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Yuki Yamamura: View of 124
by Katchie Cartwright
Japanese bassist Yuki Yamamura and his trio mates, pianist Junichiro Mataga and drummer Yosuke Nagayama, cut their teeth in Japan, studying jazz from an early age with top Japanese player-teachers. They now live in New York, soaking up and contributing to the sounds of the great city, taking in the View of 124. 124th Street that ...
Gregory Alper: Palisades Apocalypse
by Katchie Cartwright
Rachel Carson served us with this warning in 1962: “We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. ...
Laura Dreyer: Dancing Through Time
by Katchie Cartwright
When something sparks her creativity, Laura Dreyer is the sort of person who jumps in with both feet and gets right down to business. A multi-hyphenate artist, saxophonist-flutist-composer-teacher-clinician, she has been serious about jazz since junior high school in El Cerrito, California, across the bay from San Francisco. “El Cerrito High had an award-winning--like state champion ...
Amber Weekes: A Lady With a Song
by Katchie Cartwright
Irving Berlin wrote “Suppertime" (aka “Supper Time") for As Thousands Cheer (1933), a topical revue with several stars and many musical numbers. Ethel Waters introduced it, making history as the first African American woman to star on Broadway. Berlin wrote it specifically for Waters, who also sang his lighthearted “Heat Wave" in the show.
Kinan Azmeh: Berlin and Beyond
by Katchie Cartwright
Syrian-born New York-based clarinetist and composer Kinan Azmeh and his CityBand released Live in Berlin on March 1, 2025 (recorded in 2021), dedicating the project to the people of Syria with this statement: “It moves me profoundly to be sharing this album with the world as my Syrian people are able to sing again after the ...
Sivan Arbel: Oneness
by Katchie Cartwright
Sivan Arbel's compositional practice is alternately “nerdy," as the singer-composer describes it, and “stream of consciousness." In her studio, she labors meticulously over the nuts and bolts: rhythmic patterns, harmonic changes, melodic turns. Once the fundamental elements are in place, though, she sits at her piano and “squeezes the sponge," improvising words and music freely, reaching ...
Ranky Tanky with Ms. Lisa Fischer at the Carver
by Katchie Cartwright
Ranky Tanky with Ms. Lisa Fischer The Carver Community Cultural Center Jo Long Theatre San Antonio January 17 Some shows stick with you. Not that anyone remembers every note, every word, every move, but an ineffable feeling lingers. Maya Angelou said it: “People will forget what you said, ...
Jazz at Lincoln Center JALC Jazz Congress 2025
by Katchie Cartwright
Jazz at Lincoln Center JALC Jazz Congress 2025 New York, NYJanuary 8-9, 2025 In Frederick P. Rose Hall, the gorgeous home of Jazz at Lincoln Center overlooking Columbus Circle in New York City, the JALC Jazz Congress brought artists and industry professionals together for two days of panels and ...
Stephen Guerra: No Balanço do Choro-Samba
by Katchie Cartwright
Guitarist Stephen Guerra was finishing up his undergraduate degree in engineering when he became enchanted with Brazilian music. It was the guitar and song magic of Baden Powell with its mysterious metric ambiguity. Upon graduating, he took a job in personal wealth management, teaching himself to play guitar and read music on the side. After a ...
Felipe Senna & Câmaranóva: Overture
by Katchie Cartwright
Felipe Senna's expansive oeuvre defies genre, encompassing popular, classical, jazz, folkloric, abstract and narrative elements. Music, as he put it, “needs no excuses to thrill and move us...that's why I believe genre and style are not an end--they're just tools with which we take music to wherever we want it to go." Overture is ...
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