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Celebrate the 2019 NEA Jazz Masters with the National Endowment for the Arts Free Tickets to the April 15 Tribute Concert Available Now!
The National Endowment for the Arts will honor the 2019 NEA Jazz Masters—recipients of the nation’s highest honor in jazz—at a series of free events this April, held in collaboration with the John F. Kennedy Center for the Performing Arts in Washington, DC. These events—a concert with performances by stars of the jazz and music world, ...
Il debutto di Abelita Mateus: Vivenda - Mixed Feelings
by Angelo Leonardi
È un debutto significativo questo di Abelita Mateus, giovane pianista e cantante brasiliana residente a New York dal 2012, che arricchisce la fervida tradizione di musicisti carioca attivi negli Stati Uniti. Il suo recente album Mixed Feelings e il precedente Vivenda offrono piena misura delle sue doti vocali e strumentali. Accompagnata da musicisti di ...
Lucas Pino: That's a Computer
by Angelo Leonardi
Dal 2013 il sassofonista e compositore Lucas Pino dirige il suo “No Net Nonet" esibendosi tutti i mesi allo Smalls Jazz Club di New York, senza trascurare altre scritture. L'organico è nato nel 2009, da allora ha cambiato solo un componente e la regolarità del rapporto spiega la coesione e l'equilibrio evidenziati in questo terzo album. ...
Jentsch Group No Net: Topics in American History
by Troy Dostert
Don't let the album's title fool you. Guitarist/composer Chris Jentsch's Topics In American History isn't a disguised syllabus for a college seminar. Jentsch's liner notes reveal an abiding interest in American history, but his modus operandi is to use pivotal aspects of the nation's past as springboards for creative, immersive music. Although using just a nine-piece ...
Women in Jazz, Part 1: Early Innovators
by Karl Ackermann
"Lil Hardin [Armstrong]...often imagined herself standing...at the bottom of a ladder, holding it steady for Louis as he rose to stardom." (Stanford Archive of Recorded Sound, 2012). “The all-female band is an anomaly in music, one that must constantly prove itself as a 'band,' and not just 'girls playing music together.'" (Mary Ann Clawson, 1999). Everything ...
Big Noise New York
by Mary Foster Conklin
The first broadcast of 2019 included a preview of some of the many artists performing in New York at the Winter Jazzfest and APAP annual convention, with new releases by Simone Kopmajer, Something Blue and Stacy Sullivan, plus birthday shout outs to Myra Melford, Carol Sudhalter, James Shipp, and vocalist Christine Tobin, among others.
Maria’s A Winner & Sonny Is Too
by Marc Cohn
Sometimes in this business, you get so saturated with new music that your ears are paralyzed. The blues to the rescue, including Dexter Gordon singing with his voice, not just the saxophone. We also salute and celebrate Maria Schneider's receipt of a Jazz Masters' Award this spring from the National Endowment for the Arts. The first ...
Meet Jeff Evans
by Tessa Souter and Andrea Wolper
Our first Super Fan of 2019 is such a jazz head that he and his wife of 42 years got engaged at a jazz club. These days, Jeff frequently can be seen in the New York clubs indulging several of his passions at once. Living in a city he describes as “richly blessed" with venues, he ...
2018: The Year in Jazz
by Ken Franckling
The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...
Ingrid Laubrock: Two Works For Orchestra With Soloists
by Mark Corroto
Large ensemble recordings are just not attempted these days. That is unless one is blessed with Lincoln Center's budget or you happen to be Anthony Braxton or maybe Maria Schneider. Further, to assemble a large cast of 47 musicians plus two conductors for a recording that features written classical music, free improvisation conduction, and superstar soloists ...
