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Matt Otto: Umbra
by Gary Fukushima
In his 30-plus years in music, Matt Otto has, in addition to mastering improvising and training his ear to near perfection, learned to write incredibly complex compositions, challenging in every musical aspect: melodic, harmonic, rhythmic. Yet even now, his composing continues to evolve. “I feel like it's maybe less evolution than like going back ...
Larry Goldings & John Sneider: Chinwag
by Leo Sidran
A 30 year long friendship between musicians is not necessary to make intimate, creative music together, but it certainly doesn't hurt. Chinwag, the first duo record by pianist Larry Goldings and trumpeter John Sneider, is just such a project; a debut three decades in the making. It might seem like a simple undertaking--a small format album ...
Joe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let ...
Francesco Crosara: Circular Motion
by David Adler
"I refuse to be labeled a 'straight-ahead' player or a 'fusion' player," says Italian-born, Seattle-based pianist Francesco Crosara. It's a sentiment widely shared by jazz musicians, though they follow many different roads to get to that place. Crosara, for his part, plays both acoustic piano and Yamaha MODX-8 synthesizer on this absorbing, varied program of original ...
Jun Iida: Evergreen
by Gary Fukushima
They are everywhere, dotting the undulating terrain of the great Pacific Northwest, from the winding, twisting shorelines of Puget Sound to the mountains that rise in the distance in every direction: the Olympics to the west, the Cascades to the east, Mt. Baker to the north and the majestic Rainier to the south. The trees are ...
Brian Lynch: Con Clave Vol.2
by C. Andrew Hovan
The jazz musician's road to success and sustainability is a rocky one, marked with more than its share of ups and downs. Becoming the norm as of late, those with the strongest staying power have increased their flexibility by becoming more diverse in their efforts. The affect is thus twofold-providing an income to pay the rent, ...
Sergio Armaroli & Evan Parker: Dialog
by Chris May
Sergio Armaroli and Evan Parker's collaboration on Dialog was made possible by state-of-the-art 2022 digital technology, on which it was wholly reliant. But the structure of the music itself--call and response a.k.a. antiphony--predates the digital era by an unknown number of millennia. Located in different studios hundreds of miles apart, on different days, the two players ...
Lage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On ...
Bill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited
by Chris May
Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, ...
Rachel Eckroth: Humanoid
by Sharonne Cohen
"Humanoid is a departure for me," Rachel Eckroth said when we spoke about her new piano quartet album, recorded at Sam First jazz club in Los Angeles on October 28 and 29, 2022. Taking her first piano lesson at the age of five, this accomplished, multifaceted musician has honed her craft over the four decades since, ...
