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Cedar Walton One Flight Down
by Thomas Conrad
They are thinning out: the ranks of pianists who can trace their lineage directly back to primary sources like J.J. Johnson, the early Jazz Messengers of Art Blakey, and the Jazztet of Art Farmer and Benny Golson. In the last few years, we have lost Tommy Flanagan, Mal Waldron, Roland Hanna, Dodo Marmarosa, Russ Freeman, Frank ...
Ralph Bowen: Five
by C. Andrew Hovan
Although he's better known in educational circles due to his solid commitment to jazz pedagogy as a member of the faculty at Rutgers University, Ralph Bowen has been a vital member of the jazz community since debuting with the group Out of the Blue back in the mid '80s. His adaptability to a diversity of musical ...
Delia Fischer: Beyond Bossa
by Allen Morrison
In 2019, after I'd been writing for DownBeat Magazine for about a decade, I was asked to review a batch of new albums from Brazil, including one by a Rio de Janeiro-based singer named Delia Fischer who wrote her own songs. I gathered that, in addition, she was a jazz pianist, an arranger, and the musical ...
Benjamin Boone: Confluence - The Ireland Sessions
by Jason Crane
"A mind that is stretched by a new experience can never go back to its old dimensions." --Oliver Wendell Holmes “It's not that the Irish are cynical. It's rather that they have a wonderful lack of respect for everything and everybody." --Brendan Behan The Oliver Wendell Holmes quote is loftier, but the ...
Larry Goldings and Melinda Sullivan choose to groove on Big Foot
by Leo Sidran
Sometimes what seems at first to be a departure can turn out to be a new arrival. When Larry Goldings and Melinda Sullivan met shortly before the COVID pandemic, they had no way of knowing just how impactful it would become for both of them. By 2021, they had begun meeting in Goldings' backyard to play ...
Michael Dease: Found in Space - The Music of Gregg Hill
by Bill Milkowski
The title itself is revealing. A clever play on words of the old '60s sci-fi show Lost in Space, it immediately suggests an irreverent wit and slightly twisted perspective; qualities that also permeate the unique music of prolific Michigan-based composer Gregg Hill. How this fairly obscure presence on the national music scene has managed ...
Pete Malinverni: Invisible Cities
by Thomas Conrad
They call it “the Calvino Effect." It is the fascination that Italo Calvino's unclassifiable, elusive literary works exert over artists in other media. Calvino's Invisible Cities contains unseen cities of the imagination that have inspired many paintings. It contains silent cities of dreams that have provoked much music. In Calvino's novel, Marco Polo tells ...
Scott Kinsey: Luniwaz LIVE
by Mike Jacobs
Scott Kinsey's connection to the music of Joe Zawinul and Weather Report is undeniable--and hardly new to even casual partakers of the keyboardist's work. As Kinsey explains, the pull was there from the beginning: “Joe was an innovative improviser, composer, and conceptualist but for me, especially so as the first jazz synthesist I had ever encountered. ...
Ron Carter: Anything Goes
by Arnaldo DeSouteiro
Ronald Levin Carter (born Ferndale, Michigan, on May 4, 1937) needs no introduction. Let's just say that he is the bassist's bassist. On Ron's hands, the bass and the man become the same entity, the same person. Played by Ron Carter, the acoustic bass sounds like... Ron Carter! That's why he is one of the three ...
Marshall Gilkes: LifeSongs
by Dan Bilawsky
A sojourn in the city of Cologne is akin to a homecoming for Marshall Gilkes. The lauded trombonist spent four memorable years in that cultural hub beside the Rhine, making his mark within the ranks of the WDR Big Band's brass section, and his departure in December of 2013 did nothing to dampen his love for ...
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