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Killick
Born:
Killick Hinds lives in Athens, Georgia. His music is Appalachian Trance Metal made on unusual stringed instruments with an emphasis on unquantifiable rhythms, intuitive intonation, and shamanistic ROYGBIV. Despite its eclectic nature the sounds are surprisingly familiar and accessible to audiences of all ages and levels of musical involvement. The primary sonic influences on Killick are animals, wind, water, fire, electrical hum, and silence. Killick’s preferred performance vehicle is the solo concert, a “One (Sha)Man Band” channeling the muse in the fashion of shamanic ritual of old
Take Five With Killick
by AAJ Staff
Meet Killick: On June 4th, 2008 I was admitted into the hospital with a life-threatening bleeding duodenal ulcer. I'd never been through a physical ordeal on this scale. My body continues to recover but something greater happened. I was given a glimpse of the absolute, a space of peace where contradictions resolve. The conditions ...
Bull****
By Killick
Label: Solponticello
Released: 2007
Track listing: Snort Butt Leap Jump; You Would Sting; Cork; The Flowers; Fight Day; Lovely Galeria; Grew; Picadores/Scared Fierce; Just Sat; Not (A)Lonesome; Crying Mad; He is Very Happy.
Killick: Bull****
by Jim Santella
Based on the story of Ferdinand, a children's book written by Munro Leaf in 1936 and the basis for Disney's animated film Ferdinand the Bull (1938), Killick (né Erik Hinds) brings us twelve improvised pieces that follow the anti-fight sentiment of this lovable character's adventure. Set in Spain, the story lends itself to classical guitar impressions; ...
Reign in Blood
By Killick
Label: Solponticello
Released: 2005
Track listing: Angel Of Death; Piece By Piece; Necrophobic; Altar Of Sacrifice; Jesus Saves; Criminally
Insane; Reborn; Epidemic; Postmortem; Raining Blood.
Erik Hinds: Reign in Blood
by Andrey Henkin
It would seem on the surface that the visceral, hyper-masculine ambience of death metal would be at odds with the intellectual musings of free improvisation. However, since much of what Peter Brötzmann ever did is as violent as any metal, and many of today's free improvisors are young and grew up listening to the stuff, the ...
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