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Results for "Ken Vandermark"
Lean Left: Live at Café Oto
by AAJ Italy Staff
Per chi non sapesse chi milita nei Lean Left [ma gli appassionati di avant-jazz lo sanno molto bene], il disco specifica già in copertina: “The Ex guitars meet Nilssen- Love/Vandermark Duo". Si incontrano/scontrano il collaudato duo sax/batteria composto da Ken Vandermark [al clarinetto oltre che al tenore] e il sempre più fenomenale Paal Nilssen-Love con i ...
Mikolaj Trzaska / Olie Brice / Mark Sanders: Riverloam Trio
by John Sharpe
Mikolaj Trzaska (pronounced “Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPhee on the excellent Magic (Not Two, 2009), with reedman Ken Vandermark's ...
Platform 1: Takes Off
by Glenn Astarita
The debut recording by Platform 1 comprises a multinational cast of progressive jazz musicians who easily knock it out of the park with blazing free-bop motifs, introspective sojourns, shuffling jazz-boogie vamps and celebratory interactions. Add the often feverish solo spots and tumultuous climaxes into the mix to round out a divergent program, culminating in a highly ...
Jazz Musician of the Day: Ken Vandermark
All About Jazz is celebrating Ken Vandermark's birthday today! For the past 20 years, Ken Vandermark has been exploring and working to expand the possibilities of improvised and composed music in North America and Europe. Since moving to Chicago from Boston in 1989, he\'s performed and recorded in a variety of contexts, and with many internationally ...
Freeform in the U.K.
by Sammy Stein
Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...
Aram Shelton: Everything For Somebody
by Mark Corroto
Alto saxophonist Aram Shelton cannot break his Chicago habit. We're not talking that monkey woman Joe Williams used to sing about, back in the day. Shelton, who left Chicago a few years back for the Bay area of California, returns to the windy city often, both physically and for its sound.His second quartet recording, ...
Free Form Evolution
by Sammy Stein
Since free form tentatively emerged during the 1940s and '50s it has evolved with both the times and changing audiences. Now, free form elements cross genre boundaries and many musicians use elements from free form in their works. Because it is music which draws on the spiritual feelings of the players, social dramas and the atmosphere ...
Remi Alvarez / Ingebrigt Haker Flaten: First Duet Live
by Jerry D'Souza
Tenor saxophonist Remi Àlvarez has drawn several musicians into his sphere as an improviser. The collaborations have spawned several fine recordings that brim with intense interplay and resolute imagination. His encounter with bassist Ingebrigt Håker Flaten is no exception. Born in Oppdal, Norway, Flaten has made an impact on the Scandinavian free jazz movement. ...
Ballister Trio: Mechanisms
by Mark Corroto
Stop me if you've heard this one before. A free improvising trio walks into a club and begins a live performance by ripping the ears off its listeners. No joke here, just that flexing muscular music isn't for the faint-at-heart. And certainly the trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love is ...
Joe McPhee: Artistic Sacrifice from a Musical Prophet
by Lloyd N. Peterson Jr.
He could have easily chosen a different path: a more successful one or, perhaps we should say, a more commercial one. But that has never been the style or the character of multi-instrumentalist Joe McPhee. His saint-like humility reflects a gentle and wise creative spirit; his music and poetry are a mirror into the human condition. ...
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