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Peter Epstein Quartet: The Invisible

by Mark Corroto
Saxophonist Peter Epstein changes sound and form as needed for the different lives he leads. In one prior life he sits in a cathedral alone, playing for the gods (see this month’s review of Solus ), in another he wears a Downtown existence in Jerry Granelli’s Badlands. Then there’s his Portuguese folk/jazz (see review of Almas), ...
Peter Epstein: Almas/Solus

by Mark Corroto
My ‘what I did during summer vacation’ essay would begin simply enough. “I listened to jazz.” I guess you can call what I listen too, ‘jazz.’ But then again, when is jazz not jazz? And can a jazz artist make a non-jazz record? Certainly, ask Miles Davis (sorry), ask Keith Jarrett and Wynton Marsalis, both have ...
Marcelo Zarvos: Music Journal

by Jim Santella
The natural moods and flavors that run through New Adult Contemporary music weave unifying bonds through all countries and all styles. Leaves rustling in the middle of the night, crickets and frogs making themselves significantly heard, lonely warm-blooded animals howling toward the night sky, or dramatic changes in the weather are traits common to most geographical ...
Marcelo Zarvos: Labyrinths

by AAJ Staff
The pathway twists many times, one environment giving way to another. A sunny beach becomes a parlor: Rondo Baiao" starts earthy, a berimbau creeping through a mess of rattles. A cello adds depth, and Peter Epstein twirls a soprano, the light swing of a merry-go-round. Now enters Zarvos: a sweet gentility, delivered with force. The varied ...
Marcelo Zarvos: Labyrinths

by Jim Santella
For his second album, pianist Marcelo Zarvos has written a volume of chamber jazz pieces that maximize the lyrical nature attained when interweaving soprano saxophone, cello, and piano melodies. His counterpoint contains elements from Zarvos’ native Brazil as well as from his parents’ Greek homeland. The universal language of music ties cultures together readily through shared ...