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The Branford Marsalis Quartet at Jazz Standard
by Peter Jurew
Branford Marsalis Quartet Jazz Standard New York, NY February 20, 2019 The Branford Marsalis Quartet came into New York's Jazz Standard in late February to showcase The Secret Between The Shadow And The Soul, their first new album release in seven years and, in marking the special occasion, ...
Julian Lage: Love Hurts
by Doug Collette
By the release of Modern Lore (Mack Avenue, 2018), Julian Lage had fully established his very own style of modern jazz, one arising directly from his approach to the electric guitar. Justifiably proud of what he's accomplished to date, yet not content to rest on his laurels, Lage stretches himself on Love Hurts, simultaneously freshening the ...
Documenting Jazz 2019
by Ian Patterson
Documenting Jazz Conservatory of Music and Drama TU Dublin Dublin, Ireland January 17-19, 2019 Jazz music, which has pretty much always meant different things to different people, has been comprehensively documented since its arrival in the first decades of the twentieth century. The most obvious form of ...
Bobo Stenson Trio: War Orphans
by Dan McClenaghan
Manfred Eicher started ECM Records in 1969. Fifty years later, in 2019, with over 1500 releases to its name, the label continues to offer up compelling and unclassifiable music. And since the catalog is deep, and early-in-the-effort recordings have become harder to find, ECM periodically re-releases some of these gems, tagging them Touchstones. Early ...
Peter Erskine: Up Front, In Time, and On Call, Part 1
by Jim Worsley
Part 1 | Part 2Peter Erskine is affable, engaging, and humorous. He, of course, is also one of the finest drummers of his generation. He has left his mark on the jazz and fusion world for nearly fifty years now. An icon, whose name is mentioned with the greats of all time, Erskine continues ...
Marc Copland: Gary
by Dan McClenaghan
Pianist Marc Copland is the perfect interpreter of the music of bassist Gary Peacock. The artists' musical relationship began over three decades ago, and continues to this day. Peacock, best known perhaps for his long tenure in pianist Keith Jarrett's “Standards Trio," has played on numerous Copland recordings, including At Night (Sunnyside, 1992), Softly (Savoy Jazz, ...
Chuck Deardorf: Perception
by Paul Rauch
Before the tech revolution that has ushered in an era of unprecedented growth and global recognition, the city of Seattle was a bit of an outpost in the world of jazz. Since the 1920s, the city has enjoyed a vibrant and innovative jazz scene, often resulting in local musicians backing major international touring artists. The emerald ...
Julian Lage: Love Hurts
by Mario Calvitti
A un anno esatto di distanza dal precedente Modern Lore arriva il nuovo lavoro di Julian Lage, ex enfant prodige della chitarra, che a soli 31 anni può già permettersi di festeggiare quest'anno i 20 anni trascorsi dalla sua prima incisione professionale (un duetto con il mandolinista bluegrass David Grisman nell'album Dawg Duets). Nel frattempo non ...
Friends & Neighbors: What’s Next?
by Alberto Bazzurro
Giunto al suo quarto album (dal 2011), il quintetto norvegese Friends & Neighbors conferma la propria predilezione per un discorso corale, fortemente condiviso, pur aprendo ovviamente i dovuti spazi agli spunti del singolo. Nonostante la presenza del pianoforte (e se vogliamo del sax tenore al posto del contralto), il referente più palpabile appare ...
Chris Gall: Room Of Silence
by Don Phipps
Chris Gall's Room of Silence shines best on its original material, and it's a good thing since the album has ten originals and four covers. In keeping with his classical foundation, Gall's compositions feel like ballets. One can picture dancers stepping gently along a brook, underneath a late-afternoon sky on a fall day in Vermont. Like ...
