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Raul De Souza: Colors
by Arnaldo DeSouteiro
Raul De Souza's life can be seen as a one-of-a-kind story. Indeed, it would make a perfect novel or film script. It may not be as big a tragedy as 'Round Midnight or Bird, but it has drama, love, adventure, and great music. Picture this: a poor child grows up in Brazil working as ...
Christy Doran: in The Corner Of The Eye
by Ian Patterson
For forty years, Irish-born, Lucerne-based guitarist Christy Doran has recorded prolifically for numerous labels. Inevitably perhaps, many of his earlier works are out of print, so it's cause for celebration that this release brings together the very best of Phoenix (hat Art, 1990) and What a Band (hat Art, 1992), two long-neglected yet essential Doran recordings. ...
Nathan Davis Quintet: The Hip Walk
by Ken Dryden
There are numerous examples of talented American jazz musicians who had long careers but were overlooked by critics, broadcasters and much of the jazz audience, often because they spent decades as full time jazz educators, which limited their opportunities to tour in support of their recordings. Nathan Davis, primarily known as a tenor and soprano saxophonist, ...
Matt Otto: Umbra
by Gary Fukushima
In his 30-plus years in music, Matt Otto has, in addition to mastering improvising and training his ear to near perfection, learned to write incredibly complex compositions, challenging in every musical aspect: melodic, harmonic, rhythmic. Yet even now, his composing continues to evolve. “I feel like it's maybe less evolution than like going back ...
Larry Goldings & John Sneider: Chinwag
by Leo Sidran
A 30 year long friendship between musicians is not necessary to make intimate, creative music together, but it certainly doesn't hurt. Chinwag, the first duo record by pianist Larry Goldings and trumpeter John Sneider, is just such a project; a debut three decades in the making. It might seem like a simple undertaking--a small format album ...
Joe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let ...
Francesco Crosara: Circular Motion
by David Adler
"I refuse to be labeled a 'straight-ahead' player or a 'fusion' player," says Italian-born, Seattle-based pianist Francesco Crosara. It's a sentiment widely shared by jazz musicians, though they follow many different roads to get to that place. Crosara, for his part, plays both acoustic piano and Yamaha MODX-8 synthesizer on this absorbing, varied program of original ...
Jun Iida: Evergreen
by Gary Fukushima
They are everywhere, dotting the undulating terrain of the great Pacific Northwest, from the winding, twisting shorelines of Puget Sound to the mountains that rise in the distance in every direction: the Olympics to the west, the Cascades to the east, Mt. Baker to the north and the majestic Rainier to the south. The trees are ...
Brian Lynch: Con Clave Vol.2
by C. Andrew Hovan
The jazz musician's road to success and sustainability is a rocky one, marked with more than its share of ups and downs. Becoming the norm as of late, those with the strongest staying power have increased their flexibility by becoming more diverse in their efforts. The affect is thus twofold-providing an income to pay the rent, ...
Sergio Armaroli & Evan Parker: Dialog
by Chris May
Sergio Armaroli and Evan Parker's collaboration on Dialog was made possible by state-of-the-art 2022 digital technology, on which it was wholly reliant. But the structure of the music itself--call and response a.k.a. antiphony--predates the digital era by an unknown number of millennia. Located in different studios hundreds of miles apart, on different days, the two players ...
