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Results for "Katchie Cartwright"
Marie Mørck: My One and Only Love
by Katchie Cartwright
Copenhagen's Marie Mørck releases her third album, My One and Only Love, as a 20-something up-and-comer on the Danish vocal jazz scene. Her well-received earlier projects contained originals and standards, but My One and Only Love stays within the American Songbook. How would Mørck have us perceive her program in 2025? For ...
Sharel Cassity: In the Spirit
by Katchie Cartwright
Even on an old familiar tune like Charlie Chaplin's “Smile" (1936), it is clear from note one that Sharel Cassity is a child of Bird, an altoist in the modernist tradition of Charlie Parker. Her first influence was actually her biological father, an organist, with whom she shared the stage in New Orleans at age 11, ...
Savina Yannatou & Primavera en Salonico with Lamia Bedioui: Watersong
by Katchie Cartwright
Watersong is the fifth album on ECM for the extraordinary Greek world-music and free-jazz singer Savina Yannatou and Primavera en Salonico, her splendid Athens-based ensemble: Kostas Vomvolos on qanun and accordion, Harris Lambrakis on nay, Kyriakos Gouventas on violin, Yannis Alexandris on oud, Michalis Siganidis on double bass and Dine Doneff on percussion. The album also ...
Susan Hinkson: Just in Time
by Katchie Cartwright
In 2025, radio programmers are apt to carp about singers who continue to cover the Great American Songbook. There are new songs and songwriters to explore, they say, and it is true. But for lovers of mainstream jazz, the mellow sound of a sensitive balladeer like Susan Hinkson singing a gem like Harold Arlen and Johnny ...
Sam Sadigursky: Making Things
by Katchie Cartwright
Los Angeles-bred New York-based clarinetist and multi-reedist Sam Sadigursky enjoys a varied and distinguished career, performing and recording with a number of renowned ensembles, including those of composers Darcy James Argue and Philip Glass, pianists Brad Mehldau and Fred Hersch, pop stars David Byrne and Tom Jones, among others, in addition to his own projects.
Gabriela Machado: Equilibrando no Acupe
by Katchie Cartwright
Choro's popularity is on the rise. In the US, camps like Brazil Camp, Choro Northwest (aka Centrum Choro Workshop), Choro Camp New England and programs like Antonio Adolfo's Brazilian Music Workshop have attracted top artist-teachers, and eager students have brought the genre back to their local communities. Equilibrando no Acupe, a program of original choro compositions, ...
Savina Yannatou: Letting the Voice Go Where It Goes
by Katchie Cartwright
Savina Yannatou flies through vast reaches of space and time as she works, like the swallows and warblers who traverse the Sahara, stopping in Greece on their annual pilgrimage to breeding grounds in the North, thousands of miles away. She is an artist “beyond category," to borrow Duke Ellington's phrase, whose programs and performances combine Mediterranean ...
Mafalda Minnozzi: Riofonic
by Katchie Cartwright
Singer Mafalda Minnozzi, who already had a solid recording career in Italy, went to Rio for a date in the late 1990s, stayed for a year, then decided to make it her home. Like many musical immigrants to that great city, she went to feel the salt air, to drink in the natural beauty and learn ...
Yuki Yamamura: View of 124
by Katchie Cartwright
Japanese bassist Yuki Yamamura and his trio mates, pianist Junichiro Mataga and drummer Yosuke Nagayama, cut their teeth in Japan, studying jazz from an early age with top Japanese player-teachers. They now live in New York, soaking up and contributing to the sounds of the great city, taking in the View of 124. 124th Street that ...
Gregory Alper: Palisades Apocalypse
by Katchie Cartwright
Rachel Carson served us with this warning in 1962: “We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. ...
