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Article: Liner Notes

Steve Davis: Systems Blue

Read "Steve Davis: Systems Blue" reviewed by C. Andrew Hovan


From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that ...

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Article: Liner Notes

Ola Kvernberg & The Trondheim Soloists: The Mechanical Fair Live

Read "Ola Kvernberg & The Trondheim Soloists: The Mechanical Fair Live" reviewed by Chris May


Ola Kvernberg's Steamdown (Grappa) was perhaps the most sensationally visceral album to come our way during 2018. Part future-jazz, part EDM, part avant-rock, part contemporary-classical and 100% wrap-around shamanistic. It was Kvernberg's follow-up to The Mechanical Fair (Jazzland, 2014), which is here in an extensively recalibrated version recorded live at the Molde International Jazz Festival in ...

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Article: Liner Notes

Charnett Moffett: The Bridge

Read "Charnett Moffett: The Bridge" reviewed by Howard Mandel


Solo bass records are rare, and might seem to appeal mostly to bassists and bass aficionados. But on The Bridge Charnett Moffett, the charismatic bass virtuoso with an impressive past and equally brilliant future, has proven here — without benefit of a band--that his music can touch anyone who loves music, regardless of instrumentation or genre. ...

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Article: Liner Notes

Peter Beets: New York Trio Page Two

Read "Peter Beets: New York Trio Page Two" reviewed by C. Andrew Hovan


In its relatively short history, American jazz music has established a language that while having some ties to the European tradition is more fully rooted in the rhythms and folk melodies of the African slaves. What is even more significant is the profound impact that the music and musicians have had in breaking social boundaries such ...

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Article: Liner Notes

George Colligan: Ultimatum

Read "George Colligan: Ultimatum" reviewed by C. Andrew Hovan


Unlike classical music, where so much of the performance is based on an authentic interpretation of the material, jazz has always been more about inventiveness and the musician's quest to find an original voice. Additionally, some of the most innovative artists in the genre have been known not only for their instrumental prowess, but also for ...

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Article: Liner Notes

Seamus Blake: Bellwether

Read "Seamus Blake: Bellwether" reviewed by C. Andrew Hovan


The music speaks for itself. This timeworn axiom has often served as a suggestion that there's an intangible aspect to music's universal language that is somehow beyond mere words. In some cases this may be true, but on the other hand, this outlook has occasionally in the past served as a viable excuse for justifying music ...

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Article: Liner Notes

Hal Galper Quintet: Live at the Berlin Philharmonic 1977

Read "Hal Galper Quintet: Live at the Berlin Philharmonic 1977" reviewed by Paul Rauch


Sullivan County, New York, is a long way from the grind of the jazz scene in New York City. For iconic pianist Hal Galper, it has been home for some forty five years. The area has long drawn artists attracted to its rural lifestyle, and quick access to the city. For Galper, his move represented a ...

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Article: Liner Notes

Greg Lewis' Organ Monk: American Standard

Read "Greg Lewis' Organ Monk: American Standard" reviewed by Howard Mandel


Thelonious Monk was an American original, a unique figure of his time and place. So is Greg Lewis, organist at the helm of Organ Monk, which on American Standard expands upon its mission of interpreting Monk's own compositions, just as Monk did himself. American Standard, Organ Monk's third album, takes up classic songs from ...

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Article: Liner Notes

Stephan Thelen: Fractal Sextet

Read "Stephan Thelen: Fractal Sextet" reviewed by Mark Sullivan


Swiss composer/guitarist Stephan Thelen's two Fractal Guitar albums were largely multi-tracked affairs, involving considerable file sharing. The idea of organizing a band to perform the music live may have been inevitable. The resulting Fractal Sextet is an international project consisting of guitarist Jon Durant (USA), keyboard player and composer Fabio Anile (Italy), bassist Colin Edwin (UK), ...

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Article: Liner Notes

Reggie Nicholson: No Preservatives Added

Read "Reggie Nicholson: No Preservatives Added" reviewed by Howard Mandel


From cosmic gong signaling it's “Time to Reset" to bluesy combo asking that we “Say It Ain't So," Reggie Nicholson's Percussion Concept on No Preservatives Added makes music of real life and sonic imagination. Beats, breathes, cycles, syncopations and synchronizations--dances, stances, gestures, textures—rhythmic physicality and melodic extrapolation--expressive, engaging improvisations of a masterful team, that proceed by ...


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