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177

Article: Album Review

Peter Epstein Quartet: The Invisible

Read "The Invisible" reviewed by Mark Corroto


Saxophonist Peter Epstein changes sound and form as needed for the different lives he leads. In one prior life he sits in a cathedral alone, playing for the gods (see this month’s review of Solus ), in another he wears a Downtown existence in Jerry Granelli’s Badlands. Then there’s his Portuguese folk/jazz (see review of Almas), ...

203

Article: Album Review

Peter Epstein: Almas/Solus

Read "Almas/Solus" reviewed by Mark Corroto


My ‘what I did during summer vacation’ essay would begin simply enough. “I listened to jazz.” I guess you can call what I listen too, ‘jazz.’ But then again, when is jazz not jazz? And can a jazz artist make a non-jazz record? Certainly, ask Miles Davis (sorry), ask Keith Jarrett and Wynton Marsalis, both have ...

143

Article: Album Review

Marcelo Zarvos: Music Journal

Read "Music Journal" reviewed by Jim Santella


The natural moods and flavors that run through New Adult Contemporary music weave unifying bonds through all countries and all styles. Leaves rustling in the middle of the night, crickets and frogs making themselves significantly heard, lonely warm-blooded animals howling toward the night sky, or dramatic changes in the weather are traits common to most geographical ...

203

Article: Album Review

Marcelo Zarvos: Labyrinths

Read "Labyrinths" reviewed by AAJ Staff


The pathway twists many times, one environment giving way to another. A sunny beach becomes a parlor: “Rondo Baiao" starts earthy, a berimbau creeping through a mess of rattles. A cello adds depth, and Peter Epstein twirls a soprano, the light swing of a merry-go-round. Now enters Zarvos: a sweet gentility, delivered with force. The varied ...

Album

Almas

Label: MA Recordings
Released: 1999

Album

Labyrinths

Label: MA Recordings
Released: 1999
Track listing: Rondo Bai

137

Article: Album Review

Marcelo Zarvos: Labyrinths

Read "Labyrinths" reviewed by Jim Santella


For his second album, pianist Marcelo Zarvos has written a volume of chamber jazz pieces that maximize the lyrical nature attained when interweaving soprano saxophone, cello, and piano melodies. His counterpoint contains elements from Zarvos’ native Brazil as well as from his parents’ Greek homeland. The universal language of music ties cultures together readily through shared ...

Album

O Exílio

Label: MA Recordings
Released: 1998


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