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Fred Lonberg-Holm, Abdul Moimême & Carlos Santos: Transition Zone
by Karl Ackermann
Chicago-based cellist Fred Lonberg-Holm has long been in the vanguard of free improvisation. But along with free jazz, he has recorded in the rock and country genres, and composed concert works. He is joined on Transition Zone by two leaders of Lisbon's creative music scene. Dual-electric guitarist/composer Abdul Moimême and electronics artist/composer Carlos Santos bring their ...
Eberhard Weber: Once Upon A Time - Live in Avignon
by Karl Ackermann
Once Upon A Time-Live in Avignon is the fourth release of ECM-sourced material from the celebrated German bassist Eberhard Weber whose 2007 stroke left him unable to play. Résumé (2012) consisted of bass solos extracted and re-engineered from Weber's work with Jan Garbarek. Encore (2015) followed a similar formula with seventeen years of bass solos mixed ...
Roscoe Mitchell: Dots - Works For Percussion and Woodwinds
by Karl Ackermann
Roscoe Mitchell occupies a special place in the pantheon of music. He is a founding member of the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM) and has taught at the University of Illinois, the University of Wisconsin, the California Institute of the Arts and Mills College in Oakland, California. ...
Satoko Fujii: Piano Music
by Karl Ackermann
The solo piano works of Satoko Fujii often summon an ethereal ensemble of sounds. Prepared, or in its natural state, her piano speaks as a proxy for the always searching composer/improviser. Fujii's recordings are an ongoing stream of themes based on the here and now for an artist who does not fit neatly into any category. ...
Marc Johnson: Overpass
by Karl Ackermann
The virtuoso bassist Marc Johnson has kept a relatively low profile as a leader. A graduate of the prestigious North Texas State University jazz program, Johnson made his mark as a member of Bill Evans' trio from 1978 until the pianist's final album the following year. His ECM debut came as a member of John Abercrombie's ...
Pedro Melo Alves: Lumina
by Karl Ackermann
On the burgeoning Portuguese jazz scene, drummer Pedro Melo Alves is becoming one of the more prolific artists. The multiple award-winning composer has accumulated international praise for four unique recordings in the space of a year. On Lumina he has extended his existing ensemble and assembled the Omniae Large Ensemble of twenty-two musicians for a project ...
William Parker - Matthew Shipp: Re-Union
by Karl Ackermann
Matthew Shipp and William Parker are in a space which they arrived at more or less together. The pair first recorded together with the quartet on David S. Ware's Great Bliss, Vol. 1 (Silkheart, 1991). Not long afterwards, in 1994, they released Zo, the first of their duo projects, on the now-defunct Rise label; it was ...
A Different Drummer, Part 5: Terri Lyne Carrington
by Karl Ackermann
In her 2003 Carnegie Mellon University paper Experience West African Drumming: A Study of West African Dance-Drumming and Women Drummers, Leslie Marie Mullins explains that drumming was explicitly the territory of male musicians in West Africa. Mullins reveals that several myths were employed to keep women and drums far apart. Among them, Ghanaian women were thought ...
Wildflower: Better Times
by Karl Ackermann
The ground-breaking London trio Wildflower features bassist Leon Brichard, saxophonist Idris Rahman, and drummer Tom Skinner of the group Sons of Kemet. Brichard and Rahman are founding members of Ill Considered. Similar in style, the music of Wildflower has the fundamentals of post-minimalism, hard bop, and free improvisation. Spiritual and powerful, Better Times mostly lives up ...
Barry Altschul and the 3Dom Factor: Long Tall Sunshine
by Karl Ackermann
For a two-decade stretch beginning in 1971, free jazz drummer Barry Altschul was positioned among the most in-demand percussionists. He made his mark in the fleeting but important group Circle, with Chick Corea, Dave Holland and Anthony Braxton. Among the many cutting-edge artists he worked with were Andrew Hill, and Paul Bley. And then, for almost ...
