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Article: Liner Notes

Melvin Rhyne: Tomorrow Yesterday Today

Read "Melvin Rhyne: Tomorrow Yesterday Today" reviewed by C. Andrew Hovan


A disciple of some of the earliest jazz organ practitioners, such as Jackie Davis, Milt Buckner, and Wild Bill Davis, jazz veteran Melvin Rhyne's major claim to fame has been the five years he spent with the renowned Wes Montgomery in the early '60s. Yet this is really only a fraction of the story for the ...

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Article: Liner Notes

Fridolin Blumer: Beyond Scope

Read "Fridolin Blumer: Beyond Scope" reviewed by Mark Corroto


Are there norms in free improvisation? A better question might be: are there rules? Free improvisation has been called many things--instant composing, non-idiomatic improvisation, spontaneous composition, intuitive music--but no matter the name, the question of structure remains. To explore this, let's look beyond music to another art form: film. Specifically, the 1998 cult classic The Big ...

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Article: Liner Notes

Grant Green: The Main Attraction

Read "Grant Green: The Main Attraction" reviewed by Arnaldo DeSouteiro


During his brilliant career as one of the best producers in the music history, Creed Taylor (born in Lynchburg, Virginia, on May 13, 1929) has worked with some of world's greatest guitarists: from Barry Galbraith (1919-1983) and Mundell Lowe, who took part in the Creed Taylor Orchestra albums (Lonelyville, Shock!, Ping Pang Pong) for ABC-Paramount in ...

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Article: Liner Notes

Dino Betti van der Noot: Brahm Dreams Still

Read "Dino Betti van der Noot: Brahm Dreams Still" reviewed by Thomas Conrad


In 2023 I signed on to write the liner notes for an album by someone I had never heard of. He was Dino Betti van der Noot, and the album was Let Us Recount Our Dreams. I approached the project with some trepidation. But Dino turned out to be a revelation. His music, in its sweep ...

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Article: Liner Notes

Introducing: The Russ Macklem Detroit Quintet

Read "Introducing: The Russ Macklem Detroit Quintet" reviewed by Vincent Chandler


What do these musicians have in common: Wardell Gray, Joe Henderson, Yusef Lateef, Thad, Elvin, and Hank Jones, Betty Carter, Howard McGhee and Marcus Belgrave? They are all legendary jazz musicians from Detroit who were born elsewhere. Some were raised in Detroit, while others moved there later in their lives. This phenomenon dates to the Great ...

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Article: Liner Notes

Dan Krimm: Second Wind

Read "Dan Krimm: Second Wind" reviewed by Another Pass Productions


Dan Krimm is hardly the first artist to find inspiration in the bounteous beauty of Marin County, but in composing, recording and designing Second Wind he's crafted a musical sojourn equally fueled by locally sourced creativity. Since moving to San Rafael in 2016, he's reimmersed himself in music after several years focusing on other pursuits. With ...

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Article: Liner Notes

Michael Dease: Flow

Read "Michael Dease: Flow" reviewed by Howard Mandel


Everything comes together for Michael Dease and company on Flow, which should be no surprise but mustn't be taken for granted. The dynamic Mr. Dease, a consummate musician, sweeps his diverse crew of long-term collaborators and gifted newcomers through a confluence of songs rich in melody, rhythm and feeling. Pleasure-forward, Flow entices, refreshes, buoys and inspires. ...

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Article: Liner Notes

Jovino Santos Neto Quarteto: Mais Que Tudo: Live at Kerry Hall 1995

Read "Jovino Santos Neto Quarteto: Mais Que Tudo: Live at Kerry Hall 1995" reviewed by Bruce Phares


Sit down. Put on the best earphones you've got. A seatbelt wouldn't hurt, either. Get ready to be blown away. From the opening salvo of Jovino Santos Neto's dazzling composition “Metamorph," you're about to be taken on a musical journey of intense elation, abandon, and passion, engaging and urgent in all aspects, through the many twists ...

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Article: Liner Notes

Ben Thomas: The Hat with the Grin and the Chuckle

Read "Ben Thomas: The Hat with the Grin and the Chuckle" reviewed by Hector Del Curto


Ben Thomas' music lives in a world where tradition and innovation meet with effortless grace. Deeply rooted in the authentic rhythms of Argentine tango, yet fearlessly modern in spirit, his compositions offer a rich tapestry of layered polyrhythms, inventive melodies, and surprising contrasts--all delivered with intelligence, playfulness, and deep emotional weight. From the very ...

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Article: Liner Notes

Hank Crawford: Help Me Make It Through The Night

Read "Hank Crawford: Help Me Make It Through The Night" reviewed by Arnaldo DeSouteiro


One of the first artists signed by Creed Taylor for CTI's subsidiary Kudu label, Hank Crawford suffered violent criticism during the period (1971-1978) he recorded  for the label, being accused of making mellow and commercial albums. On the other hand, Hank achieved a new level of popularity during his CTI/Kudu years. Some of the eight albums ...


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