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Patrick Cornelius: From ECM to Acadia National Park
by Friedrich Kunzmann
With a persistently active live and equally dynamic release schedule in his back pocket, alto saxophonist Patrick Cornelius continues to push the boundaries of the straight-ahead approach to jazz into a more modern context. Since his first recording as a leader--2006's self-released Lucid Dream featuring a cast of fellow Berklee College of Music Students from the ...
Guitarist Jack DeSalvo: While We Sleep & Quintrepid on Unseen Rain
by Mark Sullivan
Guitarist/composer Jack DeSalvo has had a long, diverse career emphasizing fusion and free playing. His most visible gig was with Ronald Shannon Jackson's Decoding Society, but since co-founding the record label Unseen Rain Records he has played on or produced a wide variety of music. For example, his duet album Soldani Dieci Anni (Unseen Rain Records, ...
Diego Urcola Quartet: El Duelo
by Mark Sullivan
The cover of this album shows Diego Urcola (trumpet, flugelhorn) and Paquito D'Rivera (alto saxophone, clarinet) back-to-back, as if about to engage in the titular duel. But the sound is that of two veteran players jointly taking a leap into the unknown. A quartet without piano is an unusual setting for both of them. D'Rivera's liner ...
Ennio Morricone: Fabled Hoard Of 1970s Library Music Reissued
by Chris May
Practically unobtainable since their release by RCA Italy in 1972, the ten albums which make up Ennio Morricone and Bruno Nicolai's Dimensioni Sonore: Musiche Per L'Immagine E L'Immaginazione are being reissued by Dialogo on October 30 2020. The new release plugs a chasm in the availability of classic-era library music, which at its best is an ...
Tamar Osborn: From Kalakuta To Collocutor: New Directions In Jazz
by Chris May
She has been likened to Gil Evans, Fela Kuti, Pharoah Sanders, Bismillah Khan and Mulatu Astatke, and the traditions represented by those musicians are all to be heard in the music of baritone saxophonist and composer Tamar Osborn. Osborn's aesthetic, however, is her own, and her band, Collocutor, is among the most distinctive on the British ...
Josephine Davies: Way Out East: New Directions In Jazz
by Chris May
Compared to many other bands which have emerged on London's revitalized jazz scene since the mid 2010s, saxophonist and composer Josephine Davies' trio Satori has attracted relatively little noise. This may be because, unlike most of its contemporaries, Satori is not infused with dancefloor-friendly grooves. Davies instead looks to Eastern culture, particularly to Buddhist texts and ...
Michael Sarian: New Aurora
by Friedrich Kunzmann
With New Aurora, Canadian trumpeter Michael Sarian takes a few steps down a different path to his past projects, leaving bigger ensembles and electric instrumentations behind to focus on ten arrangements carried out in an acoustic quartet setting. In this more dynamic light, the trumpeter is given space to unfold and spread his melodic voice and ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
London Jazz Composers Orchestra: That Time
by John Sharpe
Issued to coincide with the 50th Anniversary of the London Jazz Composers Orchestra, That Time uncovers a fascinating window on the early years of the pioneering company which are only sparsely documented elsewhere. The first two tracks from Berlin and Donaueschingen date from 1972, some six months after the LJCO's debut album Ode (Intakt, ...
