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1

Article: Live Review

Jazzkaar 2017

Read "Jazzkaar 2017" reviewed by Martin Longley


Jazzkaar 2017 Tallinn, Estonia April 21-30, 2017 Jazzkaar covers most territories. This exceptional 10-day festival presents the best players on the indigenous Estonian scene, imports big-name acts from the USA, and also invites some choice artists from around the rest of Europe. Some shows represent jazz in mainstream mode, whilst ...

37

Article: Album Review

Bill Frisell / Thomas Morgan: Small Town

Read "Small Town" reviewed by John Kelman


In Emma Franz's revelatory documentary, Bill Frisell: A Portrait, the guitarist talks about the many guitars he owns, and how he rarely gets to plays them--the consequence, amongst other things, of the plight musicians face when traveling by air these days. Not three months after the film's premiere at South By Southwest this past March, comes ...

53

Article: Under the Radar

The Politics of Dancing: Jazz and Protest, Part 2

Read "The Politics of Dancing: Jazz and Protest, Part 2" reviewed by Karl Ackermann


Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...

19

Article: Out and About: The Super Fans

Meet James Busby

Read "Meet James Busby" reviewed by Tessa Souter and Andrea Wolper


Our youngest Super Fan to date, and our first from the west coast, James Busby was weaned on the popular music of the '70s and '80s. His first jazz concert--Donald Brown at a local club in Knoxville, Tennesse for a $3 cover--was life-changing. He may not have discovered jazz until he was in college, but ever ...

6

Article: Interview

Ralph Towner: un americano a Roma

Read "Ralph Towner: un americano a Roma" reviewed by Mario Calvitti


Ralph Towner rappresenta sicuramente una figura atipica nel vasto mondo della chitarra jazz. In primo luogo per gli strumenti usati: la chitarra classica, che negli anni '60 in ambito jazzistico era utilizzata solamente da musicisti legati alla musica brasiliana come Charlie Byrd, Laurindo Almeida e Bola Sete, e la chitarra 12-corde, che proveniva dal mondo folk ...

3

Article: Profile

Martin Speake: The Thinking Fan's Saxophonist

Read "Martin Speake: The Thinking Fan's Saxophonist" reviewed by Duncan Heining


British alto saxophonist, Martin Speake, is one of the most adventurous and articulate musicians in a music peppered with creative artists. That he is not a household name--even within the proscribed and marginalised world of jazz--says more about the times than it does about Speake or his single-minded approach to his art. Speake combines ...

11

Article: Multiple Reviews

440 Keys: A Batch of Piano Delights

Read "440 Keys: A Batch of Piano Delights" reviewed by Geno Thackara


It's always a pleasure to be reminded what a range of sounds just one instrument can produce. The same 88 keys can be used in endlessly different ways in different inventive hands, and this batch of recordings has several masterful performers taking that starting point toward quite eclectic ends. Dag Arnesen Trio Pentagon ...

4

Article: Take Five With...

Take Five with Julian Hartwell

Read "Take Five with Julian Hartwell" reviewed by AAJ Staff


About Julian Hartwell Julian Hartwell is a sought-after pianist, composer, bandleader, and educator based in Philadelphia, PA. He is inspired by many styles of music which all contribute to his distinctive sound, both solo and in a group setting. For the past 12 years he has performed throughout a wide swath of the Delaware ...

10

Article: Album Review

Alexi Tuomarila: Kingdom

Read "Kingdom" reviewed by Roger Farbey


Piano-led power trios have proliferated over the last twenty years or more thanks to the likes of the Esbjörn SvenssonTrio and The Bad Plus whose respective approach was undeniably a more consciously dynamic one than the reflective approach of say Bill Evans or the redoubtable Keith Jarrett. There was also, inevitably, a move away from the ...

4

Article: Album Review

Keiko Higuchi and Shin-ichiro Kanda: Passing and Longing and There Is Only a Trace Left

Read "Passing and Longing and There Is Only a Trace Left" reviewed by Geno Thackara


With a resume in music that tilts heavily toward the avant-garde end of the listenability scale, Keiko Higuchi is nothing if not challenging. Small groups dedicated to free (in every sense) improv are alternated with solo abstract sound paintings using her voice and occasionally processed piano. She sticks to vocalizing and leaves the keys to Shin-Ichiro ...


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