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Kirk Knuffke: Amnesia Brown
by Troy Collins
Brooklyn-based trumpeter Kirk Knuffke's sophomore effort, Amnesia Brown is a far more esoteric affair than his conventional piano-less quartet debut, Big Wig (Clean Feed, 2008). Eschewing a traditional rhythm section, Knuffke is joined by fellow members of Butch Morris' Nublu Orchestra--legendary Downtown stalwarts Doug Wieselman (on clarinet and electric guitar) and drummer Kenny Wollesen. Through sixteen ...
Kirk Knuffke: Amnesia Brown
by Martin Longley
Amnesia Brown was the name bestowed upon trumpeter Kirk Knuffke's absconding not-so-great grandfather. Apparently, he just sidestepped to a nearby town (and a new family), changing his name on the way. It's not quite clear how his memory (or lack of it) informs the repertoire of this album, but he also happens to provide the fourth ...
March 2010
by AAJ Staff
Gerald Clayton Village VanguardNew York, NY February 11, 2010To start, pianist Gerald Clayton ought to have won that Grammy for his solo on “All of You," from his debut Two-Shade, a burning 2009 trio album that was picked up by Emarcy (from ArtistShare) for wider release in 2010. Along with ...
Craig Taborn: A Study in Contrasts
by Tom Greenland
Jonathon Haffner Life On Wednesday Cachuma Records 2009 Lotte Anker Floating Islands ILK 2009 Craig Taborn's seemingly innocuous musings have a way of sneaking up on you, ...
Opsvik & Jennings: A Dream I Used To Remember
by Robert Iannapollo
Over the past five years, bassist Eivind Opsvik has gained a considerable reputation around New York as a strong, resourceful jazz bassist. He's been tapped by the likes of Tony Malaby, Paul Motian and Kris Davis for their groups. His own ensemble Overseas (currently Malaby, Kenny Wollesen and Jacob Sacks), with three albums to date, has ...
Into the Fire: Winter Jazzfest 2010
by Gordon Marshall
Winter Jazzfest New York, New York January 8-9, 2010 Fast-forward 30 years from the days in the late 1970s and early '80s when the world-weary wisdom that jazz wasn't a living force anymore was whispered to us--maybe you are getting out of jail, maybe waking from a cryogenic sleep. Before this happened, ...
John Zorn: O'o
by Stuart Broomer
When John Zorn released The Dreamers (Tzadik) in 2008, it might have seemed like a temporary aberration: Zorn the master of the arbitrary (Cobra), the cutting edge (Torture Garden) and the anarchic (too many projects to mention) had embraced the genres of lounge and 1950s exotica to produce music that, perhaps ironically, approached easy listening, building ...
Rickie Lee Jones: Balm in Gilead
by Gina Vodegel
If a musical career spans a period of thirty years, there's bound to be ups and downs along the way. Rickie Lee Jones has always insisted on making her own choices, sometimes baffling her critics with yet another puzzle to work out. Here the Duchess of Coolsville combines her multiple talents as an artist, songwriter and ...
Joey Baron: Just Say Yes
by Sean Patrick Fitzell
Combining technical acuity with a deep sense of groove, Joey Baron drums with playful exuberance. Throughout his more than 35-year career, he's propelled experimentalists like guitarist Bill Frisell and saxophonist John Zorn, as well as mainstreamers like vocalist Carmen McRae and saxophonist David Sanborn. He's even played with pop stars David Bowie and Marianne Faithfull. But ...
Sex Mob: Sexmob Meets Medeski live in Willisau 2006
by Brandt Reiter
How best to describe slide trumpeter Steven Bernstein's singular quartet Sex Mob? Maybe we should start with mercurial musical magician Bernstein himself, whose exotic career as sideman, musical director, arranger and composer has included ten years with John Lurie's Lounge Lizards and stints alongside everyone from Bill Frisell to Sam Rivers, the Flying Karamazov Brothers and, ...
