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The Ray Reed Quintet: Once Upon a Reed
by Ken Hohman
Originally recorded in 1999 and not released until this year, Once Upon A Reed is a renaissance effort by West Coast alto saxophonist Ray Reed. At once a homage to the brighter side of '50s hard bop (think Pacific Jazz, Hi Fi or Savoy labels versus the deeper grooves of Blue Note) and a showcase for ...
Magnus Lindgren Quartet: The Game
by Ken Hohman
At the age of 30, tenor saxophonist and flutist Magnus Lindgren is already a perennial winner of jazz polls and competitions in Sweden. Like Chris Potter here in the States, Lindgren is a talented young player who often shows up as an accompanist on the best releases of the year as well as a leader of ...
Martin Sjostedt Band: Mondeo
by Ken Hohman
As the AAJ column Nordic Sounds attests, there is a lot of fine jazz coming out of Scandinavia as of late. One group that certainly deserves an audience beyond the borders of Scandinavia is the Martin Sjostedt Band, which hails from Sweden. Led by the steel-fingered young bassist Martin Sjostedt, the band’s new release Mondeo puts ...
Mark Capon: The Jazz Guitar Of Mark Capon
by Ken Hohman
This record really snuck up on me. One moment you’re casually listening to The Jazz Guitar Of Mark Capon and the next you’re wondering, “Who the hell is this cat?” A New York City based guitarist, Capon offers the kind of playing that is so effortless it makes guitarists struggling with their craft want to give ...
Glenn Shambroom & Friends: Include Me Out
by Ken Hohman
Glenn Shambroom is a baritone saxophonist and multi-instrumentalist whose approach is reminiscent of the brightest work from Gerry Mulligan, in both his lyrical playing and his catchy themes. With his debut album Include Me Out, he offers a balanced set of original compositions that will win you over with their boppish swing and smartly crafted arrangements.
Robert Josp: Time To Play
by Ken Hohman
Does Latin jazz have to be so, well, Latin? Sometimes it seems that way. Far too often, Latin jazz artists fall prey to overly repetitive syncopation and a tendency to remain stuck in the highest registers of the horns. Your tolerance level depends how long you prefer to stay in the conga line. Fortunately, these are ...
Steve Haines Quintet: Beginner's Mind
by Ken Hohman
Do bass players make better jazz records? Back in 2000, the under-rated bassist John Goldsby released Viewpoint, and I haven't stopped listening to it since. There's no denying the consistent glories of William Parker's recent run on record. And for the past year Dave Holland has been redefining the way a big band can sound, making ...
Gini Wilson Quartet: The Crossing Point
by Ken Hohman
The concept of combining elements of classical music with jazz is hardly a new one. George Shearing, Miles Davis, Andre Previn and Bill Evans are just a few of the countless artists to blur the lines between the nightclub the concert hall. With Crossing Point, enormously gifted Bay Area pianist and composer Gini Wilson (a.k.a. The ...
Franklin, Clover & Seales: Ears Wide Open
by Ken Hohman
The small label Beezwax has done a big favor for jazz listeners by bringing together bassist Henry Franklin, drummer Steve Clover and pianist Marc Seales. While each player has carved out a distinctive niche in the jazz world – be it unsung solo works (Henry Franklin), academic residence (Marc Seales) or supporting roles for some of ...
Steve Heckman: With John in Mind
by Ken Hohman
With John In Mind, Oakland-based multi-saxophonist Steve Heckman's debut, pays heartfelt homage to his foremost influence ' John Coltrane ' with exceptionally played originals and pair of standards. It probably wasn't a wise decision to invite comparisons to the most influential saxophonist in recent jazz history with his opening salvo, but Heckman's genuine feeling toward Coltrane's ...
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