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King Curtis
Born:
Curtis 'King Curtis' Ousley was already a well-respected Jazz tenor saxophonist in 1952 when he moved to New York, to concentrate on doing session work for the growing Pop and R&B markets. Over the next decade, saxophone became the pre-eminent lead instrument within Rhythm & Blues/Rock n' Roll, and King Curtis became its leading exponent, spicing up massive numbers of hits with ear catching solos, sealing his reputation as one of the leading instrumentalists of that era. Perhaps he'll be most remembered as blowing that solo on The Coasters 1958 smash “Yakety Yak.” King Curtis was originally part of the late 40's honking Texas tenor sax brigade, counting Arnett Cobb, Earl Bostic, and Illinois Jacquet as influences
Perfection: Jimmy Forrest - 'Soul Street' (1960)
Dial Records initiated the “tenor battle" concept in 1947 when the label brought bebop saxophonists Dexter Gordon and Wardell Gray into the studio to record Gordon's composition The Chase. Prestige Records then perfected and exploited the dueling-tenors format, starting in 1950, with Sonny Stitt and Gene Ammons recording of Blues Up and Down and other 78 ...
Charles Mingus: In Argentina: The Buenos Aires Concerts
by Mike Jurkovic
Here, ladies and gentlemen of the jury, is some seriously swinging, seriously rowdy Charles Mingus. Recorded approximately six months before his fateful diagnosis of ALS (Lou Gehrig's disease) the bassist deploys a street fighting melange--trumpeter Jack Walrath, tenor saxophonist Ricky Ford, pianist Robert Neloms and his wingman, drummer Dannie Richmond--and takes on Buenos Aries with all ...
Linda Sikhakhane: Iladi
by Mike Jurkovic
The music of South African saxophonist Linda Sikhakhane does not so much originate from a particular point in time or space or history as much as it expands and accelerates forth from the sub-Sahara's heady mists. Billowing, charging. Seething, soothing. So ease back and let Iladi (a Zulu wisdom ritual) happen. Let the moves of diaspora move ...
New Jazz Releases Plus Gregory Goodloe Interview
by Steven Roby
Gregory Goodloe, who derives his influences from George Benson and Wes Montgomery, divides his time between the recording studio and the radio studio, where he presents his own show, Mile High Smooth Jazz, on World Wide Jazz Radio. Playlist Artemis “Lights Away From Home" from In Real Time (Blue Note Records) James Brandon Lewis ...
Jamie Krents: Hardcore Jazz Fan And New President Of Impulse!
by Chris May
For jazz lovers in general, and Impulse! devotees in particular, the future just got brighter, more orange and more black. Jamie Krents, a longtime Impulse! aficionado, has been appointed the label's president. In his previous role as executive vice president, Krents played a determining role in recent signings such as The Comet Is Coming (pictured), The ...
Kamasi Washington, Trombone Shorty and George Clinton Kickoff a New Season of Outdoor Music
by Dave Kaufman
The New York City summer music season kicked off with a series of extravagant concerts that turned out large crowds to the BRIC Celebrate Brooklyn in Prospect Park and Central Park SummerStage presentations. The comfortable temperatures and low humidity created perfect conditions for outdoor events. Perhaps, the crowds were also buoyed by a collective sense of ...
Benjamin Koppel: The Ultimate Soul & Jazz Revue
by Chris M. Slawecki
Listen to music long enough, and it's almost bound to happen: You're not sure exactly what you want to listen to, but you know that whatever you listen to needs must bump and groove. The Ultimate Soul & Jazz Revue, an anthology of American jazz, soul and R&B recorded live at a Copenhagen music festival by ...
Tributes, Tapestries, Trombones and Tempests
by Chris M. Slawecki
Vasko Atanasovski Adrabesa Quartet Phoenix MoonJune Records 2020 Phoenix captures the voice of one of Eastern Europe's most acclaimed and creative musical ensembles, the Adrabesa Quartet founded and led by Slovenian maestro Vasko Atanasovski, and amplifies this unique voice throughout MoonJune Records' global distribution network. Phoenix ...
Derek Brown: All Figured Out
by Jerome Wilson
Tenor player Derek Brown has made a name for himself with a concept called “BEATBoX SAX," a method of playing saxophone in a continuous stream of pops, honks, melody and slap-tonguing that comes out like a hip-hop variation on Boots Randolph's old novelty tune. “Yakety Sax." He has put several videos on YouTube of him doing ...
