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Article: Album Review

Lucas Pino's No Net Nonet: That's a Computer

Read "That's a Computer" reviewed by Jerome Wilson


Lucas Pino is a New York-based tenor saxophonist who leads the No Net Nonet, a band that fits snugly into the jazz tradition but displays its own style of creativity. Despite what this CD's title suggests, this group's music is full of emotion and warmth. That is evident from the outset with “Antiquity," written ...

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Article: Radio & Podcasts

A Musical Journey with Mariel Spencer Austin

Read "A Musical Journey with Mariel Spencer Austin" reviewed by Nick Davies


This show features an interview with trombonist and composer Mariel Austin talking about her career in music especially the journey from choirs to the trombone. We also discuss her latest album Runner in the Rain. As this is jazz show there is lots of new music and some tracks from the archives as well as an ...

Article: Album Review

Lucas Pino: That's a Computer

Read "That's a Computer" reviewed by Angelo Leonardi


Dal 2013 il sassofonista e compositore Lucas Pino dirige il suo “No Net Nonet" esibendosi tutti i mesi allo Smalls Jazz Club di New York, senza trascurare altre scritture. L'organico è nato nel 2009, da allora ha cambiato solo un componente e la regolarità del rapporto spiega la coesione e l'equilibrio evidenziati in questo terzo album. ...

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Article: Album Review

Lucas Pino: That's a Computer

Read "That's a Computer" reviewed by David A. Orthmann


Lucas Pino's No Net Nonet has claimed a piece of turf within the vast, sprawling, crowded field of the jazz mainstream. Its brilliantly conceived and executed efforts resist additional stylistic distinctions. Teamwork, mutually reinforcing concerns and a spirit of adventure infuse the seven tracks of That's A Computer. The compositions and arrangements by the leader, as ...

Album

That's a Computer

Label: Outside in Music
Released: 2018
Track listing: Antiquity; Horse of a Different Color; Film at 11; Look into My Eyes; Frustrations; Sueno de Gatos; Baseball Simulator 1000.

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Article: Album Review

Lucas Pino's No Net Nonet: That's a Computer

Read "That's a Computer" reviewed by Jack Bowers


Saxophonist Lucas Pino's adventurous New York-based No Net Nonet is on record for the third time with That's a Computer (yes, there's a story behind that but it's too lengthy to recount here), which underscores Pino's usual flair for anomalous compositions and arrangements. Except for drummer Jimmy Macbride, who came on board in 2017, every member ...

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Article: Album Review

Rafal Sarnecki: Climbing Trees

Read "Climbing Trees" reviewed by Jerome Wilson


Guitarist Rafal Sarnecki has put together a CD with an interesting combination of influences here. His music mixes together elements of classical chamber music and progressive jazz-rock which is played by a group with a front line of guitar, tenor sax and voice. The presence of a high, wordless female voice sometimes gives this the feel ...

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Article: Radio & Podcasts

John Scofield, Bill Frisell, Miho Hazama & other great new releases

Read "John Scofield, Bill Frisell, Miho Hazama & other great new releases" reviewed by Ludovico Granvassu


The summer is almost over and the pace at which new albums are being released is picking up... This week we focus on a few new gems, including two remarkable tributes to Thelonious Monk, the mighty Work: The Complete Compositions of Thelonious Monk (in six volumes!) by Miles Okazaki and the idiosyncratic The MONK: Live at ...

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Article: Album Review

Jorn Swart: Malnoia

Read "Malnoia" reviewed by Neri Pollastri


Questo Malnoia è un lavoro singolare sin dalla composizione biografica dei suoi tre componenti, tutti presenti sulla scena newyorchese ma per due terzi di provenienza euroepa -olandese Jorn Swart, tedesco Benjamin Gutzeit -mentre l'ultimo membro, Lucas Pino, viene dall'Arizona. Ma ancor più singolare è il fatto che accanto al pianoforte del leader si trovino la viola ...

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Article: Album Review

Nick Finzer: No Arrival

Read "No Arrival" reviewed by Dan Bilawsky


To say a musician has arrived is to create the ultimate paradox. For in that notion is the suggestion of reaching the upper echelon in the art form, but also an indication of the end of a journey and the start of stagnation. With the true seeker and master musician, there is no arrival; there's merely ...


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