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Article: Liner Notes

Tony Monaco: The Definition of Insanity

Read "Tony Monaco: The Definition of Insanity" reviewed by C. Andrew Hovan


It is often said that adversity can make or break a person. In the case of Tony Monaco, his varied life struggles have always been the catalyst in helping to bear the fruits of his many musical successes. Perhaps a fairly recent recovery from a major blockage of his widowmaker artery is the most radical example ...

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Article: Liner Notes

Billy Lester: Unabridged

Read "Billy Lester: Unabridged" reviewed by Howard Mandel


Pianist Billy Lester is a musical original. That's obvious from the first, oh, 17 seconds of Unabridged, his sixth album and second all-solo recording. Listen to the unusual, brief motif with which Lester opens “Overture: Passionate Musings," then develops, complicates and completes it faster than you'd tie a shoelace. Pause--and he continues. Not to ...

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Article: Liner Notes

Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record

Read "Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record" reviewed by Chris May


In July 2019, Gard Nilssen will be Artist-in-Residence at the prestigious, future-facing Molde Jazz Festival. It will be a busy week for the Norwegian drummer, composer and sonic adventurer. As well as guest appearances, he will perform with several of his bands--SpaceMonkey, an electronica/dance music mash-up he co-founded five years ago; Bushman's Revenge, which may be ...

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Article: Liner Notes

Patrick Brennan and sOnic Opening: Tilting Curvaceous

Read "Patrick Brennan and sOnic Opening: Tilting Curvaceous" reviewed by Howard Mandel


Tilting Curvaceous is all-of-a-piece, s0nic 0penings' instigator and extraordinary alto saxophonist Patrick Brennan informs us, emerging from a single “meta-groove interface," to be heard whole. That may come naturally to fans of creative improvisation since the breakthroughs of Ornette Coleman, say, and new constructions by composers including Cecil Taylor, the Art Ensemble of Chicago, Henry Threadgill ...

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Article: Liner Notes

CeCe Gable: Next Year's Song

Read "CeCe Gable: Next Year's Song" reviewed by Dan Bilawsky


To hear CeCe Gable sing is to encounter pure truth. A late bloomer whose early passion for dance was eventually eclipsed by the lure of jazz, she's spent the past three decades honing her craft and establishing herself as a sincere storyteller adept at honoring a lyric and elevating every number she inhabits. Since first taking ...

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Article: Liner Notes

Bill Stevens: Lema Sabachthani

Read "Bill Stevens: Lema Sabachthani" reviewed by Bill Stevens


In 2003 I recorded the album Dedication, my fifth independently released CD, which in the liner notes I detailed a brief musical history. Dedication bridged a 14-year gap between recordings, as well as a documented move from Seattle, WA. to New York City. In 2004 I formed the Bill Stevens Quintet and in 2005 we recorded ...

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Article: Liner Notes

Jimmy Greene: Gifts and Givers

Read "Jimmy Greene: Gifts and Givers" reviewed by C. Andrew Hovan


The two-tenor battle is not a new idea, with iconic pairings from the jazz pantheon running the gamut from Dexter Gordon and Wardell Gray to Eddie “Lockjaw" Davis and Johnny Griffin. In more recent times, Eric Alexander and Grant Stewart have fueled the fire with their own incendiary adventures as heard on the current albums Wailin' ...

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Article: Liner Notes

Steve Slagle: Into The Heart Of It

Read "Steve Slagle: Into The Heart Of It" reviewed by Dan Bilawsky


In a storied career that's produced more than 20 leader dates, there's little that Steve Slagle hasn't explored and accomplished. Yet here we are with a true first from the veteran alto saxophonist: A stunning bouquet of ballads. Inspired by lodestar outings from legends like John Coltrane, and driven by a desire to find a personalized ...

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Article: Liner Notes

Adam Larson: Listen With Your Eyes

Read "Adam Larson: Listen With Your Eyes" reviewed by Dan Bilawsky


Listen with your eyes. Open your ears and look. What tenor saxophonist Adam Larson has to offer here is something truly extraordinary. With horn in hand he takes us on a journey, an unforgettable trip through his wiring that's as daring as it is direct, as complex as it is approachable, and as dynamic as can ...

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Article: Liner Notes

Dino Betti van der Noot: Here Comes Springtime

Read "Dino Betti van der Noot: Here Comes Springtime" reviewed by AAJ Staff


There are some musicians whose instrument is the orchestra. They hear multiple voices, textures, harmonic designs. And if they are jazz composers, they hear the sweet and pungent tension between the orchestra and the improvising soloist. If, moreover, they are composers interested in more than self-gratification, they hear, as they write, particular players so that the ...


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