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Article: Liner Notes

Metropolitan Jazz Octet featuring Paul Marinaro: The Bowie Project


Read "Metropolitan Jazz Octet featuring Paul Marinaro: The Bowie Project
" reviewed by Neil Tesser


In the words of David Bowie: “Changes." The Metropolitan Jazz Octet's two previous albums teem with unadulterated jazz. Paul Marinaro is a hard-swinging, expressive baritone steeped in the Great American Songbook and the jazz tradition. So what in the galaxy are they doing with the music of pop legend--and onetime glam rocker, dancehall king, ...

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Article: Liner Notes

John Abercrombie: The First Quartet

Read "John Abercrombie: The First Quartet" reviewed by John Kelman


With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the ...

5

Article: Liner Notes

Anthony Branker: What Place Can Be for Us? - A Suite in Ten Movements

Read "Anthony Branker: What Place Can Be for Us? - A Suite in Ten Movements" reviewed by Michael Ambrosino


Ma Rainey channeled music as her ritual of “singing to understand life." Congressman John Lewis leveraged music towards the “good trouble" he created fighting for civil rights in an uncivil land. Anthony Branker understands music as the calculus of his life's work—the art of weaving words and sound into transcendent tapestries that explore the rich, complex, ...

9

Article: Liner Notes

Jim Snidero: Far Far Away

Read "Jim Snidero: Far Far Away" reviewed by Dan Bilawsky


Far Far Away brings us ever so close to the genius of Jim Snidero. An incandescent affair built upon the pillars of new partnership and continuing collaboration, it showcases a marked consistency in craftsmanship and inventiveness that leaves no doubt as to this artist's place in the jazz firmament. Of course, seasoned listeners need no reminders ...

6

Article: Liner Notes

Larry Coryell: Improvisations: Best of the Vanguard Years

Read "Larry Coryell: Improvisations: Best of the Vanguard Years" reviewed by Josef Woodard


There have been many smoother operators in the world of jazz guitar than Larry Coryell, the brainy rough rider who was a natural-born fusioneer, in the best sense. There have been cleaner technicians on the instrument, with a more lucid sense of identity and careers that have followed a logical, rolling landscape. But not many have ...

1

Article: Liner Notes

Espen Berg: The Trondheim Concert

Read "Espen Berg: The Trondheim Concert" reviewed by Chris May


The idea of free improvisation means different things to different people. For some it suggests the lineage that began with the so-called “energy players" of the late 1960s, musically untutored berserkers whose enthusiasm for Albert Ayler, John Coltrane and Pharoah Sanders inspired them to pick up a horn and play whatever notes fell at random under ...

4

Article: Liner Notes

Fela Anikulapo Kuti: Original Sufferhead

Read "Fela Anikulapo Kuti: Original Sufferhead" reviewed by Chris May


Original Sufferhead was the first album Fela released under Egypt 80's name, having disbanded Afrika 70 in 1979; the only musician held over was baritone saxophonist Lekan Animashaun, who had been with Fela since 1965 and who took over from the departing Tony Allen as bandleader. The album was recorded in early 1981, ...

7

Article: Liner Notes

Espen Berg Trio: Free To Play

Read "Espen Berg Trio: Free To Play" reviewed by Chris May


If you ask a jazz fan to name the greatest piano-trio albums ever made, the probability is that their top twenty choices will include most, if not all, of the following: Erroll Garner's Concert By The Sea (Columbia, 1955), Ahmad Jamal's But Not For Me (Argo, 1958), Bill Evans's Sunday At The Village Vanguard (Riverside, 1961), ...

7

Article: Liner Notes

David Binney: Barefooted Town

Read "David Binney: Barefooted Town" reviewed by Josef Woodard


Continuing Saga of the Strong Seeker I remember distinctly during the 2007 Montreal Jazz Festival, sifting through and measuring up the usual blur of stimuli, seeking out the prizes among prizes in the program. In one corner, there was Wayne Shorter, in the finest of his performance I'd ever heard—playing up his suits as composer and ...

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Article: Liner Notes

Opus 5: Introducing Opus 5

Read "Opus 5: Introducing Opus 5" reviewed by Josef Woodard


The Evident Charms and Secret Powers of Five For all the myriad varieties and contextual possibilities under the rubric of what makes for a valid jazz group, there is something distinctively powerful and tradition-enriched about the number five. Smaller groups tighten up the focus on individual voices involved, and often frame a specified protagonist leader, while ...


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