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Top Ten Guitarists Who Left Us Too Soon
by Alan Bryson
Ranking musicians is a hopelessly flawed endeavor. It's about as meaningful as having a list of the top ten best tasting foods. Taste is highly individualized, influenced by mood, familiarity, and the way in which multiple variables interact. One person's escargot is someone else's slice of Chicago style pizza. I just took a break and searched ...
Mundell Lowe / Lloyd Wells / Jim Ferguson: Poor Butterfly
by Dan Bilawsky
Few people could ever claim to have played and/or recorded with such a storied list of performers as Sarah Vaughan, Ben Webster, Billie Holiday, Charlie Parker, Carmen McRae, Ella Fitzgerald, Blossom Dearie, Dizzy Gillespie, Bill Evans, and Lester Young. But Mundell Lowe can. In fact, that list barely scratches the surface when it comes to the ...
Christian Vuust & Aaron Parks: Storytelling
by Jakob Baekgaard
"You're technically hip. But what is your story?" This quote from the famous saxophonist and storyteller Lester Young is used in the Danish saxophonist Christian Vuust's introduction to his album Storytelling. The context of the quote is Lester Young teaching a group of young musicians the importance of being able to tell a story with music. ...
Eivind Opsvik e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Eivind Opsivik: Atmosfere forti. AAJ: La qualità che desidero nei musicisti che suonano con me. E.O.: Che siano al 100% al servizio della musica. AAJ: Come musicista, il momento in cui sono stato più felice. ...
Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
The following is an excerpt from “Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...
Jazz Musician of the Day: Lester Young
All About Jazz is celebrating Lester Young's birthday today! Lester “Prez" Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In ...
The Velvet Lounge: On Late Chicago Jazz
by David A. Orthmann
The Velvet Lounge: On Late Chicago Jazz Gerald Majer 224 pages ISBN: #023113682X Columbia University Press 2005 Three men sit around a table in a restaurant that--for one night a week--masquerades as a jazz club. The dinner plates have been cleared, and we're waiting to settle the check. ...
Giacomo Gates: Everything Is Cool
by Jack Bowers
Giacomo Gates was almost forty years old when someone suggested that he try his hand at singing. Luckily for the rest of us, Gates thought that was a good idea, moved to New York City later that year (1989) and began singing in clubs. Six years later Gates recorded his first CD, Blue Skies, and Everything ...
Sonny Rollins, Volume One – 1956
by Marc Davis
It's easy to like Sonny Rollins. The guy is bluesy, edgy and clever. And it almost doesn't matter which period of Rollins' career you choose. It's all pretty terrific. But there's an unexpected down side: Because Rollins has so many fantastic recordings, listening to ones that are merely good can be a little disappointing. ...
Three Shots from Siwula: Blaise Siwula & NoFrillsMusic
by Jakob Baekgaard
The emergence of free jazz in the 1950s and 1960s pioneered a new way of thinking about music that not only affected the way music sounded, but also the way it was shared and distributed. In many ways, free jazz was a movement away from mainstream and mass-distribution and the rediscovery of music as art, but ...
