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Article: Liner Notes

Reggie Nicholson: No Preservatives Added

Read "Reggie Nicholson: No Preservatives Added" reviewed by Howard Mandel


From cosmic gong signaling it's “Time to Reset" to bluesy combo asking that we “Say It Ain't So," Reggie Nicholson's Percussion Concept on No Preservatives Added makes music of real life and sonic imagination. Beats, breathes, cycles, syncopations and synchronizations--dances, stances, gestures, textures—rhythmic physicality and melodic extrapolation--expressive, engaging improvisations of a masterful team, that proceed by ...

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Article: Liner Notes

Joe Pass: Meditation

Read "Joe Pass: Meditation" reviewed by Ken Dryden


Although a few jazz guitarists still perform solo concerts in the early days of the 21st century, none of them has produced anything approaching the series of live recordings by Joe Pass during his two decades as a Pablo artist. Incredibly, Pass maintained that playing unaccompanied on stage wasn't even his idea. During my November 1993 ...

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Article: Liner Notes

Bob Albanese: Time Remembered

Read "Bob Albanese: Time Remembered" reviewed by Howard Mandel


Everything we remember is time past. How those memories live anew in the present is the subject of Time Remembered, pianist Bob Albanese's beautifully rendered solos and collaborations with bassist Eddie Gomez, drummer Willard Dyson, percussionist David Meade and (briefly on one track) “Furmina the Wonderdog." “It's a record of feeling which I hope ...

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Article: Liner Notes

Dino Betti van der Noot: A Chance For A Dance

Read "Dino Betti van der Noot: A Chance For A Dance" reviewed by Neil Tesser


"I love the rhythm—one of the reasons I love jazz is the rhythm—but I have spent some years to free myself from the rhythm." Dino Betti van der Noot sits over breakfast rolls at the Rosetta Hotel in Perugia, Italy. “I experimented with different time signatures and finally found out that the simplest ones are perfect, ...

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Article: Liner Notes

New Faces: New Sounds

Read "New Faces: New Sounds" reviewed by Dan Bilawsky


While established forces typically radiate clout and currency, it's the new faces, beaming with hope and the promise for what's to come, that tend to shine brightest. Posi-Tone Records, not surprisingly, supports that line of thinking. Promoting emerging artists has long been a mission for the label, which prides itself on seeking out and nurturing burgeoning ...

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Article: Liner Notes

Meridian Odyssey: Second Wave

Read "Meridian Odyssey: Second Wave" reviewed by Paul Rauch


The human qualities that are attributed to friendship, draw a remarkable parallel to those qualities that bring musicians together and allow them to communicate without fear. There is the willingness to make oneself vulnerable to emotional discretion, to communicate and embrace others without the encumbrances of ego. There is hard work involved, and a unity that ...

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Article: Liner Notes

Peter Erskine Trio: As It Was

Read "Peter Erskine Trio: As It Was" reviewed by John Kelman


The box set you hold in your hands features three players who came together in an exceptional group to play some of the most compelling and exploratory piano trio music of the 20th Century's final decade. This threesome, led by Peter Erskine, released four albums recorded between July 1991 and July 1997: 1993's You Never Know, ...

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Article: Liner Notes

The Light Beyond: Frank Gambale, Stuart Hamm and Steve Smith

Read "The Light Beyond: Frank Gambale, Stuart Hamm and Steve Smith" reviewed by Josef Woodard


Reports of fusion's death have been greatly exaggerated. The cultural phenomenon, by which jazz and rock made a potent alliance during the '70s, generally slipped out of the public ear and major label consciousness, as jazz as a whole retreated into a more historicist, unplugged attitude. But out of corporate sight only out of corporate mind, ...

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Article: Liner Notes

Metropolitan Jazz Octet featuring Paul Marinaro: The Bowie Project


Read "Metropolitan Jazz Octet featuring Paul Marinaro: The Bowie Project
" reviewed by Neil Tesser


In the words of David Bowie: “Changes." The Metropolitan Jazz Octet's two previous albums teem with unadulterated jazz. Paul Marinaro is a hard-swinging, expressive baritone steeped in the Great American Songbook and the jazz tradition. So what in the galaxy are they doing with the music of pop legend--and onetime glam rocker, dancehall king, ...

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Article: Liner Notes

John Abercrombie: The First Quartet

Read "John Abercrombie: The First Quartet" reviewed by John Kelman


With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the ...


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