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Michael Blake: Tiddy Boom
by Maurizio Comandini
Michael Blake cita espressamente tre sassofonisti nelle rarefatte note di copertina di questo album: Coleman Hawkins, Lester Young e Ross Taggart. I primi due sono la fonte di ispirazione di questo eccellente Tiddy Boom, mentre Taggart viene menzionato soprattutto per ricordarne la figura, di recente scomparsa. Ma non sarebbe sbagliato tirare fuori dall'armadio anche ...
Michael Blake: Tiddy Boom
by Glenn Astarita
Tenor saxophonist Michael Blake has played a prominent factor within the backbone of New York's progressive jazz scene, having performed with big bands, small ensembles and on Tiddy Boom, re-aligning with New York Jazz Collective comrades, pianist Frank Kimbrough and bassist Ben Allison. In-demand session drummer Rudy Royston complements a group that proffers sympathetic support to ...
Interview: Lady Gaga + Tony Bennett
After Tony Bennett and I spent a few minutes catching up at his art studio two weeks ago, we sat down on a sofa to chat for The Wall Street Journal about Cheek to Cheek, his new duet album with Lady Gaga. About 10 minutes into our conversation, I asked him the question that for many ...
Jazz Musician of the Day: Lester Young
All About Jazz is celebrating Lester Young's birthday today! Lester “Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In ...
Frankie Trumbauer and Me
The jazz saxophone starts with Frankie Trumbauer in the 1920s. All of the greats of the 1930s and '40s were fans, including Lester Young. In addition to playing C-melody saxophone (between the tenor and alto in size) and recording with Jean Goldkette, Red Nichols, Paul Whiteman, and Bix Beiderbecke, Trumbauer was a skilled pilot who joined the ...
Duke Ellington And His Orchestra: The Treasury Shows, Volume 18
by Chris Mosey
As Duke Ellington leads his band into the opening bars of “Take The A Train," a mighty roar goes up from the radio audience. The moment comes four tracks into the first CD of this double Storyville release, after a somewhat shaky start. With it there's a marvellous feeling of being back in ...
Sonny Rollins: Road Shows, Vol. 3 (2014)
by Victor L. Schermer
Legendary tenor saxophonist Sonny Rollins has proven himself to be one of the most durable, consistently strong musicians of any era and genre. He started playing tenor saxophone in the 1940s, came into his own as a recognized player in the 1950s, and, except for short interruptions has been working and recording ever since. The reason ...
Glenn Zottola: Reflections of Charlie Parker
by Geannine Reid
After nearly four decades Glenn Zottola has become one of the most respected, versatile and in-demand trumpet players--and saxophonists--in the world. Born and raised in Port Chester, New York, Zottola started playing trumpet at age three. By virtue of his musical household, this seemed almost as natural as learning to speak. His big brother, Bob, was ...
Mostly Other People Do the Killing: Red Hot!
by Dave Wayne
I've been too busy enjoying the music of Mostly Other People Do The Killing (MOPTDK) to realize how controversial they've become. If you doubt their ability to rile the jazz world, all you have to do is post one of their videos on your Facebook page and wait for the ensuing kerfuffle to begin. The core ...
Sweets Edison This Week On Riverwalk Jazz
This week Riverwalk Jazz presents Harry “Sweets" Edison in an encore presentation captured live at The Landing in San Antonio with The Jim Cullum Jazz Band. Edison died in 1999 at the age of 83. The program is distributed in the US by Public Radio International. You can also drop in on a continuous stream of ...
