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Jack Hues and His Muse: The First Thing I Need is Music
by Kurt Ellenberger
In the world of rock and pop music, the most successful musicians and groups tend to emerge in their early 20s with a burst of creativity that few can sustain past a handful of recordings. Unlike in classical music and jazz, where musicians and composers continually develop and evolve well into old age, rock musicians generally ...
The Touch of Your Lips, Part 3: The Essential Touch in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 It would be nice and tidy if the development of tone color as a primary in jazz piano matched its development in the other instruments, but that is not the case. From early on in jazz's history, composers and bandleaders like Duke Ellington, Count Basie, Cab ...
The Touch of Your Lips, Part 2: Touch and Tone Color in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 As mentioned in Part 1, tone color took on a prominent role in classical music in the 19C. The Romantic composers like Wagner, Strauss, Berlioz, Chopin and many others were, I think it is fair to say, somewhat obsessed with it. The composers before them were ...
The Touch of Your Lips: The Colors of Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 The idea that pianists are able to create different tone colors and different timbres, was once a topic of heated debate, but is now no longer questioned. For some performers, the sound can be a musical identifier on par with a fingerprint, which is a strong ...
Cold Fusion: The Search for the Jazz/Rock Unicorn, Part 3
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 Part 3: U.K.'s First Album U.K.PrologueIn the second part of this series, I laid out my criteria for what would constitute a fusion of jazz and rock that remained true to both styles, which, in my definition, means that the resultant music would have to appeal ...
Cold Fusion: The Search for the Jazz/Rock Unicorn, Part 2
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 Part 2: Steely Dan's AjaI ended the first part of this series with the question that prompted these articles: Why is there so little music that genuinely fuses two styles together and does so in a way that maintains the integrity of the stylistic contributors?" I ...
About Kurt Ellenberger
Results for pages tagged "Kurt Ellenberger"...
Kurt Ellenberger
Kurt Ellenberger is a pianist, composer, and author whose work includes music for a wide range of ensembles. His writings include a jazz theory book, other pedagogical writings, and many essays that appear in his arts blog entitled Also Sprach FraKathustra, which is published by The Huffington Post–Arts and Culture. He has recorded on Innova Recordings, Ghostly International, and Challenge-A Records (the Netherlands), among others, and has been hailed as "a gifted pianist who combines the lyricism of Bill Evans with the energy of Keith Jarrett." He is a member of the Grand Valley State University New Music Ensemble, whose recent recordings of Terry Riley’s “IN C: Remixed” and Steve Reich’s “Music for 18 Musicians” have been featured in The New York Times, as well as in many of the nation’s leading publications, including The New Yorker
Wouter Turkenburg: Jazz Education in the New Millennium
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 All About Jazz and Wouter Turkenburg would like to dedicate this interview to the memory of saxophonist Michael Brecker (1949-2007). In addition to his prodigious accomplishments as an instrumentalist and band leader, Brecker was an exceptional worldwide ...
Kurt Ellenberger Trio: Songs From The Far West
by Glenn Astarita
Pianist Kurt Ellenberger has turned in a dandy here! With a nod to the Bill Evans’ school of piano or perhaps similar in “presentation” to some of Steve Kuhn’s recent work for ECM, comparisons or analogies do not allude to any sense of derivation........... Beautifully recorded at the Lawrence University Chapel in Appleton Wisconsin, Ellenberger and ...


