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Rob Mazurek: Marfa Loops Shouts and Hollers
by Karl Ackermann
In recent years trumpeter and electronic composer Rob Mazurek has gained prominence as a visual artist whose work has been shown on three continents. Besides giving its name to this audio collection, Marfa Loops Shouts and Hollers has been a link to additional musical and visual projects emanating from Mazurek's home base of Marfa, Texas. His ...
Blue Highways and Sweet Music: The Territory Bands, Part I
by Karl Ackermann
Part 1 | Part 2 OriginsBy the second half of the 1920s, New York had supplanted Chicago as the center of jazz. The “Jazz Age"--a label incorrectly ascribed to F. Scott Fitzgerald--could rationally have been framed as the “Dance Age." Prohibition, and the speakeasies that it spawned, were packed with wildly enthusiastic patrons of ...
Thumbscrew: Theirs
by Karl Ackermann
It has been four years since Thumbscrew, the trio of guitarist Mary Halvorson, bassist Michael Formanek and drummer Tomas Fujiwara, released their self-titled debut (Cuneiform Records, 2014). The trio is simultaneously releasing two albums--their third and fourth--Ours and Theirs on the same label. As the titles indicate, one album consists of original compositions and the other, ...
This Is It!: 1538
by Karl Ackermann
At the half-way point of Satoko Fujii's year-long celebration of her sixtieth birthday, she presents a new trio configuration--This is It!--with familiar figures. Her sixth of twelve releases for the year is titled 1538 and features her almost ubiquitous musical partner and spouse Natsuki Tamura and drummer Takashi Itani. The significance of the title lies in ...
Yokada: Stillness & Sirens
by Karl Ackermann
A new Stockholm-based piano trio, Yokada, has released their debut recording on Lisa Ullén's Disorder label. Though the sparse liner notes give no indication, it is a safe assumption that the trio's name comes from Andrew Hill's “Yokada Yokada" on Judgment! (Blue Note, 1964). This release--Stillness and Sirens--features one composition that is a tribute to Hill. ...
Kollega: EP 1
by Karl Ackermann
The self-titled debut from UK-based Kollega is a brief and eclectic collection merging multiple technologies with acoustic and electric instrumentation. Bassist Dave Shooter--the de-facto spokesperson for the quartet--explains that the group sound is influenced by the likes of the electo-acoustic Nerve and Aphex Twin, and while there may be a trace of the Richard D. James ...
Satoko Fujii: Triad
by Karl Ackermann
Triad is the fifth of twelve monthly albums to be released as part of pianist-composer Satoko Fujii's extended celebration of her sixtieth birthday. It is also her second album with the legendary American bassist Joe Fonda. Duet (Long Song Records, 2016), recorded live in Portland, Maine in 2015, had brought the pair together at Fonda's request ...
Sons of Kemet: Your Queen Is A Reptile
by Karl Ackermann
There is nothing quite like the Sons of Kemet. In a genre that struggles with the perception that it too often becomes mired in sameness and safety, this is a group that embraces the African roots of jazz while skirting the very essence of the genre. Eye-opening deviations come from unexpected places and in the case ...
Lisa Ullen: Piano Works
by Karl Ackermann
Lisa Ullén is best known for her work with Swiss bassist Nina de Heney, including Carve (2009), Look Right (2013)--both on LJ Records--and Quarrtsiluni (Lamour Records, 2016). Ullén was born in South Korea but raised in Sweden and graduated from the Royal Musical Academy in Stockholm where she studied classical piano. With well over a dozen ...
Eamon Dilworth: Viata
by Karl Ackermann
From its Romanian orgin, Viata translates to “Life." It is the new, independently produced album from Eamon Dilworth and his nameless quintet. Trumpeter Dilworth is not well-known in the U.S. but has received numerous awards in his native Australia. He has studied with some top brass talent including Lew Soloff, Ambrose Akinmusire, Dave Douglas and Avishai ...
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