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Results for "Keith Tippett"
Keith Tippett/ Giovanni Maier: Two For Joyce
by Mark Corroto
Two For Joyce, that's James Joyce the title is referring to. And the 'Two' is a reference to the two musicians, pianist Keith Tippett and bassist Giovanni Maier, because Two For Joyce is one long (50 minute) improvised recorded live performance.Captured May 2012, during the “Le Nuove Rotte del Jazz" (New Routes in Jazz) ...
Alexander Balanescu: The Aggressive Lyricism
by Adriana Carcu
Alexander Balanescu, the London-based violinist of Romanian origin, leads the avant- garde string quartet Balanescu Quartet, formed in 1987. Before that, Balanescu was part of the Michael Nyman Ensemble and Arditti Quartet. Ever since he has worked closely with artists of various musical orientations such as saxophonist John Lurie, singer David Byrne, pianists Keith Tippett and ...
On The Road With The Asian Jazz All-Stars Power Quartet
by Ian Patterson
Though it was only a 12-hour flight from Singapore to London, for Singaporean organist/pianist Jeremy Monteiro, Philippine tenor saxophonist Tots Tolentino, Hong Kong guitarist Eugene Pao and Thai drummer Chanutr Techatana-nan--who together make up the Asian Jazz All-Stars Power Quartet--the journey has, in some ways, been a much longer one; you could say it's a journey ...
Larks' Tongues in Aspic (40th Anniversary Series Box)
by John Kelman
The idea of a 15-disc box set to commemorate the release of what was, in 1973, a single vinyl LP clocking in at a mere 46 minutes might seem a tad excessive, but when you're talking King Crimson and the seminal Larks' Tongues in Aspic, it's a whole other story. Beyond being an important addition to ...
Steven Wilson: Luck's What You Make It
by John Kelman
There was a time when progressive rock really meant what its name suggested: progressive music, music that pushed the boundaries of what rock music was, often by integrating elements of classical music and jazz into the mix. Milestone groups ranging from better-knowns like Yes, Genesis, King Crimson, Jethro Tull, Gentle Giant and Van der Graaf Generator ...
"Stonephace" Stabbins: Transcendental
by Bruce Lindsay
On his thirteenth birthday Larry “Stonephace" Stabbins, already a promising saxophonist, bought John Coltrane's Africa/Brass (Impulse!, 1961). The impact was immediate and long-lasting, as Stabbins writes in the liner notes to Transcendental. By the early'70s he was an established player on the UK jazz scene. Forty years on, the sound of Africa/Brass still influences Stabbins and ...
William Parker: Centering - Unreleased Early Recordings 1976-1987
by John Sharpe
William ParkerCentering: Unreleased Early Recordings 1976-1987No Business Records2012Nobusiness Records has been building up to this monumental, six-disc cache of unreleased early recordings by bassist William Parker for some time. The Lithuanian label's unsurpassed documentation of the New York City loft jazz era has so far encompassed reissues and ...
Andy Sheppard: Thoughts and Trio Libero
by Sammy Stein
Andy Sheppard is pleased to be back; not back, as in making a return to music--he has never left--but back in Suffolk and, more particularly, back in Snape. Snape was where Trio Libero--consisting of French double bassist Michel Benita, drummer Sebastian Rochford and saxophonist Sheppard--was born. The trio released its self-titled debut earlier in 2012 on ...
Take Five With Roman Stolyar
by AAJ Staff
Meet Roman Stolyar: Born in Novosibirsk, Siberia, Russia. Raised in a family of engineers. Started studying piano at the age of five but rejected to continue it at the age of twelve. Went back to music being a student of Novosibirsk Technical University; ultimately, decided to quit nuclear physics. Graduated from Novosibirsk College of ...
The Fire, Regardless
by Nic Jones
If considered together a couple of recent archival releases (The 100 Club Concert 1979 (Reel Recordings, 2012), by saxophonist Elton Dean's Ninesense and Mike Osborne Trio The Birmingham Concert (Cadillac, 2012), by the Mike Osborne Trio) and one reissue (Wilderness of Glass ((Awake, 2012), by Triton) remind us of how creative improvised music happens, regardless of ...
