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King Curtis

Curtis 'King Curtis' Ousley was already a well-respected Jazz tenor saxophonist in 1952 when he moved to New York, to concentrate on doing session work for the growing Pop and R&B markets. Over the next decade, saxophone became the pre-eminent lead instrument within Rhythm & Blues/Rock n' Roll, and King Curtis became its leading exponent, spicing up massive numbers of hits with ear catching solos, sealing his reputation as one of the leading instrumentalists of that era. Perhaps he'll be most remembered as blowing that solo on The Coasters 1958 smash “Yakety Yak.” King Curtis was originally part of the late 40's honking Texas tenor sax brigade, counting Arnett Cobb, Earl Bostic, and Illinois Jacquet as influences

Talent, Tenacity, Tequila & a Tale of Two Texas Teenagers

Read "Talent, Tenacity, Tequila & a Tale of Two Texas Teenagers" reviewed by Alan Bryson

Train to Nowhere “Train to Nowhere" by Dave Dupree was the aptly named single released by Challenge Records on January 15, 1958. Newly founded by Gene Autrey, “The Singing Cowboy" of Hollywood fame, the jny: Los Angeles based label was looking to land its first hit record. The single itself was on the road to “nowhere" ...

ARTICLE: ALBUM REVIEW

Rob Dixon: Coast to Crossroads

Read "Coast to Crossroads" reviewed by Chris M. Slawecki

"The album is called Coast to Crossroads because I'm based in Indiana, the Crossroads state, but I also work a lot on the West Coast and East Coast," explains saxophonist Rob Dixon, who leads this trio session with drummer Mike Clark and seven-string funk guitar maven Charlie Hunter (who also served as producer), plus occasional guest ...

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki

Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

ARTICLE: MULTIPLE REVIEWS

John Lennon's Imagine: The Ultimate Collection & Imagine/Gimme Some Truth Films

Read "John Lennon's Imagine: The Ultimate Collection & Imagine/Gimme Some Truth Films" reviewed by John Kelman

While hardly a new idea, with so many classic artists and recordings now hitting forty and fifty-year milestones, there's been a proliferation of deluxe and super deluxe editions of major albums from the '60s and '70s in recent years. While some are better (and better value for money) than others, the market for surround sound mixes ...

ARTICLE: PROFILE

Jerry Wexler e Aretha Franklin: quando la Soul Music conquistò il pianeta

Read "Jerry Wexler e Aretha Franklin: quando la Soul Music conquistò il pianeta" reviewed by Angelo Leonardi

Nei giorni successivi il 16 agosto, tutti i media del mondo hanno commentato la morte di Aretha Franklin, la straordinaria soul singer e una delle massime voci del Novecento. Una scomparsa avvenuta in singolare coincidenza di quella di Jerry Wexler dieci anni prima. Il 15 agosto 2008 se n'era andato quel produttore dell'Atlantic Records che fece ...

ARTICLE: INTERVIEW

Bob Reynolds: Communication Is Key

Read "Bob Reynolds: Communication Is Key" reviewed by R.J. DeLuke

Bob Reynolds, a saxophonist and composer of note with nine recordings under his own name and a work load that has him playing with artists like Larry Carlton, Snarky Puppy, Josh Groban, John Mayer and others, pauses when considering the genre of jazz and how he fits in. Reynolds doesn't have to apply his ...

ARTICLE: MULTIPLE REVIEWS

The Original Delaney & Bonnie (Accept No Substitute) and To Bonnie From Delaney

Read "The Original Delaney & Bonnie (Accept No Substitute) and To Bonnie From Delaney" reviewed by Doug Collette

Delaney & Bonnie's best work functions as a primer on contemporary rock and roll, not to mention how the pair functioned as a catalyst to what's arguably the most prolific and productive instances of musical community that arose from the late Sixties and early Seventies. And even if the following two selections are the sole titles ...

ARTICLE: LIVE REVIEW

Michael Lington At Blue Note Napa

Read "Michael Lington At Blue Note Napa" reviewed by Walter Atkins

Michael Lington Blue Note Napa Napa, CA October 7, 2017 Danish saxophonist Michael Lington and company presented a genuinely rousing evening of contemporary jazz music and a few surprises at the inviting Blue Note Napa venue. The exhilarating second set also included a few tracks from his current Second Nature album ...

ARTICLE: ALBUM REVIEW

Michael Blake: Red Hook Soul

Read "Red Hook Soul" reviewed by Maurizio Comandini

Il saxofonista canadese Michael Blake è ormai newyorkese fino in fondo all'anima ma se date retta ai profumi che si spargono nell'aria ascoltando questo ottimo Red Hook Soul si direbbe che, quando serve, almeno una parte della sua anima si trasferisca magicamente nelle vie di New Orleans, a caccia di quel groove solido, viscerale e fantasioso ...


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