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Metropolitan Jazz Octet featuring Paul Marinaro: The Bowie Project

by Neil Tesser
In the words of David Bowie: Changes." The Metropolitan Jazz Octet's two previous albums teem with unadulterated jazz. Paul Marinaro is a hard-swinging, expressive baritone steeped in the Great American Songbook and the jazz tradition. So what in the galaxy are they doing with the music of pop legend--and onetime glam rocker, dancehall king, ...
John Abercrombie: The First Quartet

by John Kelman
With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the ...
Anthony Branker: What Place Can Be for Us? - A Suite in Ten Movements

by Michael Ambrosino
Ma Rainey channeled music as her ritual of singing to understand life." Congressman John Lewis leveraged music towards the good trouble" he created fighting for civil rights in an uncivil land. Anthony Branker understands music as the calculus of his life's workthe art of weaving words and sound into transcendent tapestries that explore the rich, complex, ...
Jim Snidero: Far Far Away

by Dan Bilawsky
Far Far Away brings us ever so close to the genius of Jim Snidero. An incandescent affair built upon the pillars of new partnership and continuing collaboration, it showcases a marked consistency in craftsmanship and inventiveness that leaves no doubt as to this artist's place in the jazz firmament. Of course, seasoned listeners need no reminders ...
Larry Coryell: Improvisations: Best of the Vanguard Years

by Josef Woodard
There have been many smoother operators in the world of jazz guitar than Larry Coryell, the brainy rough rider who was a natural-born fusioneer, in the best sense. There have been cleaner technicians on the instrument, with a more lucid sense of identity and careers that have followed a logical, rolling landscape. But not many have ...
Espen Berg: The Trondheim Concert

by Chris May
The idea of free improvisation means different things to different people. For some it suggests the lineage that began with the so-called energy players" of the late 1960s, musically untutored berserkers whose enthusiasm for Albert Ayler, John Coltrane and Pharoah Sanders inspired them to pick up a horn and play whatever notes fell at random under ...
Fela Anikulapo Kuti: Original Sufferhead

by Chris May
Original Sufferhead was the first album Fela released under Egypt 80's name, having disbanded Afrika 70 in 1979; the only musician held over was baritone saxophonist Lekan Animashaun, who had been with Fela since 1965 and who took over from the departing Tony Allen as bandleader. The album was recorded in early 1981, ...
Espen Berg Trio: Free To Play

by Chris May
If you ask a jazz fan to name the greatest piano-trio albums ever made, the probability is that their top twenty choices will include most, if not all, of the following: Erroll Garner's Concert By The Sea (Columbia, 1955), Ahmad Jamal's But Not For Me (Argo, 1958), Bill Evans's Sunday At The Village Vanguard (Riverside, 1961), ...
David Binney: Barefooted Town

by Josef Woodard
Continuing Saga of the Strong Seeker I remember distinctly during the 2007 Montreal Jazz Festival, sifting through and measuring up the usual blur of stimuli, seeking out the prizes among prizes in the program. In one corner, there was Wayne Shorter, in the finest of his performance I'd ever heardplaying up his suits as composer and ...
Opus 5: Introducing Opus 5

by Josef Woodard
The Evident Charms and Secret Powers of Five For all the myriad varieties and contextual possibilities under the rubric of what makes for a valid jazz group, there is something distinctively powerful and tradition-enriched about the number five. Smaller groups tighten up the focus on individual voices involved, and often frame a specified protagonist leader, while ...