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16

Article: Album Review

Bobo Stenson: Contra la indecision

Read "Contra la indecision" reviewed by Mike Jurkovic

by Mike Jurkovic

Swedish pianist Bobo Stenson could be considered an anomaly amongst the ECM roster of piano players. His work over the past decades has been more controlled and, not to be taken as an insult or affront to Stenson's earthy lyricism, less challenging than the works of past and current label-mates such as Paul Bley, Marilyn Crispell, ...

9

Article: Album Review

Satoko Fujii: Solo

Read "Solo" reviewed by Mark Corroto

by Mark Corroto

Solo piano performances generally fall into one of two categories--introverted or extraverted affairs. Obvious examples of extraverts are Fats Waller and Art Tatum, while inward-looking pianists are Brad Mehldau and Bill Evans. Extraverts play music pointed at the audience, while introverts internalize the experience. How then do we categorize the music of Satoko Fujii? ...

37

Article: Album Review

Bobo Stenson: Contra la indecision

Read "Contra la indecision" reviewed by Karl Ackermann

by Karl Ackermann

With a few exceptions, Swedish pianist Bobo Stenson has spent his long recording career with the prestigious ECM label, dating back to his oddly named Underwear in 1971. That particular album turned out to be more a showcase for bassist Arild Andersen and drummer Jon Christensen than for Stenson, and the pianist did not lead again ...

51

Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

by Karl Ackermann

Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...

7

Article: Interview

Fred Hersch: Life, Music, and the Creative Process

Read "Fred Hersch: Life, Music, and the Creative Process" reviewed by Victor L. Schermer

by Victor L. Schermer

Since his arrival on the jazz scene in the 1970s, pianist Fred Hersch has developed from a sought after sideman to a multi-Grammy nominated jazz icon, creative force, and significant composer of songs, jazz standards, and original complete works, the latter including Leaves of Grass (Palmetto, 2005), based upon the poetry of Walt Whitman. As one ...

13

Article: Album Review

Fred Delplancq: Horizons

Read "Horizons" reviewed by Mike Jurkovic

by Mike Jurkovic

From the charging, serpentine opener “Strange Atmosphere" through old school seductions like the angular, dark harmonics of the Keith Jarrett Euro-quartet-ish “Filipus" and the very Coltrane/Rollins “Desolation," Horizons, Belgian saxophonist Fred Delplancq's latest, is a rich and resonant tribute to the classic quartet mode. With a decisively alpha-hard edge to his horn, Delplancq and ...

5

Article: Live Review

Gary Peacock Trio at the Regattabar Jazz Club

Read "Gary Peacock Trio at the Regattabar Jazz Club" reviewed by Nat Seelen

by Nat Seelen

Gary Peacock Trio Regattabar Jazz Club Cambridge, MA November 10, 2017 Veterans' Day was an appropriate date for this show, which was indeed a concert of veterans. Gary Peacock served in the army in the 1950s, and the three musicians on stage that evening could count over 150 years combined on the bandstand, side ...

Article: Album Review

Alf Häggkvist: Blue Serge

Read "Blue Serge" reviewed by Neri Pollastri

by Neri Pollastri

Originario del nord della Svezia, Alf Häggkvist vive da venticinque anni a Stoccolma ove ha avuto l'opportunità di collaborare con molti musicisti del suo paese e non solo. Apprezzato compositore e autore di canzoni, è anche un ottimo pianista, sensibile, espressivo e dalle notevoli capacità improvvisative. In questo Blue Serge è impegnato in un pregevole piano ...

2

Article: Album Review

Tony Tixier: Life Of Sensitive Creatures

Read "Life Of Sensitive Creatures" reviewed by Roger Farbey

by Roger Farbey

Following two semi-pastoral Tony Tixier originals, “I Remember The Time Of Plenty" and “Denial Of Love," the listener is treated to a commendably loose interpretation of Louis Armstrong's timeless “Tight Like This," which apparently Tixier's grandmother enjoyed singing. Whilst it retains some of the hooks of the 1920's tune, it is transformed into something completely different. ...

Article: Live Review

Uri Caine al Teatro di Rifredi di Firenze

Read "Uri Caine al Teatro di Rifredi di Firenze" reviewed by Neri Pollastri

by Neri Pollastri

Uri Caine Firenze It's Monk Time -Musica dei Popoli Teatro di Rifredi 6.11.2017 Erano tre anni che Uri Caine mancava da Firenze e anche l'ultima volta si era trattato di un piano solo, formula che gli è particolarmente congeniale e grazie alla quale ci ha regalato molte performances entusiasmanti. ...


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