian McPartland

Jazz Musician of the Day: Marian McPartland

All About Jazz is celebrating Marian McPartland's birthday today! Marian McPartland has made jazz piano duets into something of an art form. Sure, it's been done before, but not very often. There are the Pete Johnson/Albert Ammons duet sessions that made both boogie pianists stars, but save for the occasional live performance where a couple of ...

1

Article: General Articles

Noah Haidu ricorda Kenny Kirkland

Read "Noah Haidu ricorda Kenny Kirkland" reviewed by Angelo Leonardi


Kenny Kirkland era chiamato dagli amici Doctone (ovvero Doctor of Tone) ed è questo il titolo del progetto multimediale elaborato dal pianista Noah Haidu a più di vent'anni dalla scomparsa. Un ricco tributo della Sunnyside Records consistente in un libro d'interviste, un film documentario e un album di suoi brani eseguiti da Haidu con Todd Coolman ...

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Article: So You Don't Like Jazz

Discovering Jazz through Pretzel Logic

Read "Discovering Jazz through Pretzel Logic" reviewed by Alan Bryson


It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...

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Article: Under the Radar

Women in Jazz, Pt. 3: The International Women in Jazz Organization

Read "Women in Jazz, Pt. 3: The International Women in Jazz Organization" reviewed by Karl Ackermann


In part 1 and part 2 of the Women in Jazz series, we looked at the historical marginalization of women in jazz from Lil Hardin Armstrong and Blanch Calloway in the 1920s to Tia Fuller in 2019. Part 2 focused on several prominent pioneering artists including the all-female International Sweethearts of Rhythm, Marian McPartland, and Melba ...

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Article: Profile

20 Seattle Jazz Musicians You Should Know: Chuck Deardorf

Read "20 Seattle Jazz Musicians You Should Know: Chuck Deardorf" reviewed by Paul Rauch


The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and '30s. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...

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Article: Album Review

Ted Moore Trio: The Natural Order of Things

Read "The Natural Order of Things" reviewed by Jack Bowers


A piano trio led by a drummer? While that may not always be The Natural Order of Things, it is here. The drummer is the veteran Ted Moore, his teammates the talented pianist Phil Markowitz and rock-solid bassist Kai Eckhardt. Moore composed and arranged (almost) all of the music, which enlivens themes from Brazil and Spain, ...

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Article: Radio

Celebrating Carmen McRae's Centennial

Read "Celebrating Carmen McRae's Centennial" reviewed by Mary Foster Conklin


The broadcast includes new releases from Duchess, Kandace Springs, Nina Simone and Carla Hassett with birthday shoutouts to Carmen McRae on her centennial, Alberta Hunter, (who was not only a superb performer but also a professional health care worker for more than 20 years), Billie Holiday, guitarist Sister Rosetta Tharpe and pianist Marian McPartland.


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