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Jeff Robinson: Rare Bird Sighting
by Timothy J. O'Keefe
April is Jazz Appreciation Month. It's also National Poetry Month, and every Sunday night, the Jeff Robinson Trio accompanies poets at the Lizard Lounge in Cambridge, Massachusetts. The trio provides collective jazz improvisation based on the rhythmic cadence of each poet, creating music that is truly unique to each performance. Jeff Robinson hails from St. Louis ...
Cape May Jazz Festival's 33rd Edition
by Sandy Ingham
Cape May Jazz FestivalCape May, NJApril 16-18, 2010If there's a formula for putting on a successful jazz festival, both artistically and box- office-wise, Cape May's got it. Need some straight-ahead hard bop: Check: How about Tim Warfield and his quintet's tribute to organist Shirley Scott? Some fusion-ey jazz/pop for those less ...
Lester Young: Centennial Celebration Lester Young
by Andrew Velez
Although he'd lived a scant 50 hard years when he died in 1959, tenor sax giant Lester Willis Young was and remains one of the most vital and influential forces in jazz. He used words as singularly as he played, dubbing Billie Holiday “Lady Day"; theirs was an incomparable musical pairing and she returned the favor, ...
Paul Motian / Chris Potter / Jason Moran: Lost In A Dream
by Mark Corroto
Drummer Paul Motian makes another stellar recording with his newest trio of pianist Jason Moran and saxophonist Chris Potter. Soon to be eighty, the drummer--who doesn't venture out of Manhattan these days--displays full command over musical expression and emotion on this live recording. It's impossible to listen to Motian's trio work at New York's ...
Remembrance: Paying Tribute Through The Art Of Jazz Composition
by Dan Bilawsky
Paying tribute to the dearly departed is simply a part of life. We honor them with words and we pay our respects through our actions as we help to keep their memory alive. In music, we pay tribute to the dead through the medium that we know best...sound. Whether we use “requiem," “threnody," “ode," “elegy," or ...
Ralph Lalama Quartet: The Audience
by C. Michael Bailey
Dexter Gordon achieved a post-bebop tenor saxophone sound that was Somewhere between the sleepy, vibrato-less tone of Lester Young and the falling-off- the-edge wail of John Coltrane. Yonkers native Ralph Lalama comes It is out of this tradition. On his fifth recording as a leader and his first release since 2008's successful Energy Fields (Mighty Quinn), ...
Houston Person: Mellow
by Andrew Velez
Houston Person's Mellow could easily have been called “Up Close and Personal." With dozens and dozens of recordings to his credit, it's just the latest in a long list of exemplary sets that always evidence the warmth of his tone and the directness of his tenor sax phrasing. Also mixed in as well is a funky ...
Dee Dee Bridgewater: Dee Dee on Billie
by Esther Berlanga-Ryan
It is almost inevitable for most people to think of Billie Holiday as a wounded human being who suffered, struggled and eased her pain with drugs and song lyrics on her way to self destruction in 1959. In her greatness, Billie was as devastating and as devastated as a summer with no water. And yet her ...
Joe Locke: Versatile Vibes Master
by R.J. DeLuke
Jazz has a history of inclusiveness, accepting the influences of music from around the globe. It also knows no boundaries when it comes to instrumentation, accommodating all kinds of axes if they are played in the spirit of jazz. Rufus Harley even brought the unlikely bagpipes into the lexicon, playing the sound of surprise on the ...
Masters of American Music Series: Charlie Parker, Thelonious Monk, Billie Holiday
by Eugene Holley, Jr.
The Story of Jazz Celebrating Bird: The Triumph of Charlie Parker Thelonious Monk: American Composer The Many Faces of Billie Holiday Naxos 2010 These four DVDs--separate broadcasts of the Masters of American Music TV series, originally released in eighties--seem by today's standards, like some ...
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